69 безплатни аудиофайлове за "Cue"

An alternative "riser" with a strong suspenseful atmos and cold metallic tones. Originally edited from a stretched and filtered sound of a bed frame being hit. I imagine, however macabre, the lasting shot of a character demise or a shocking sound cue for particularly transgressive notions.

408 cc-zero sound samples culled from freesound. Org and merged into one file. Each 44k mono sound is marked with a cue point that indicates the source. All sounds are public domain and do not need to be credited, and the same goes for this upload -- but if you would like to thank the creator of a sound and/or tell them where you used it, just search for the file name found in the sound's cue point and it will take you to their page here on freesound. Important:if you intend to register a copyright with the government for an original work of yours that uses any public domain sounds, you must indicate them in the registration process, because you cannot copyright public domain sounds.

A sound cue i designed with a euphoria synth pad from garageband on my macbook pro. Track used to underscore a powerful scene between 2 residential school survivors for the theatre production called 'nicimos: the last rez christmas story'. The play ran from nov. 24 to dec. 19, 2014.

Over 250 public domain sounds curated from freesound and the internet archive. A grab bag of random sounds, could serve as a building block for your music or incidental sounds in a video. All sound info is in each cue point of the main file. Cues that do not have info are part of the group indicated before them. To extract all the sounds, use a sound editor like goldwave to break it up by the cue points. For any internet archive sounds without an address, you just need to search the public domain files for the song/video name. Use this search argument: licenseurl:http*publicdomain* and (name of file here). Since these are public domain, you are not required to give credit for any of the sounds (including this collection). For the sounds curated from freesound, you can thank the artist and/or tell them where you used it by copying and pasting the file number into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.

Samples from a freakenfurby, a circuit-bent furby toy by dave barnes. These are glitched speech synthesized vocalizations recorded at 32 bits by direct connection into sonar. They were downsampled to 16-bit, broken into individual cues, edited and processed and filtered to remove offset correction issues and other unpleasant artifacts.

Sound editor recorded a 5 second countdown leader including the following:-left and right channel split tones recorded at -6db max-3 second countdown (3, 2 - with 1 frame tone). Can be very useful in cueing editing segments meant to be synchronized in a program or show leader. Produced and voiced by:jeremy gossettgossett productions, llc. .

Samples from a freakenfurby, a circuit-bent furby toy by dave barnes. These are "normal" speech synthesized vocalizations (without glitches) recorded at 32 bits by direct connection into sonar. They were downsampled to 24-bit, broken into individual cues and processed and filtered to remove offset correction issues and other unpleasant artifacts.

Dvw500 in standby-off mode, idling. This sample is part of a set featuring the interior of a sony dvw500 digital video tape recorder with a tape loaded and performing various playback operations. Recorded with a pair of soundman okmii mics inserted into the unit via the cassette-slot.

90 beats, beeps and blurts culled from freesound. Org's public domain uploads. Also, 13 sounds culled from freepd. Com which are public domain as well. All in one file, separated with cue points that have file info. Easiest way to sort it out is to use a sound editor that can separate the files by cue points into one folder. Mono 44k and mostly 140 bpm, should be fun for rave tracks. Since these are public domain, you are not required to give credit for any of the sounds (including this collection), but if you want to thank an artist and/or tell them where you used it, just copy/paste the file name into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.

Sounds recorded on a summer night, in 2005, west of redmond oregon (see geotag). Made with a jvc digital camcorder, it got some interesting sounds of frogs, coyotes howling in the distance and the reaction of a very nervous jackass. The audio quality isn't all that great but, it's not like i was able to recreate the same ambience again, on cue. . .

The origin of this recording is a hob on the highest heat level recording slightly hot. Be very careful if you are doing this as fire is obviously detrimental to organic life and the microphone does not like to be on fire. An "acidized" (marked with loop/cue flags) sample. I imagine a furnace combusting away. Rate-shifting this sample (pitch/speed) can give you variations in your daw (digital audio workstation). This sample in particular feels appropriate for use as a background furnace sound or if sped up, a flamethrower.

Completely made in sony sound forge 10 with the fm tools. Starts off with a sine 6,000 hz to ~12,000 hz in about three seconds to emulate a camera flash warming up. For those who intend to use it as a part of a futuristic weapon in games, flashes, or movies, i also added a double beep as a "weapon ready" cue and final tone at the for an optional "locked on" which could also double as an error beep.

A twisted sound of screeching metal and various slam sounds. Made from. . . Well you know from my previous uploads. This sample inspired by twisted metal black a car combat game which had a combination of grungy, dirty and suspensful sound designs of which compliment the downtrodden style are some of my styles of foley considering the genre of "industrial" of technology, metal, machinery and transhumanism. Applications could be used in very run down areas as a cue sound, foley/ambiance for when a person is to be trapped and face danger and/or simply a jumpscare.

Bit of the score from a government educational film entitled "injected water protected water," available from archive. Org under the cc 1. 0 license. Conveniently, the soundtrack of this little beauty was dual mono with one track for dialog and one track for this fantastically awful score. I simply cut up the track into individual cues. All the level changes, abrupt endings, bad edits, etc. Are all native to the original material. For the original film in all of its early 90's vhs glory, go here: http://www. Archive. Org/details/gov. Ca. Cdc. Doggr. 2. 3.

Over 100 environmental loops in one which are all public domain from freesound. Org. All sound info is in the cue point for each sound. These are perfect backgrounds for videos, for games, or maybe songs of your own? there is lots of different loops for everyone :). Since these are public domain, you are not required to give credit for any of the sounds (including this collection), but if you want to thank an artist and/or tell them where you used it, just copy/paste the file number into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.

I created this sound to add to the freesound. Org library of sound, because, to obtain use on a sound here, one of the stipulations was that i had to add a sound here at freesound. Org. I love sounds. My senses have always naturally been fine tuned to appreciate the subtle cues in sounds, although, as an artist, i am more drawn to create music or visual art, rather than sounds, but i gave it my best try here. This is a sound i have been doing for years, since a very young child actually. Basically the sound is achieved by making three sounds with my mouth. . . 1. Sucking my lips together, and then opening my mouth, 2. Bringing lips back together and forcing air out 3. And then the sound of my tongue pressed just under my front teeth, and flicking my tongue down. I do this very fast. Enjoy!.

9-note ending riff. 1 of 8 samples under 5 seconds from my acoustic guitar recording of a civil war fife and drum song named frog in the well, which i learned from an 1862 instructional manual. The instrument was a 1928 gibson l3. There are no effects. Key is (in order of best fit) d major, f# minor, e minor, g major, a blues. Time signature is 3/4, but these samples are mainly under a bar so can be used in a 4/4 song. You also use either of these licenses for your remix: creative commons attribution-sharealike, creative commons attribution-noncommercial. The home of this song on the web is soupgreens. Com/froginthewell. That has the full source song in mp3 format and short clips (40 seconds, 30 seconds, and 20 seconds) for use in video cues. There is also sheet music and guitar tab there.

This sounds as if it were staged by hollywood, but it actually did happen, i swear! birds chirp away to set the scene, but a beefy thunder roll intrudes. Soon after, raindrops begin to fall as if on cue. Theres a little handling noise click in the begining that is easy to crop out if you like. The recording is unedited. At 1:35 i move the mics closer to the deck so you can hear the splashing. At about at 3:10 i you’ll hear a different timbre as i move away from the rain and under an awning. About 3:45 the rain settles down and the birds start chirping again. Hopefully there are some useful segments in here. Recorded with a dead cat on a tascam dr-05 at 48khz 24 bit, then compressed with “lame --preset insane --scale 10” to make up for the low gain i used (i was afraid a thunderclap would engage the limiter). Cheers.

An "orchestra" created with lots of freesounds. Created to sound like a bizarre orchestra with seuss-esque instruments. Most 2-second segments are loopable, enabling each section to be called on a cue for a production of sideways stories from wayside school. Sounds used:http://www. Freesound. Org/people/madjad/sounds/21679/http://www. Freesound. Org/people/loofa/sounds/23783/http://www. Freesound. Org/people/madmerv/sounds/27169/http://www. Freesound. Org/people/herbertboland/sounds/29860/http://www. Freesound. Org/people/primejunt/sounds/135642/http://www. Freesound. Org/people/thatjeffcarter/sounds/146072/http://www. Freesound. Org/people/felix. Blume/sounds/163727/http://www. Freesound. Org/people/swiftoid/sounds/184304/http://www. Freesound. Org/people/harbour11/sounds/194624/http://www. Freesound. Org/people/taniagahuape/sounds/199799/http://www. Freesound. Org/people/zott820/sounds/209576/.