19 безплатни аудиофайлове за "Feed Back"

Recorded for a play.

Sound isn't very pleasant in it's base form. However when slowed down it produces an interesting sound that could be used for anything from tanks to motorcycles to some weird scifi effect.

Feed back tone of bass - maybe 808.

Chaos by feeding a square through a filter and back to its own fm input.

Not sure how to describe this one. Some sort of feed back sounding white noise, very irritating to the ears.

Sound is a boss dd-20 delay feeding back on itself while the controls are manipulated.

This is a free kick sent through an lfo delay that feeds back into itself. Makes quite an extreme ending!.

Concert feed back, recorded with a tascam d-40 live sound in a concert.

H2n zoom placed underneath a feeding place for small birds as they go back and forth between the feeder and trees close by. Towards the end a tractor drives in the distance and a cat walks by making the birds fly away at once.

Loud crazy noise i found on my computer. Most probably generated from internal feedback. Has some interesting parts that might be able to be harvested.

Some feedback with shure sm58 and the jamvox monitor. ______. Acoples generados con un shure sm58 y el monitor de jamvox.

The sound is going through zoom ms-70cdr. I use the "particer" reverb program. It acts like a compressor and limiter too. . . Kills the dynamics of the modular. Nice anyway - or not. . . And i use the ladik r-330 reverb too.

Women singing to a tone from a band or choir. Enjoy. Made with fl studio 9. . . Please leave feed back. . . . . This sound is from graceful meanings samples. Graceful meaning samples are samples for great out door time. . . These sample can make life in music better.

I'm not the best at hardcore kick drums mainly looking for feed back, i shall uploads ones i'm happy with. This one is a bit more hardstyle i guess not a massive fan of the genre so you'll probably make better use than me. Reciperob papen raw kick.

Well, i was walking aloong in the riparian forest in leipzig, where you have to cross a small bridge. There is often a guy feeding te ducks. I was there with my mic in the backpack and asked him if he could continue to feed the ducks while i could place the mic in the middle of the feeding spot. At first the ducks were scared because of this strange microphon standing there. So i put some autumn leafs on it to camouflage it. So, this worked and the ducks started to walk around the mic and eat the bread. What you can hear ist the giggling of the mallards and the sonourus sound of the mandarin ducks. Also you have quite the rush of a near located highway in the back :-/ i had to cut a little bit, because the "duck man" was talking along and some passers-by, but i wanted to keep it clean from human voices. Thats also wy the duck take of in the middle is cutted off. But in the end you will have a clear complete take off again :-). Greetings and all the best.

Sample is a clip from another song i just recorded. Created with effects pedals feeding back into each other. Effects used: behringer micro-mixer (used here as a "clean boost/volume effect), sirkut electronics gnarler, danelectro eq, boss xtortion, and boss metal zone, with various other fx sprinkled throughout. This is another "sounds kind of like screaming" sample.

While trying to get my microphone to work, it was having this unusual feed back buzzing pulsing sounds. Along with a strange noise. (this wasn't my voice, and the file hasn't been edited. ). "who's there?" and the "hello's" are of course me, trying to get the microphone to work. I decided to record it after i felt it was strange. The sound is of course free to use for whatever you desire, credit if you want and leave a comment below to be nice. :).

A small, mechanical music box plays, slows down and stops. Synthesized sound with stereo light reverb effect. Duration 0'52". Three turns of a wooden boxed clockwork mechanical key followed by a bright, nonsensical music box tune. As the tune plays, the tempo slows down - gradually at first but becoming profoundly slower towards the end. Tune ends on a melancholic note mid phrase. Could be used as a standalone effect, or perhaps metaphorically as a cipher for the aging process and cessation of life. The clockwork key effect is a rapidly repeating single mechanical clock tick filtered to sound box-like. The sound of the music box tines was created with ni fm8 using four sinewave oscillators, one of which feeds back on itself to produce a hint of metallic ringing.

This is a collection of "small room reverb" impulse responses that i sampled in a new england home known as butternut lodge, built and owned by actress bette davis back in 1940. It consists of all wooden rooms with many non-parallel surfaces, rugs and furniture and includes 3 round-shaped "silo" rooms! these rooms sound clean and do not have the irritating "ping" of many rectangular rooms. Short history/pictures of butternut (https://www. Airbnb. Com/rooms/24692769?source_impression_id=p3_1659215694_liuasyfxoceab5fn). Although these round shapes (and some of the other very small rooms) could potentially wreak havoc with phase at specific frequencies when summed to mono, i recorded this using the mid/side mic technique; therefore, the "side" channels fully cancel out, leaving a clean monaural reverb signal. These irs are stored as flac files. They can be used directly by any daw without conversion and have the added feature of being id3 tagged with a photo of the room each ir is taken from. After downloading, select view -> large icons in the folder to view the rooms. I sampled each room using a swept sine wave into a jbl flip 6 bluetooth speaker; recorded through a tascam tm-st1 m/s stereo microphone, feeding a tascam dr-07 recorder @ 24-bits 44. 1 khz and deconvolved using reaper. As of this post, i've been using these rooms for about 2 weeks. So far, i've found the "garage" to sound fantastic on drums! the drum sound! also, many of the other smaller rooms have a great effect on guitars, keys, and hand percussion. Each room varies in tone and brightness, so i've found that selecting/tuning the reverb send works well if approached like an eq. Increase the effect send until the instrument "feels" right (then perhaps back off slightly). A close-miked acoustic guitar, for instance, will take on a nice brightness and 3-d quality; not particularly reverberant, just big. At that point, i recommend applying any eq, compression, and bigger-sounding reverb effects. Hopefully you enjoy this. Please let me know how you like it and if you have any suggestions. Cheers!. Ken.