352 безплатни аудиофайлове за "Convertible"

Shaking the dust out of a tshirt multiple times. Could also be used for a video game character landing on the ground, or for wings or flying as a flapping sound effect. Recorded on iphone. Processed with audacity to convert from m4a, with slight noise removal. 𝗟𝗜𝗖𝗘𝗡𝗦𝗘:this sound is 100% free to use for personal/commercial use, no attribution required. 𝗕𝗘𝗙𝗢𝗥𝗘 𝗬𝗢𝗨 𝗚𝗢:⬇︎ take a quick break! try my free game! ⬇︎. .

This was recorded as foley for a sound design / composition contract i took for a theatre company. We needed a train sound to signify crates of dead soldiers being shipped back from the front lines, to be processed and fed to soldiers holding encampants behind the lines. It was recorded in an arcade adjoining outbuildings of a factory converted to studio and office spaces. I excused myself from rehearsal to catch the recording shortly after learning a woman i'd been seeing for about a year was through with our relationship. I won an award in composition and sound design for the work i did for the play.

This is an ambient sound effect traveling on the subway system in madrid at 11:30am, september 2019. The recording is on the platform, then boards, and exits the train; the train then departs and there is a period of platform ambience. Recorded with shure mv88 in mid-side, converted to stereo.

Some random notes. Recorded into cubase using a 4-string squier jazz bass and a behringer ultragain digital ada8200 converter. Cut in ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know!. If you want more cc0 sounds, please consider supporting me on flattr. Https://flattr. Com/profile/cabled_mess.

This is my voice of frustration. I recorded this by an accident, i got angry in the middle of recording something else. Authentic - no acting. "kurwa" is a polish word as popular and as meaningful as english "fuck". It is also (sadly) the most well-known polish word among other nations. Recorded with a zoom h2 via usb @ 48khz/16-bit into ardour 2. Edited and converted to flac using ardour 2. I apologize for uploading this.

Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

This one has a very vocal blackbird finishing off the evening (8pm). All recorded whilst staying in a converted barn in rhos, wales. Recorded on my zoom h4n, there maybe some wind noise in places and maybe a very high flying jet, but mostly it is just the sound of nature. There is a nearby stream in the background too. These are the original uncompressed untreated files. Hope it is useful to someone.

A recording of Pleasant Moments, a Ragtime Waltz recorded on Piano Roll by Scott Joplin in April 1916, and thought lost until discovered by User:PlayerRoll in 2006. It has been scanned and recorded on a Grand Piano as an MP3. The recording is public domain as it was originally made before 1923 in the USA. The MP3 was converted into OggVorbis by Major Bloodnok.

My great-uncle and great-aunt have an old grandfather clock. It doesn't quite work right and only chimes 7 times at 12 o'clock, so i had to record it at 11 and add another chime. Nonetheless, it makes for a great ambient sound, especially in a horror setting. I recorded it with my tablet (samsung galaxy tab a) and edited it with audacity (added in an extra chime, converted it to stereo, etc. ).

Outdoor swimming pool, many kids, splashes. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track/height). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

I eat rice cracker and sip coffee. I tried to make as much noise as possible. This is a test recording with korg mr-1. I recorded this sound at 1bit/2. 8mhz (dsd) and converted it into 24bit/44. 1khz (pcm). If you could listen to the raw dsd file, you might think you were here with me. Unfortunately, i can't upload dsd version, so i chose 24bit pcm for keeping better quality. Reality was lost to some extent, but i think you can feel the touch of the original one.

Recorded with zoom h2 at 96 khz / 24-bit. Edited and converted to flac using audacity, otherwise unprocessed. Midway through recording i have lowered my gain setting from hi to mid to avoid clipping. Some background noise (fridge) is left in for noise removal. I prefer to get raw audio from freesound i can process myself - gives me maximum options, that's why i deliver the same. Video recording:https://youtu. Be/ezqsxnbvl4o.

A collision sound of a vehicle crashing or some kind of mechanical object being hit and smashed. Calf reverb used in audacity. This is a cc0 sound, based on (at time of download) cc0 parrot ar drone 2. 0 take off, flight and landing. This is a flac file. It is lossless like wav but compressed like ogg/mp3. Use audacity or fre:ac to convert quickly to mp3/wav/ogg.

Ambisonic recording of a garbage truck. Truck begins near, gets distant and then near again. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

An sennheiserme66 and me67 on opposite channels, i don't remember which was which(sorry). . But i could tell no real difference during recording (samecapsule, different tube). The mics were near coincident next to canarycage, though shure fp24 and tascam hdp1. Original at 24 bit 96k, down converted to 16 bit 48k. It took allot of intimidation to get the stinking birds to sing. . I threatened violence, finally when alanis morsette played, they gave it up. Otherwise birds would have died (though that may have been an interesting recording too). .

This sound is a small fragment of "one man rumba" binaural musical recording example uploaded by karl binaural audio (http://www. Kallbinauralaudio. Com) binaural recording - wikipedia page (https://en. Wikipedia. Org/wiki/binaural_recording). I convert the original sound to mono using audacity application. Furthermore, i take the small portion (exactly 5 second length) from the original sound (from 26. 5s to 31. 5s) and give fade-out effect from 31. 1s to 31. 5s.

While recording narration on my blue yeti microphone, the cable came loose in just such a way that it started glitching and converted everything i said into weird techno music. In the radio drama big data, it was used to represent the end of the internet. You are free to use it in any way you like, but it would be super funny if you credit it to "broke yeti" as though that is a real band and help me confuse people.

A short collision sound of something crashing or some kind of mechanical object being hit and smashed. Calf reverb used in audacity. This is a cc0 sound, based on (at time of download) cc0 parrot ar drone 2. 0 take off, flight and landing. This is a flac file. It is lossless like wav but compressed like ogg/mp3. Use audacity or fre:ac to convert quickly to mp3/wav/ogg.

Calm ocean breeze simulation, created using the zoom h1. Sound was created using water faucet, and carpet to catch ambient close sounds to create this effect. Added pop compression filter and verb. Recorded at 24bit 96khz , converted to 16 bit wav. Feel free to use this sound how ever you need it. A little credit wouldn't hurt. Thank you and stay tuned for more improved sound effects. :).

Sound created and generated with the software "bitmaps & waves" version 3. 10. 1. I'm totally in love with this software, it let's you take an image, and "convert" it into a lovely sound. This was the best one i got so far, the image used can be found here: http://cdn3. Pitchfork. Com/advance/art/535/2172873c. Jpgand the software can be downloaded here: http://victorx. Eu/bitmapplayer. Htm.

Recorded on 20. 05. 2020 on schneealpe in styria, austria. Its funny - and a bit scary - that one can see the exact crevice the recording took place from a satellite. There was a bit of snow left from winter but rapidly melting. Drops fall from 30 cm to the rock below in different rhythms. Recorded with 2 km184 ab ~40cm apart into sounddevices 744. Unfortunately i had no proper windscreen and so there is quite some rumble up to 120hz. The rumble can be filtered out easily, but i left the recording as is (i normalized and converted from 96k to 48k in audacity).

Tropical frogs night mating calls. Sound source: https://freesound. Org/people/mafon2/sounds/540633/from mafon2. Convert to 48khz 32 bit wav. Add 32 splices with reaper. Morphagene high speed forwards (fully cw) morph fully cw. Gene size 12 o'clock. Splices shifted randomly using stepped output from wogglebug. Reverb erbe-verb. Mimeophon karplus strong sequenced by o-contrl random tempo with wogglebug woggle output. Want to know more? get in touch.

A simple multi-sampled synthetic spacebass pack, containing 25 samples, derived from 2 octaves of a home made soft-synth patch. The original quality was 24 bits with a sample rate of 88. 2khz, which i converted with a very good src to 16 bits and 44. 1khz. Not that is was that important after all considering the fact that the patch itself has a grainy character in the higher frequencies. . . No compressing, equalizing whatsoever involved, the panning is pretty wide tho, with left and right sounding rather different, but in stereo it still feels pretty balanced i think.

It's a recording of audience applauding during a gig. You can hear around 50 people clapping their hands, sometimes shouting. There is also sometimes a piece of music or the vocalist's speech audible. I tried to eliminate any music, without badly trimming the sound. I used some fade-ins and fade-outs here and there. The sound was recorded with a zoom h2's rear stereo mics, originally 48000hz/24-bit wav. Edited and converted to flac using audacity. I hope you'll enjoy this sound and find it usefull.

Outdoor swimming pool, many kids, radio voice in bg. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track/height). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Sound source: https://freesound. Org/people/mafon2/sounds/540633/from mafon2. Second version. Convert to 48khz 32 bit wav. Add 32 splices with reaper. Morphagene high speed forwards (fully cw) morph fully cw. Gene size 12 o'clock. Splices shifted randomly using stepped output from wogglebug. Reverb erbe-verb. Mimeophon karplus strong sequenced by o-contrl random tempo with wogglebug woggle output. X-pan fully engaged this timewant to know more? get in touch.

Albuquerque, new mexico residential morning ambience, high desert neighborhood, birds, wind gusts, walkers pass-by, bformat-fuma. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track) *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

I live in a block. And at 7:30, some men begun removing a concrete floor of a balcony with a jackhammer. I held the recorded from another balcony around 15 meters away hoping i win't get too much wind in my mics. This guarantees you to be awake in seconds. So i'm sharing the love. Recorded with zoom h2 at 96khz/24-bit. Truncated and converted to flac using audacity, otherwise unprocessed (raw).

Or some acid sounds… and drone. All in oneused filters are> doepfer a-124 special edition, the wasp filter> uoki-toki polivoks vcf> intellijel μvcfdidnt plan to upload this to freesound, but read this. Okay filter freaks. . . The frequency analysis reveals a peak around 20khz. Through all of the track? almost. What is that? (when i converted the file to mp3 the peak disappears. . . ) one clue could be that i use the filter as vcas too?i have applied normalisation, compression and limiter in audacity. A "documentary" at https://www. Youtube. Com/watch?v=wtzfkg3mxcgin the film i use the mp3-file.

It's a part of my pack "sickness". Sounds i recorded while being sick. I got a virus infection resulting in elevated body temperature, lack of strength, cough, running nose and sneezing. Check the title for what is in this particular recording. Recorded with zoom h2 on a mic-stand @ 96khz/24-bit. All the sounds in this pack are raw (unprocessed) they were truncated and converted to flac (both using audacity) but not normalized, with original 24-bit precision - turn them up as you need, denoise if you have to, cut out what you want. Enjoy my pain ;-).

Amb, ext, high desert residential neighborhood, very windy, trees rustle, leaves blow, cricket. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

It's a recording of me taking some vitamin pills (3xrutinoscorbin). You can hear me taking the box, opening it, pulling out the blister, poping out the pills, putting the blister back into the box, closing the box, throwing it away, taking the pills into my mouth, taking a glass of water, dringing water, swallowing pills, putting the glass on the table, and breathing out. There is much background noise, bu it's static and i leaved a clear sample so you can denoise this. Recorded with a zoom h2 into ardour daw. Originally 4800khz/16-bit wav. Converted to flac with ardour.

I wanted to record the sound of a keyring - or rather the keys strapped to it - make while in mid-air. There are the keys audible, recorded hitting the stack of hay (soft landing) and air blowign into the mics while the recordied has high velocity. I was throwing my recorer with my left hand, while simultaneously throwing my keyring with my right hand. The throw was vertical and the landing zone was a pile of hay. I thing there are some interesting sound here, i'm uploading it unedited to make it possible to cut out whatever you like. Recorded with a flying zoom h2 at 48khz/24-bit, edited, nomalized and converted to flac using audacity.

Does freesound really need another recording of someone washing their dishes? maybe not, but this is a longer take i recorded for a film project - because when you're editing, it's frustrating to find a good recording that's not long enough!. Includes plenty of dish movement, running water, scrubbing, etc. Some limiting was applied to tame the biggest peaks. Mics: schoeps cmc6 mk4 stereo pair in xy configurationrecorder: sound devices mixpre 3 directly into reaper. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.

The florida grand prix runs every spring in the waterfront streets of st. Petersburg florida. I was standing in a blocked off street (so i wouldn't get run over) about 500 feet from the passing grand prix cars. These were the trial runs on friday, march 28, 2014. It's a 3 day event that attracts tens of thousands of race enthusiasts each year. This is the first event of the annual national series and it's said to be the favorite street course with race drivers. Recorded with a mono long shotgun microphone, then converted to a stereo file in adobe audio.

Albuquerque, new mexico residential daytime ambience. Wind in trees. Bug-bys. Birds. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase with a different piano sound. Slight echo added.

It's me saying some words. I've recorded my speech and then used ardour's (http://ardour. Org) looping funtionality (which have proven to be rock-solid) to perform theese glitches. I used my mouse to select random ranges in the session, then used the "]" key to set tre selected region as a loop range. And also used "l" key to start looping if i accidentaly clicked on the playhead (which makes it stop playing). I also used space bar to break the loop into normal playback. There was a limiter in ardour. Recorded the performace using jack_capture cli program. I cut out some silence using audacity and converted the recording to flac.

It's a recording of over 100 people watching a football match (poland-greece @ uefa euro 2012). Recorded in a medium-sized hall. You can hear the sport live commentary broadcasted from television, people expressing their emotions with their voices. Clapping their hands, cheering their team (poland) and generally making a lot of interesting noises as they watch the game. Recorded with zoom h2 in 2-channel surround mode. Originally 24-bit wav, normalized and converted to 24-bit flac with audacity. I have reduced the mic gain at 0:56 to ensure i will not have a clipped recording. I didn't edit the result to let you cut-out whatever you may need.

It's a recording of a man operating a chainsaw in a forest near an underground repair station. I've been biking through the forest whe i heard the chainsaw, so i stopped and recorded 7 minutes of him cutting off branches, tembers and walking around a bit. You can heat the chainsaw, natural forest reverb, sometimes a plane flying by or an undergroud train. The recording was made from around 20~30 meters from the sound source. Recorded with a zoom h2 (rear mics, hi gain, 96/24). Originally a 96khz / 24-bit wav file. Converted to flac using audacity.

The Canadian national anthem, "O Canada", played by the United States Navy Band in the early 2000s. The song was originally commissioned by Lieutenant Governor of Quebec Théodore Robitaille for the Saint-Jean-Baptiste Day ceremony, 1880. The music was written by Calixa Lavallée as a setting of a French Canadian patriotic poem composed by Sir Adolphe-Basile Routhier. The lyrics were translated to English in 1906, Robert Stanley Weir wrote another English version in 1908, which were revised thrice before taking their current form in 2018. Was converted to Ogg format using Audacity (Originally uploaded on en.wikipedia).

Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Original UniRecord, 1916. Maple Leaf Rag published 1899. Українська: Скотт Джоплін грає композицію реґтайму «Maple Leaf Rag» у 1916 році.

It's a recording of a calcium-sandoz® forte/fuerte 500 mg effervescent tabled falling into a glass of water and dissolving. You can hear the tablet dropping into the water and water droplet hitting water surface back. After w while - co2 buubles start to appear creating noisy sound. The recording has a long natural fadeout and unfortunately some background noise. I leaved "silence" before the sound starts so you can de-noise the recording to your needs (i prefer audacity for denoisig). Recorded inside of my wardrobe for acoustic isolation using zoom h2 on a mic-stand. Recoded as 96khz/24-bit wav. Normalized, truncated and convertet do 16-bit flac using audacity. I've converted this to 16-bit as it still has plenty of noise and 24-bits would not be any better after normalization.

It's a recording of three emtec cd-rs being broken with bare hands. I had 3 audio cd-r that were burned useless. I decided to record their last sounds. You can hear the cds cracking and breaking, me bending them and trying to break them - they were pretty elastic - i had to learn how to crack them. So at first i had some trouble. Around 0:45 you can hear as i'm bending two cds together they squeak and crackle but don't break. The sound is not edited (hence the tag "raw") - no processing was done - i just truncated the beginning and the end leaving you everything you might need. Recorded with a zoom h2 placed on my bed. I was breaking the cds above it. There was a lot of splinters around, you can hear me fiddle with them from around 2:10 on. Originally wav 96khz/24-bit. Truncated and converted to flac with audacity.

(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully attempt not to turn my head to keep the sound clean and coming from the same direction. Of course, if you don't want binaural audio you can always easily convert to mono. This is a recording of me approaching a soda machine in my apartment complex, swiping my credit card in the new, handy-dandy credit card slot, and dispensing a coke zero (in case you really needed to know). Safe for all production as it is voice free. I kept the peaks very low to maintain a natural sound. Enjoy!. Christopher c. Courter.

Title: en:Roland MC-202 Creator: Sven Buresch for Wikipedia Description: simple song arrangement using en:Roland's en:MC-202 for the filter hookline, en:SH-101 for the bass and en:TR-808 for drums; no additional effects. Sequencing was done with en:Steinberg en:Cubase SX 2.2; MC-202 and SH-101 had been connected via Harms en:MIDI/CV-Interface, en:TR-808 (Kenton MIDI modified) via Steinberg Midex8. Copyright dispute? Re: MC202 audio exampes Hi. http://en.wikipedia.org/wiki/Image:Mc202example.ogg and http://en.wikipedia.org/wiki/Image:Discobotter.ogg both were written, performed and recorded by myself. I am the copyright owner and I chose to have it PD for Wikipedia as there were no listening examples. If you doubt we can make music at all check out our myspace: [1] - another tune with a 202 on it or go to [2] - loads of noise with 202,303,404's and so on ;)) Hope this helps. Cheers, Sven. --audioschotter.net 13:38, 31 May 2007 (UTC)

This recording was made in the path of totality of the august 21st 2017 eclipse, in the woods surrounding devil's kitchen lake in southern illinois. It's a stereo extract from a longer, 88 minute b format recording. The purpose of making the recording was to see how the eclipse affected the sounds produced by insects and birds. In this extract, totality occurs exactly 10:00 minutes in; and ends at exactly 12:38. This mirrors the time totality occurred at devil's kitchen lake: from 1:20:27pm to 1:23:05pm central time. Mic: core sound tetramicrecorder: zoom f8. Panorama of the recording site: https://photos. App. Goo. Gl/t2m3esbcm71l4wzza. With thanks to jay needham for being a good host, and guidance on where rattlesnakes like to hang out. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.

This is a recording of an office paper shredder starting up. This model of paper shredder has a button that you can press to run it briefly in reverse, in order to clear paper jams and clean the blades. If the shredder hasn't been used in a while, it takes several seconds to start, and makes a cool noise while doing so. The click at the start of the recording is the switch being pressed. You then hear the motor struggling to start up for about five seconds, and finally it comes up to speed. The high-frequency crackling you hear, particularly once the motor is running smoothly, comes from bits of paper still rolling around in the blades (easy to convert into a campfire or rain). There's another click at the end when the reverse button is released. I uploaded this because several parts of the recording sounded like they'd lend themselves to morphing in various ways to create other interesting noises. Recorded with a hand-held zoom h4n, stereo 96 khz / 24 bits, with the built-in mics, positioned about six inches above the rotating blades of the shredder.

A 1906 recording of American composer Scott Joplin's Maple Leaf Rag (1899) played by the United States Marine Band. This is one of the earliest known recordings of this work by Joplin (according to a discography of 78rpm recordings of Joplin works compiled by David A Jasen in "Scott Joplin - Collected Piano Works" 1981). Converted from MP3 to Ogg Vorbis with a slight trim of the beginning and end by Major Bloodnok. The discography of Joplin's work on 78 rpm records compiled by David A Jasen in "Complete works of Scott Joplin" indicates this is the third known recording of the Maple Leaf Rag. Edward A Berlin's book "King of Ragtime" in a note on p310 indicates that the recording of 1902 listed by Jasen is not infact the work by Joplin, making the 1906 recording the second existing record. Edwards's web-page and this page demonstrate that there are no known existing copies of the 1903 cylinder recording by Wilbur Sweatman and His Band.

It's recording of a passenger train's on duty. You can hear the train's motors, the wheels rumbling against the rails, the wagon connectors hitting each other, when the train stops also people chatting. Near the end of the recording the room acoustics change, because a woman entered the area between wagons where i was standing with my recorded pointed down. I was standing in a narrow passage, where two wagons were joined, between two closed slide-doors. She have opened those so the overall sound has radically changed and i decided to end the recording. Through the entire recording the unit is moving forward, decelerating, stopping, staring and accelerating again repeatedly as it travels stopping at several stations. The recording was done with a hand-held zoom h2. Rear mics used pointed to the ground. I was in the loudest area in the whole train. I was using "low" gain (h2 has three mic gain levels to choose from: l/m/h). Viewed and converted to flac using audacity, the file hasn't been altered in any other way. Originally recorded as a 96khz/24-bit stereo wav file.