1333 безплатни аудиофайлове за "Elektron Analog Four"

Annotated musical notation of beginning of refrain from the Christmas carol "Angels We Have Heard on High". Markings illustrate how melodic/harmonic sequence occurs in music.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): anianalognote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): round 92note: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): grit chordnote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): grit padnote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): pleasing fmnote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): a1note: d#2midi note: 39.

Melodic sequence in "God Save the King". The pitches of the first line, "Send him victorious," are repeated, but lower, in the second line, "Happy and glorious,".

An excerpt from the traditional Latin song "Adeste Fideles". Created by Hyacinth (talk) 22:50, 1 February 2012 (UTC) using Sibelius 5. See: :Image:Adeste Fideles sheet music sample.svg

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): elaborate 75note: c3midi note: 48midi velocity: 32.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): multiarp 110note: c3midi note: 48midi velocity: 37.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): fly robinnote: c2midi note: 36midi velocity: 64.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): a4 big 100note: c2midi note: 36midi velocity: 8.

6/8 clave rhythm.

Four-voice texture from the Genevan psalter: Old 124th. Created by Hyacinth (talk) 01:43, 30 January 2012 (UTC) using Sibelius 5.

Reggae steppers drum pattern. One drop with bass steady on quarter notes.

Four on the floor on the high hat.

Four on the floor on the bass drum. Created by Hyacinth (talk) 00:21, 6 February 2012 (UTC) using Sibelius 5.

Dominant thirteenth: four-voice version.

Dominant thirteenth chord in four-part writing.

An ascending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff similar to the descending fifths sequence, except going in the opposite direction.

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An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.

The standard way of filling in this descending thirds pattern is to interpolate a first inversion chord in between each of these descents by thirds. The result is a bass line that moves down continuously stepwise, resulting in a figured bass of '5-6', and therefore, the standard descending 5-6 sequence.

V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.

Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

V of V in C, four-part harmony. From Bach.

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

V65 of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. Reduced from Chopin.

V/V-V-I in C, in four-part harmony.

Winter from Vivaldi's Four Seasons performed by the Air Force Strings of the United States Air Force Band. Jessica Dan on Violin. Track 5 from Wintertime (1999).

Antonio Vivaldi, Winter mvt 1: Allegro non molto, performed by The USAF Concert Band and Singing Sergeants

Characteristic disco drum pattern: four to the flour with sixteenth note ride pattern.

ii-V-I turnaround in C, in four-part harmony.

Schubert Fantasia in F minor bars 98-106

Awadagin Pratt performs the first and fourth movements of Franz Schubert's piano four hand Fantasia in F minor with student pianist Lucy Hattemer at the White House Classical Music Student Workshop Concert. In the 1 hour session this is from about 21:20 - 29:04.

ii-V-I turnaround in C, in four-part harmony.

ii-V-I turnaround in C, in four-part harmony.

Dominant eleventh chord in four-part writing.

Example of bitonality. BWV 803. Klavierubung Part III, Duetto II.

Piano Sonata No. 21, 1st movement, second subject

Four "bou"s in thick voice.

Working with sounds and voice story telling.

I just. . . I couldn't understand why.

I called it "buzzysound2". This is an analog sample i made from an arp 2600 i had before i sold it.

A one-shot synthetic bass sample. Key: c.

Sound obtained by using some of the tassman step-sequencer along with the analog synthesis module. Then adding reverberation effect inside of tassman software and directly recording. No sound editing. No mastering. No limiter.

A playstation 4 being turned on.