192 безплатни аудиофайлове за "Extreme"

My, rather extreme, attempt at creating a super-square sound on the d50. Only single notes played and, as always, no external effects and direct recording without overdubs (stereo 16 bit, 44. 1 khz).

A extreme close up recording of a passenger train pass by. Stereo setup with not much processing done to the file just some slight eq and compression.

This one has an extremely thick bass that pulsates crazily. At the same time, it sounds like a low tom sound.

A wooden door with rusty hinges being opened and closed very, very slowly (and then more quickly later in the recording). Mic is very close to the creaking hinge and the sound is extremely clean and direct.

5 quantussy cells made with cycling ads. One function and intellijel quadra + expander. That's 5. Applied some limiter. The dynamics was extreme.

I made this gabber-esque kick in my free time, spent a lot of time adjusting it to make it the heaviest as possible. Download wav file for higher quality.

Extended edit of various glaucous gull recordings made while working on a show in saint john, new brunswick. Stereo spaced em172s.

Recorded in stereo on iphone 12 with zoom x/y 120 degree separation in a raquetball court with closed door having extreme reverb.

Good recordings of mosquitoes are extremely hard to realize in nature. Therefore i decided to generate their sound artificially with a granular synthesizer from the sample "tropfen. Wav ". Another version of it. I hope that something useful has come out of it.

I was in the church of angoulème (f) when to my delight organ practise begun. Quality is not extremely good but the ambience is nicely catched imho. Anyone who knows the organ work, i'd like to know!.

This sound is an extremely distorted sample of breathing suitable for use in horror soundscapes. It was created by taking the sound of breathing and feeding it through multiple filters in audacity. The filter sequence used is as follows: reverb, volume boost, static, phaser, bass boost, barry's satan maximizer, amplifier.

The sound of a bunch of cars and trucks driving by on a busy street. A door opens periodically nearby. Extremely loopable. (sorry about that, by the way. I had to disguise it with a car-door opening. You can work on that if you want to. ).

My cat, misha, purrs for a while. Recorded with a zoom h5 right next to his nose hence the extreme stereo wideness. Apologies for the noises, sometimes it's just the recorder bouncing on the chair or me petting the cat so he keeps purring.

An extremely squeaky metal bench swing at a public garden. The grating metal begs for lubricant like an old barn hinge. Some background anthrophonics, like a passing truck early and some individual voices during the recording, as one might expect in an urban park.

Happy accident: recorded a finger snap on a asus t100's internal laptop as a test sound, applied (heavy leveller, normalization)*10 and this came out. Sounds like a fine punch/damage sound on speakers, maybe for a 8-bit game.

A sci-fi sound i made by heavily processing an extremely fast drumloop in fl studio. The kick sample i used is royalty free, created by markus hakala, and obtained from howtomakeelectronicmusic. Com.

Selected parts from a longer recording. This is a modular synth controlled by quantussy cells. They are one method for creating generative music. I call it machine composition.

This is an extremely unconventional sound. I actually made two reeses in harmor but i didnt distort them. I made a pattern with them both having the same midi and then i recorded that. I then distorted and resampled that recording multiple times. This was the end product.

July 2013, rcording from setup pc in greenhouse. Extreme rain changing to hail (25 mm diamter)for a couple of minutes, then rain again. Last bit of recording is sound from pc fan. Did not cut it off, wanted to let listeners understand that i made a temporary installation in the greenhouse for capturing the immense noise.

**pleace, be carefull and reduce volume. **. This is original sound of a razorblade scratching the surface of glas. This noise was created to make a painfull noise. Headphones recommended. Recorded with zoom h2n - slightly filtered and cut of useless frequencys below 2k.

Recorded some messages from my phone into audacity and added effects such as phaser and delay. Improvised over top of the messages with distorted tr606 beats.

Some sort of poor mans quantussy x 3. Am-modulation delivers some nice sounds. Deep blurp. Beeps and nonsense. This is generative modular synth music. Machine composition. The machine is a small analog modular synth. Beep!.

Very bass harmonics for kick (to be played in parallel) and at lower volume for snare and tom bass harmonics. It was created by filtering a 60 hz sine wave (remove all the high frequencies but also the extreme low).

This is a toyota supra on a chassis dyno being revved to the max. It has a turbo on it and you can hear it whining. It gets extremely loud to the point of distortion, but it will be a great sound for somebody who needs an engine rev without the vehicle passing by.

This is a snippet of perth's majestic bird life. The birds that feature in this recording are black cockatoos, and it was taken at the kensington bushland reserve at dusk. These birds are tribal, have incredible energy, and are extremely communicative, and hearing them squawk is one of my favourite parts of living here.

Originally written for the piano, the Gymnopedies are extremely well-suited to the natural idiomatic expression of the guitar. This arrangement of the Three Gymnopedies comprises ALL the notes of the original piano versions: a complex process since all the piano sounds must fit comfortably, or uncomfortably, onto the six strings of the guitar.

Ambience from an extremely reverberant space inside a college. Some students can be heard chattering in the distance, thankfully with not enough clarity to be recognizable. Recorded on a stereo pair of akg c568 b microphones, into a sound devices 633 recorder. Trimmed in adobe audition with a gentle high pass filter, no other effects added.

This is not a perfect loop!it was sampled by me inserting a jack over and over into a casio sk-5. I did the beats by ear, while listening to a metronome set to 100 bpm. It is extremely close though. You don't have to site me if you use this sample in your work, i don't care.

Ambisonic 32bit float recording from a blacksmith shop. Nb! extreme dynamic range!!. You hear the mechanical bellow in the background. The blacksmith takes a glowing piece of iron, placing it on his anvil, and start hammering it. Done with a sennheiser ambeo vr ambisonic microphone, and a zoom f6 field recorder.

Inspired by a strange japanese number station i heard around 2012. I generated white noise, recorded an old toy, and found some public domain static and put it all together in this extremely eerie piece. It gets even creepier if you lower the pitch.

Originally written for the piano, the Gymnopedies are extremely well-suited to the natural idiomatic expression of the guitar. This arrangement of the Three Gymnopedies comprises ALL the notes of the original piano versions: a complex process since all the piano sounds must fit comfortably, or uncomfortably, onto the six strings of the guitar.

Originally written for the piano, the Gymnopedies are extremely well-suited to the natural idiomatic expression of the guitar. This arrangement of the Three Gymnopedies comprises ALL the notes of the original piano versions: a complex process since all the piano sounds must fit comfortably, or uncomfortably, onto the six strings of the guitar.

I'm getting to know a comparator. Why haven't i used it before?here i'm using, let's say, 2,5 comparators. Extremely electronic. Yes!look at those waves i'm creating!no filter! this is addative synthesis. Long loop.

Sur une plage par un jour de grand vent j'ai enregistré le son d'une porte métallique qui était balayée par le vent. On the beach by an extreme wind day i recorded the sound of this metal curtain. Recorded with a zoom h6wav 44100 24 bits.

I'm getting to know a comparator. Why haven't i used it before?extremely electronic. Yes!the comparator i'm using is bastl instruments tromsø. With the comparator i'm making the bass tone that vary in length. What! are you not amused and impressed??? in this patchi'm sending the comparator a saw-wave.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

This is my recording of a giant double glass door refrigerator's close up giant wind, compressor or fan blowing. Recorded inside the building of cheer extreme allstars richmond in 10087 whitesel rd, ashland, va.

Two sustained voice samples i subsequently pitch shifted and layered for an ambient work (to achieve an 80's choir pad effect). The key is almost in middle c, but slightly off. . . Because i can't sing. The second, lower voice sample was recorded extremely close to the mic to achieve clipping; i wanted to get a buzzy, boomy sound out of it.

This only happend to me once in my life and it hurt(i went to the hospital after this attack). I used a device that can give me almost the clearest possible sound of my heart beat. Also i gave the very tiny parts where my heart was beating at 400-600 an extreme amplification because those parts are very quite.

A mixer truck, freshly loaded is mixing (extremely dry) concrete in the drum as it spins on the frame of the truck! i held the mic to the exterior of the steel drum as it spun. So there are underlying cat engine noises in the background. The concrete is so dry, its load enough to over power the majority of engine sounds.

A cataclystic, "buildup" sound effect resulted from extreme manipulation from two digital audio workstations - fl11 and reaper. The base sample was a public domain sound of a roland d50-esque sounding element which was heavily edited using volume-scaled automation, reverberation, pitch-shifting, transpositioning and trimming audio.

Combination of:http://www. Freesound. Org/samplesviewsingle. Php?id=104124with high-pass filterhttp://www. Freesound. Org/samplesviewsingle. Php?id=16694with high-pass filter and reverb. Didgeridoorecorded with rode nt-5 matched pairstretched with paul's extreme sound stretch (http://hypermammut. Sourceforge. Net/paulstretch/)notch filters and variable high-pass filter. .

I saw someone in the comments section of another sound like this asking for a longer version, i hope this is long enough, it should be more than enough. If you're going to play this through speakers, a fair bit of warning, turn the speakers down first, it's extremely bass heavy!.

Small fireworks. Happy new year 2018!. Small fireworks echoing in the neighborhood. Firework recordings are a tradition on freesound. This is my take. First recording with this device. Will lower recording level to next year. . . I wonder how "auto" works on fireworks?extreme transients. . .

Recreating the pitch shift used by pink floyd in echos. Inspired by taking the now retro echophonto its extreme flange edge and tweaking. . . Rendered in reaper with markers at 48 khz 32 bit fp for the beloved morphagene fans out there. Go back in time and enjoy!.

This first loop in series is a simple, beat in 4/4 time run at 140 bpm. It features an extremely thick bass sound with general techno patterns you might hear in normal techno music. The pack is aimed for general use in any type of techno, trance music. The loop was created mainly with reaktor's arobic.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

This is my sound recording of a large industrial fan blowing (it can be also used for a giant wind blowing for fantasy, horror and sci fi, generously). It is recorded at cheer extreme richmond.