595 безплатни аудиофайлове за "Filling"

This is an under water recording of some bubbles. I filled up a laundry bin with water, stuck a sennheisser md21 (dynamic omnimic) wrapped in a plastic bag in there (under the water level). I pumped bubbles from the bottom of the bin through a bicycle pump. Gear used: md21 -> m-audio dmp3 -> terratec ewx2496. Completely unprocessed, 2:43 of 24 bit 44khz wave. Submission for the earthfirewindwater contest.

The man doesn't snore, but there really isn't all that much difference. A big chest has big lungs and they take a while to fill. On exhale just a small portion of each breath has a bit of expressive voice. Who knows why? to be fair, it isn't always present when he sleeps. Just often. An older classic movie called legends of the fall features a sleeping grizzly. This reminds me of that.

A chicken yard in the transsylvanian village of țichindeal/romania. Some 300 chickens, along with 2 pigs and some geese are going about their business, a farmhand can be heard filling a water trough at the beginning. Slightly more wide-angle than the two other chicken yard recordings. Recorded with a rode nt-sf1 and matrixed to stereo.

December 2017. Recording equipment: mk105 condenser mic, digilab smp100 preamp, roland quad-capture interface. Equalized by logic pro x. New not free version of similar sound, recorded in 2021. For new recording used stereo pair rode m5 mic and zoom h5 recorder:https://audiojungle. Net/item/water-to-the-glass/32282046.

An attempt to make an entire drum kit using only cymbal sounds. Cymbals were pitch-shifted, compressed, equalized, and subjected to other effects in order to make them capable of filling the roles usually occupied by actual drums. Hear them in action: https://soundcloud. Com/sonic_kitchen/amc001-cymballistix.

Another very old production, i think this one's from around 2009 even!. Using the reverb of a chord i made on my guitar i created a drone-y, washed out sound. Added some subtle bitcrushed drums, cymbals and a vst synthesizer plays some notes to fill it out a bit, and a dark brooding bass-like instrument pulls up near the end of the track.

Der Tod und das Mädchen (La jeune fille et la mort), lied composé par Franz Schubert, interprété par Ernestine Schumann-Heink (1861–1936) en 1919

Created and formatted for use in the make noise morphagene. Released in 1985, the casio sk-1 was a battery powered sampling keyboard that has become something of a cult favorite. We have reformatted its classic built-in rhythms (as well as their fill-in variations) as a reel of splices for your morphagene! download them today and transform them into something new!. Http://makenoisemusic. Com/modules/morphagene.

Recorded at my kitchen with zoom h4n with built-in microphones, over stainless steel sink, using 3 bottle shapes 700 and 750 ml filled with water and drained. (it's a foley story--i wouldn't be guilty of wasting good 12-year-old scotch, or bourbon or australian wine--no way--sorry dad. I drank them all down my gullet. )(but not all in one sitting!).

Glass beer bottle blow sounding like the background "whoo" effect in the movies alien and blade runner. Mono. Old school spot effect. Helmholtz resonance using a partially-filled (for pitch tuning) glass beer bottle. The resulting tone was sampled, bandpass filtered, pitch bent and laid over a copy of the original sample. Reverb added post-effect to push the sound back and smooth out some nasty quantizing artefacts caused by the pitch bender.

This is a recording i got sat outside a retro clothes shop on portobello road in london. Distant music combined with the market and people walking past creates a busy scene with the busy road that runs over the top of the market giving a nice base to fill out the recording. This sound is free to use but i'd love to see what it is used in!.

Poking around in my grandmother's barn - building is approx 140 years old and filled with old tools, furniture and other random things. Recording consists of a lot of rusty metal scrapes and thumps, footsteps on old wood, doors etc. Recorded on a hand-held sony pcm-d50. I've edited out the worst of the wind and other artifacts of my sloppy recording technique, but there may be some still in there.

A light rain recorded in a suburban forest trail area near a creek. Many birds and natural sounds fill the foreground while the sound of a road, neighborhood, lawnmower and faint voices can be heard in the distance.

Request, drop a pill into fizz water and recorde the disslove. I recorded the whole process: open the pill, open the bottle, drop the pill several times, fill the glas with pop-water, drop the pill and waiting for dissolve.

Recorded at tea, a museum in santa cruz de tenerife. I was invited by dancer masu fajardo to create some sound ambients for a dance piece she was doing there, we decided to use only the sounds being created by her body and her interactions with the space. Here we can hear her stepping on a floor that's been previously filled up with salt. It's very subtle but works great as sime sort of glitch or crackle, if that's your thing. Recorded with a zoom h4 n.

Recorded at the denver colorado botanic gardens at approximately 8:50pm 2017-08-16, temperature approximately 23'c. I followed the sound of the insects in the gardens to a tree-filled spot and stood stationary to create the binaural recording. Sound professionals ms-tfb-2 binaural mic set w/12vdc battery box > sound devices mixpre-6 @ 24/96 +36db gain > adobe audition digital gain > flac.

Variation of the loop from:http://www. Freesound. Org/people/maxndee/sounds/106962/. Placed each hit on beat of 125, then put it through a saw tooth transformer, then slight reverb and compression. Other little details like raising one side by 2 decibels to even things out. Also, arranged the rhythm according to a phrase i thought made some more sense, added a couple of variation percs of my own to fill in the gaps. Put either a different eq on them or changed the pitch. Enjoy.

This is a repost of beerbottlewhoo. Ogg. It's the same sound except that this one is in wav format. Glass beer bottle blow sounding like the background "whoo" effect in the movies alien and blade runner. Mono. Old school spot effect. Helmholtz resonance using a partially-filled (for pitch tuning) glass beer bottle. The resulting tone was sampled, bandpass filtered, pitch bent and laid over a copy of the original sample. Reverb added post-effect to push the sound back and smooth out some nasty quantizing artefacts caused by the pitch bender.

Remaster of makenoisemusics sk-1 reel. This is made with twice as many splices. Original: https://freesound. Org/s/499589/. Quote:"created and formatted for use in the make noise morphagene. Released in 1985, the casio sk-1 was a battery powered sampling keyboard that has become something of a cult favorite. We have reformatted its classic built-in rhythms (as well as their fill-in variations) as a reel of splices for your morphagene! download them today and transform them into something new!".

The everlasting aftertaste of a savored beef burrito with a meaty belch that wholeheartedly and ferociously annihilates the sound barrier. Legend has it that ever since this gormandized burrito was born unto this forsaken atmosphere filled with trepidation and dismay, the man who consumed it expanded and gained its prodigious, stunning, and quite frankly marvelous supernatural qualifications, so incredible that this man could comprehensively eradicate the elliptical galaxy, vaporizing the whole caboodle with the utmost parsimonious and rapacious belch the macrocosm has unceasingly distinguished with the naked eye.

Ambient echo sound. This sound required the combination of operator using the triangle wave and plenty of reverb. I layered this sound by using two different octaves to cover most frequency ranges that sounded best and to fill any gaps in the sound effect. This sound is inspired by scene transitions and wide shots where there may be a lack of other sounds so this frees up a space for a calm ambient sound that uses plenty of sustain and reverb. The triangle wave in the operator gave it more of a high pitched calm flowing sound. The other options for example sine wave sounds to harsh and sharp for this type of sound.

Clean recording of various sounds that would occur when maneuvering around an office space (specifically a desk) and manipulating common office objects. Recording features lots of paper rustling and sliding across a wooden desk, handling pens and a stapler, stuffing manila folders and plastic binders, and towards the end there are some sounds of small-medium sized personal bag being unzipped and zipped and then being filled with some of the office materials. Should work great for filling in general office noises in a scene or reinforcing actions that involve any of the materials featured in the recording. There should be enough variety to allow you to glean more isolated sounds or just use assortments of layered sounds. Recorded with an akg p170 into a tascam 208i audio interface at 48khz/24-bit. Microphone was positioned roughly 1. 5 - 2 feet away from the source. There is some slight room reverb present, which is intentional, and should match common office workspaces well. An 85hz high-pass filter was applied to remove any unintentional, unnatural low-frequency rumbling that may have been picked up during recording.

320kbps mp3 version. Recording of a heavy, impressive storm which passed over bristol on 23rd july 2013. One loud, underwear-browning thunder clap at the beginning, followed by 30-40 minutes of thunder rolling away in the distance. It's effective as a sleep aid, but don't loop its playback because the initial thunder clap will tear you from your dreams. Available under a creative commons 0 licence. Recording a storm while i sleep doesn't constitute the kind of creative labour that fills me with a sense of ownership. Enjoy the recording and use it as you wish.

Wav 24bit version. Recording of a heavy, impressive storm which passed over bristol on 23rd july 2013. One loud, underwear-browning thunder clap at the beginning, followed by 30-40 minutes of thunder rolling away in the distance. It's effective as a sleep aid, but don't loop its playback because the initial thunder clap will tear you from your dreams. Available under a creative commons 0 licence. Recording a storm while i sleep doesn't constitute the kind of creative labour that fills me with a sense of ownership. Enjoy the recording and use it as you wish.

An actual new production instead of old stuff! made in june of 2020. A dark intro implies the humming engines of the spaceship you're in as you're traveling at speeds unimaginable. Slowly the ship starts to spring to life. As you open your eyes, slow but huge bands of light sweeps across your cryogenic sleeping pod, as if being scanned. The pod starts to move while you're still in it, going through chambers filled with machinery and bleeping computer stations, until it stops in front of a huge closed door. Suddenly, your pod opens up as well as the door. Your eyes are greeted with the majestic sight of a gigantic control room with windows as far as the eyes can see, galaxies fills your field of view, a beautiful synergetic view of the grandeur of space and the hundreds of lights of the control room, welcoming you to a new adventure. 2 simple chords form the basis of a textural composition supplied with sound effects. Plugins used: ni kontakt 5 with atom hub's the planet, doom by sampletraxx, space by rigid audio, ni absynth, and massive vst synths. Extra sound effects: shocking signal and ui designer by sampletraxx, heavily sampled and mangled. Effects: izotope mastering plugins, a bunch of fl studio stock reverb and eq, guitar rig 5, blackhole reverb, replika xt, raum reverb.

Clean recording of water being poured into a metal pot, meant to emulate the sound of water being poured into a kettle/teapot. Would work for pouring any liquid into almost any metal container (metal containers give off a subtle "twang" that isn't generally produced when pouring into other material containers such as glass, ceramic, plastic, wood, etc). Recorded with an akg p170 into a zoom f8n at 48khz, 24-bit. No processing of any kind applied.

My keurig coffee maker has been sounding a little rough so i decided to record it with my zoom h1n this morning as it made me a cup of coffee. It's the entire cycle with the general noise of a kitchen. Mainly you can hear my 20 year old fridge humming in the background during the quit parts of the keurig cycle. Don't plan on using it for anything, so have fun with it. The audio from when the coffee starts to pour into my cup is on the left side, so that was pretty cool to listen too on the headphones when i played it back.

Pacific tree frogs at night during mating season in british columbia. Slight wind sounds and occasional noises made by a black lab readjusting her feet on the concrete :-). Recording is mostly to the left but sometimes shifts a few degrees to the right, and the frog's build from only a few to dozens over the duration. Captured across the street from a water filled culvert in the southern gulf islands on an olympus ls7 portable digital recorder.

My idea for this track is when an astronaut is exploring an alien wreckage and his base realizes there is more than just a wreckage when he asks the astronaut to get of the area. I made this track from about 14 tracks i downloaded of freesound. Org. I added some phaser effects here. Here is the list of tracks i used to make this track. 10292013_mystery_space_data103360__m-o-m__impact-metal-movie. Wav12742__leady__reverse-fill-effect. Wav204303__jobro__magical-fizzlerz-1. Ogg20682__johnc__heartbeat. Wav29758__erh__angels-2. Wav29869__erh__creepy-1. Wav30262__erh__boom-3. Wav34383__erh__walk-away. Wav43158__geography__rumbles. Wav52134__dj-chronos__horror-drone-001. Wav74964__zmb94__campfire-2. Wav9664__thanvannispen__whisper5. Wav9667__thanvannispen__wind-voice2. Aif9695__suonho__suonho-scaryscape-01. Wav. I used audacity yo make the entire track. -rama.

This is my first upload: a short walk between the stalls of the vismarkt in groningen, netherlands. Is was a splendid and sunny saturday morning, about 9. 30 am, may 7th 2016. In the first part of the recording, a garbage truck is already cleaning up. Fish crates are being piled up and money is exchanging hands. As the name of the market square suggests, the stalls are filled with fresh north sea and wadden sea fish. But i also passed stalls where cheese, meat and spices were sold. Business was thriving at the time of the recording. The groningen vismarkt is broadly recognized as one of the finest food markets in the country. I used an iphone with a zoom iq5. As said, this is my first recording, so please bear with me. . . I intend to learn.

Rootsy solo mandolin cue, part of a "matched set" to be used in different places in a podcast, radio show, or video. The set contains segments from a second or two up to about a minute, to be used for cues, hits, bumps, interstitials and voiceovers. The music is a roundback mandolin from 1900 improvising in the key of g. The feel is uptempo, traditional, natural, organic, old time, americana. I'd be grateful for feedback on what worked and what didn't. How is the sound quality? are there lengths of cue that you needed that weren't here?. I'm happy to do custom recordings to fill in the gaps. My music blog is at http://soupgreens. Om. My email address is lucas@gonze. Com.

I noticed there were no dry ice on oven rack sounds here so here is a recording of dry ice interacting with a steel oven rack. As the dry ice melts it creates vibrations on the metal that evolve as the material travels across the surface. It is an awful sound resembling a combination of saxophone, violin, bagpipe and screaming (any species). This was recorded on halloween 2018. It was a tradition in my family when i was a kid to get some dry ice on halloween and fill beakers with colored water to surround the candy display. The addition of dry ice on oven rack sound effects developed later and truly scared a lot of kids because it is so loud and terrible. These days we make some dry ice kief as well which makes the holiday even more festive and weird.

One of my favorite spots to hike in illinois has this quite long, and beautiful and rock-lined beautiful creek. Now, even though this creek is in heavy forest, which often leads to very low water levels during the summer, this creek is spring fed so it always has a beautiful ribbon of pure water running 12 months out of the year. I've spent many minutes and countless hours beside this living, breathing water-course pondering the beauty of nature, and reflecting back on my childhood. A childhood filled with much love and many creek adventures. This was recorded on march 8 2021, at a time in the midwest woods when the mayapples are popping up-- lime green umbrellas spotting the forest floor. Recorded with sound device mixpe-6 and a sennheiser me66. Enjoy the stream of re-birth in illinois.

Footsteps. . . Note:. These are no field recordings but handmade walking sounds in different speeds and manners intended for game creation. Most of them you can loop. They are recorded as dry as possible so you should add the ambience you like. How to make these:. 1. First empty two bottles of the famous spanish brandy lepanto. 2. Keep the korks - they have a very special sound different from the korks of wine bottles. 3. Then, if you're still able to hit (maybe you shouldn't drink the brandy alone and at once), fill things in a flat bowl or a plate - f. E. Pepper grains or salt. 4. Step the korks in the bowl and record it. You may also - as i did - step the korks on other things like a ventilator. 5. Compress the sounds hard but limit them to -4 db (as they sound not naturally if they are to loud).

Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain and removed noise for a good, clean signal). Date and location: april 2019, field-recording, sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

A peaceful, droning, relaxing summer soundscape of the midwestern forest. For starters, in the background you hear a river of wind steadily swirling around the oaks, and the maples and the sycamore trees. A blessed northeast wind-friend. The insects take over, and on top of that, a single, solitary bird, i think a flycatcher, softly calls his one-note. Even though this is the time of year that the visitors, those beautiful neo-tropical migrants, fill the woods, after several months of raising of raising a family, they are quiet, resting now. . . Letting the insects signify the passage of time and the slow march to autumn. In about 6 weeks from now, most of our visitors will have left. . . Back down south, their job of raising the next crop of insect-eaters done. . . And the woods, the forest, the nearly-dry creekbed will be packing it in. Recording done on saturday july 29th, 2017 at 11:30am in the forest near a creek with sound devices 702 and a rode ntg-2 shotgun microphone pointed straight up into the trees.

Several years back my older brother stumbled upon a bunch of old family reel to reel films and sat down one evening to project them on a wall and digitize them. This is the sound of that process. What you can hear, i imagine, is the noise of the projector in the left channel and the sound of the reels in the right channel. I've been obsessed with the sounds of the infinite variation in old analog hardware. As a sound designer, that infinite variation is often sought after but rarely, or accurately, reproduced through digital files in various libraries. Of if they are, they're often too short to cover whatever scene i am trying to fill. On the surface it's just noise but if you listen closer it's this wonderful cacophony of overlapping and repeating sounds that are always looping but never quite identical on each rotation. It was ripped from youtube using audio hijack at 48khz/16bit, but due to youtube re-encoding things as youtube does, it's nowhere near the source. It's still, in my opinion, a sound worth sharing. Enjoy!.

A peaceful ambiance of some pine trees in early, early spring. The predominant, lower-pitched background is the strong south wind blowing through the tops of healthy pine trees. . . An unwavering "swooshing" that cuddles and curls around the flexible, thick-resin-filled pine needles. Also, from time to time, you hear the sound of the wind rattling some dead and brown oak leaves; oak leaves which are still stubbornly hanging on to their parent tree. I purposely did only a very bare minimum of post-processing on this sound so as to keep it as realistic as possible. Yes, there are quite a few wind rumbles that i toned down just a little bit. I did not totally get rid of the wind rumbles. I did this on purpose so you the true feeling of " being there " on that mild, but still raw cold day of spring could still be felt. At 4:35 into the soundscape the trilling of a pine warbler is heard---a warble of warm-sounding notes fighting back stubborn winter. At 9:33 that hardy year-round resident, black-capped chickadee starts tweeting about. Recording made on saturday march 25, 2023 using a sound devices mixpre-3 series ii and only one microphone. I used a sennheiser mkh 8070. Enjoy this soundscape of winter slowly losing its grip, as told by pine trees and brown, crackly oak leaves.

A heartbeat sound i made, complete with some gurgling, blood-rushing sounds. Just uploaded a version without the gurgling, in case you prefer the way that sounds. To make this, i took a kick-drum sample and a snare-drum sample, and made a loop of kick-snare, kick-snare, kick-snare, over and over. After that, i eq'd out the more drum-like parts of each sample, added reverb to dull it, a chorus plugin and some compression to remove some of the drums' attack. . . Basically processed the hell out of them. To get the blood gurgling sound, i filled a water-bottle almost all the way full and turned it sideways, so i had a massive air-bubble floating around. I then tilted the bottle back and forth in front of my blue yeti usb condenser mic, so you could hear the air-bubble swishing. I had to be pretty gentle, because if you rock the horizontal bottle too much, the bubble moves too fast and makes a fake-sounding "gloomp. ". When i was happy with it, i mixed the heartbeat sound and the gurgling sounds so they'd work well together. Both the sounds were in mono, so i used a free plugin called wok ms-t on both of them to create a fake hard-panned stereo effect. I wanted it to sound like you'd been running, and were hearing the heartbeat in your ears. I think it turned out pretty cool. .

If i had known that my best friend moaned like this, i'd have fucked her years ago so i could have enjoyed it much better when she was far more innocent. She wanted my dick for a long time, i could tell that. She was instantly my pants and i'd find the wettest pussy i've yet to know. After kissing, i stuck my hand down her tight leggings, my hand slowly going over her panties to rub her beautiful pussy. Her panties were soaked. I think i grew an extra inch i was so hard off her wetness. She was so wet i needed waders and even though i have a decent sized cock, it kept slipping out of that wet pussy. She thought i kept pulling out and begged me to stop teasing her at one point. She also sucks dick like a pornstar, it was amazing. She's consented to all this. Just trying to help her 'daddy' out now. As she calls me. It was such a satisfying cum. She was shaking as i filled her up. And now that she started calling me daddy. . . The next times only going to be so much better. . . Feel free to use recording. Shout out to >passionateautistic< might come in handy one day.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.

My first upload! this sound i made using the zmors synth on my ipad air2 - i used audiobus which is a great routing software allowing many of a lot of awesome sounding synths that are now on ipad and can be played professionally via a usb keyboard controller (very handy for gigging) okay this is getting too wordy. . . I used audiobus overall with zmors in the first slot being routed through the wonderful aufx eq app in the center (effects) slot then ran the most useful of all ---> audioshare app in the 3rd or output slot to record it all. . . Keep in mind that the number of devices you can run in these three slots is virtually limitless - as much as your device can handle so you can get really nuts with several synths, a drum machine, etc all routing to the middle (fx) stop in the chain and picking up a fat 3 or 4 nice sounding effects devices then on to output to audioshare or you can now use just audioshare as host and run zmors in it directly (and probably more smoothly). I chose zmors because on a couple of other ipads (ipad mini, ipad 2 especially, and ipad air a little bit) i was noticing that it was a resource hog and was not playing correctly or there was a huge lag in the latency so with the new(er) ipad air 2 i wanted to hear the zmors synth and it really is an underappreciated majestic sounding beast if you ask me. I am going to experiment further with it as the unique architecture and just the way it sounds is totally different from any other synth i've yet to hear on ipad or in general. It kind of reminds me of a fatter, more modern. Sequential circuits 6 track. Which i've had a couple of and have a thick layered sound - kind of like a really nice turkey sandwich with a good portion of swiss cheese then you notice that there's still some roast beef left and put a good amount of that between bread as well. Hell, that's a sandwich that's gonna be filling! thanks for reading.

A few cycles of my dad's home oxygen machine with a ticking battery operated clock in the background recorded in the early morning in the living room with lifecam hd3000 webcam at the end of about 16 feet of usb cable dragged out of my bedroom. He's about 6 feet away, i was with my back to the room with my camera pointed at my chest so he wouldn't think i was filming. It would seem this is the first and only oxygen machine on freesound. A full cycle seems to last from between 7 to 10 seconds. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.

Recorded in my dad's bedroom with lifecam hd3000 webcam. This is a much better recording than my previous oxygen concentrator file, as i hauled my desktop into the bedroom at the other end of the apartment where the machine now is, when i was home alone. The webcam is on the bed about 3 or 4 feet from the machineat the beginning of the file you hear me flip the big switch and the machine comes on with a long on beep and thumps. I edited it to start then. At 00:1. 8 what i suspect is the water pump comes on, though i may be wrong. That's when the gurgling starts though. The machine has a small reservoir for distilled water to moisten the airflow. A cup or two lasts several daysyou'll hear various hisses and thumps in a 15. 6 second cycle as it runs. At 03:03 i flip the big switch to shut the machine off, and it bubbles and gurgles away for the rest of the file, as water i assume slowly perculates back into the reservoir, the bubbling getting quieter and quieter until it doesn't even sound like bubbling anymore, until it finally ticks to a stop. At 03:16 you hear me step as i get my foot loose from the mic cord lol. At 04:13 the furnace shuts down as a car finishes going by outside in the bass register, faint traffic noises and the furnace being the only background noises you'll hear aside from my moving around a couple times, and a faint bluejay at the end. At about 07:00 you can barely hear the machine anymore, but i could hear a faint ticking with my own ears. At 07:04 the furnace comes back on. At 07:08 you'll hear a bluejay faintly calling outside and a car going by outside after, which finishes the file at 07:20. I edited out my walking to the computer to shut the recording down. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.

Calm ambient track. Winter woods / pinewood february 12. 41 pm (noon) in the netherlands near village giersbergen. Bram’s admin request-text and my answer in audio. Hello freesounders,it happens very infrequently that i post requests. However, i have an extraordinary sad reason to do so today. I don't want to go into detail in this public forum, but someone incredibly important and incredibly young in my life and my wife's just passed away. I am thus looking for an extra long recording of a peaceful "forrest ambience" to play during the good-bye ceremony. Something with some birds and perhaps some wind through the leaves,. . . . Currently the ceremony is planned for april 6th so i would need this before then. I know i can look through freesound, but i would like something specifically recorded with this in mind, something we will be able to listen to later as well, remembering this important and sad time in our life. . . Yours in grief,- bram & familywhat you hear;general-noise; soft wind in woods, sometime a bit increasing. A far kid at the edge of hamlet giersbergen. Far hum of the woods. Remark that the far high altitude planes are on a very lo noise level. Off and on craws and woodpeckers. 00. 00-02. 18 clean background-sound02. 18-06. 57 far high altitude plane- 04. 08-05. 42 people passing06. 05- 08. 13 clean background-sound- 07. 15-08. 12 woodpecker08. 16-10. 33 far high altitude plane10. 33-11. 44 clean background-sound- 10. 44-11. 32 (far) woodpeckers11. 33-12. 53 far police serine12. 55-14. 11 clean with some far yelling kids and woodpeckers14. 15-16. 14 far high altitude plane16. 14-26. 11 clean background-sound with some friendly increasing wind gusts- 23. 06-23. 56 woodpeckers- 25. 53-26. 08 woodpecker26. 08-end far high altitude plane and people. More recordings here search: giersbergen. About the area, national park loonse en drunense duinen. (text by irma de potter,ranger of this area) dutch website: https://www. Natuurmonumenten. Nl/natuurgebieden/nationaal-park-loonse-en-drunense-duinen. In the loonse en drunense duinen you will find forest, heathland and especially a lot of sand. It is one of the largest shifting sand areas in western europe. The wind can blow undisturbed in many places, resulting in an ever-changing landscape. By purchasing it in 1921, it has been protected for 100 years and we can still enjoy this brabant sahara today. You can roam freely on the sand plain. So there is plenty of room to explore extensively. Marvel at the submerged trees, enjoy the chirping field crickets and quench your thirst at one of the many cafes or restaurants on the edge of this nature reserve. Walking, cycling or on horseback: it's all possible here. With the wind in your hair and the sand in your shoes. You may even come across the sheep herd. The sheep keep the heath short and eat away saplings. This is how they keep the area open. The loonse en drunense duinen still has 270 hectares of shifting sand. That sand creates rather extreme conditions: the soil is dry and nutrient-poor. The difference in temperature between day and night can be as much as 50 degrees celsius. This ensures a unique flora and fauna. The animals and plants have adapted or feel at home in drought, aridity and temperature fluctuations. Sand sedge and various lichens, for example. And the viviparous lizard, sandpit beetles and sand bees. All species that love sand. In the last ice age, the polar winds blew sand from the north to brabant, where it remained in thick packages. For a long time this sandy plain was covered with primeval forests. Until the fourteenth century the trees were felled by people. They used the wood as fuel. The bare plain was filled with heather, where the farmers grazed their cattle. This intensive grazing and the sod cutting of the soil depleted the soil. This gave the sand free play. For a long time, the sand was a major problem for the residents. Villages and fields threatened to disappear under it. Trees were planted to stop the advancing sand. You can still see the traces of this today: find the submerged trees that only peak above the sand hills with their crowns. Date/time: february 15th tuesday 2017, start 12. 44 pm. Weather: 13c, clear sky, wind se 2-3bft , 1023 hpa. Mic pointed ne. Location; soft-wood-forest giersbergen (drunen), national park “loonse en drunense duinen”, drunen, noord-brabant, netherlands (holland), europe geo 51. 65566 5. 15774. Gear chain: sennheiser mkh30/50 ms, in rycote cyclone small, windjammer > sound devices 302 >tascam dr-100 mk2. Low cut 140hz 6db/octave. Level around -33db for background. Decoded mid-side to stereo.