102 безплатни аудиофайлове за "Am Modulation"

Modulation von Heinrich Schütz aus SWV 379

Simplest type of metric modulation in Bach. Slow introduction followed by Allegro, traditionally taken twice as fast. Eighth notes in the new tempo prepared by sixteenth notes in the old tempo ( = ).

Sequential modulation through the circle of fifths in Haydn, Quartet Op. 3, No. 3, IV, Hob.III:15 (now considered spurious, perhaps by Roman Hoffstetter).

03. Nolan Čapek - Fallen Tree

02. Nolan Čapek - Forever

04. Nolan Čapek - Three New Sprouts

05. Nolan Čapek - Dock Thirty-Three

01. Nolan Čapek - Bident Path

Sequential modulation in Beethoven, Sonata, op. 53, movement I

Common chord modulation in Mozart, Sonata in D Major, K. 284, III, m. 1-8.

Phrase modulation in Mozart's Sonata in A Major, K.331, III (Alla turca), mm.6-10.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Chopin's Prelude in C minor modulates within the first three measures.

Common-tone modulation between chromatic mediants in Mozart's K. 475, mm. 24-26.

Der Kanon O wie wohl ist mir am Abend als MIDI-Datei. The canon O wie wohl ist mir am Abend as a MIDI file.

A few bars from "Erstarrung" and "Der Lindenbaum" from Franz Schuberts songcycle "Die Winterreise"

Common-chord modulation in Tchaikovsky, Mazurka Op. 39, No. 10.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.

Sequential modulation in Schubert, Piano Sonata in E Major, D. 459, movement III.

Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).

Der Lindenbaum, lied du recueil Winterreise de Franz Schubert sur un poème de Müller

Gwahoddiad - I Am Coming, Lord

Bald gras ich am Neckar, bald gras ich am Rhein

Am Brunnen vor dem Tore

Example of modulation to the dominant from vocal music (1836).

O wie wohl ist mir am Abend (bei Gewitter)

Es klappert die Mühle am rauschenden Bach

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

A sample made by myself (Paul Nasca) using ZynAddSubFX and Praat that will be used to show the RingModulation effect. This is the a sample ring-modulated by a sound of 2500 Hz.

Diminished seventh chord's use in modulation.

The Christmas tree is bright with candles Am Weihnachtsbaum die Lichter brennen

Schubert - op. 29, D.804, I, mm.144-49. Enharmonic modulation using a common viio7, enharmonic in two keys.

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

Selected parts from a longer recording. This is a modular synth controlled by quantussy cells. They are one method for creating generative music. I call it machine composition.

Radio static i recorded from an old am/fm radio with a akg perception mic. Used in the song nonbeing by instead of ink @ http://insteadofink. Bandcamp. Com/.

Alien xxx sent me a “cross modulation challenge”. I have tried to be true to his idea, but added automation, so to speak. Oscillator1 is constantly fm-modulating oscillator2. I vary the frequency of oscillator1 with an lfo. The output of oscillator1 is sent to a) left audio channel and b) in to oscillator2. The output of oscillator2 is fed to oscillator1. The degree of cross fm modulation is controlled by a vca controlled by another lfo. The output of oscillator2 is also sent to right audio channel. As i’m writing this i have just made a theoretical patch on a piece of paper. The result is what you hear. No effects added. Straight out of the modular for better or worse.

Recorded from shortwave stations.

Error sound.

Another sound recording from 4625 khz. It's a russian radio signal called "the buzzer".

Static from the 810 khz frequency of the am radio band recorded from a digital receiver. Has a sort of submarine suggestive hollow quality.

Static from 770 khz on the am radio band, with a cycling sort of zap sound.

Part of qso with i1ulj. He used home-brew tx - power only 3 watts. Good strength but ac modulation. My antenna low doublet 80 m. Recorded: nokia 6230i, trx loudspeaker - phone mic (ft-897, qth jn79nd).

Recorded my friend's old, am stereo on an ipad using an audio technica boom mic.

This is an audio file of microsoft sam, the text to speech voice for windows. This time microsoft sam sans my roflcopter goes soy soy soy. I made this audio file using balabolka. Enjoy!.

Static from the 760 khz mark of the am radio band, with spikes to the high side of the tone and very little bass.

Alien female and animals voices modulations and sound effects fragment 01.

The static at various points on the am radio bandwidth from 1040 khz to 1220 khz. Recorded from a digital tuner so the switch from location to location is a cold chop.

Radio noise on short wave. Compilation of sounds.