1623 безплатни аудиофайлове за "Fx"

I needed a sound fx of a dog scratching itself for a 3d animation, so i did this foley recording. First i tapped a bunch of keys to simulate the tags jingling. Then i scratched my pants to the timing of first track. Feel free to use this for any purpose, including commercial use. Don't forget to leave a comment if you like it, and tell us about your project. Enjoy!.

25 footsteps (walk) on different surfaces. You can find : dirty ground (x5) // tile (x5) // barefoot water (x5) // average depth water (x5) // snow (x5). More footsteps sounds : https://freesound. Org/people/nox_sound/packs/29889/. Unity devs, footsteps - essentials sound pack for free in the assets store: https://assetstore. Unity. Com/packages/audio/sound-fx/foley/footsteps-essentials-189879. You can edit it with reaper/audacity/etc. Gear : rode ntg4+ // tascam dr-05file: 48khz, 24 bit, mono, wav.

This is one of my favorite sounds to open my live sets with and is featured in my track water's bomb, as well as in the intro to the digital juggernauts album, "giant killer robots. " to make it, you use a sample of a plane flying over, i used a 707, and a djm-500's pitch shifter fx. As the sample gets longer, turn the pitch to the high end, then to the low end. Hope you all love and use this sound!.

Created using the korg electribe 2 (the synth variant) analogue modeling synthesis engine and fx. If you don't like the busywork of cutting, sorting, naming etc. , you can check out this paid "game-ready" asset on the unity asset store:http://u3d. As/rk4. It's always nice to hear back from you. What projects did you use these sounds for?please let me know. ;-).

Just some recording of a dried, brittle chili pepper with little seeds inside - up way way close to the mic (a zoom h2n). Some suggested sound design use cases: run this through granular fx for a nice drone texture. Use as an impulse response for a convolution reverb (then run tones through the convolution). Use as a trigger in vcv rack, allowing it's peaks to fire off samples or synth pulses. Or just use it plain within your next experimental acousmatic piece hit single.

Soundtrack guitar stems from frozen fjords song. This is dry guitar recording (with no fx)full song here: https://soundcloud. Com/darkbluesmile/frozen-fjordsif you use this sample you >>>must<<< write my name (mareproduction) as a author of this sample and link to this page. If you like what you hear please consider a small amount (even one dollar is enough) of donations to support my work. Thank you!. Paypall:jazzgitara@gmail. Com.

I created this using fl studio and serum. **note: if you plan to make money with my creations, do email me at djdomenian@gmail. Com**. If this is going to be used in a non-profit fashion, please drop a link below of your project below! i'd love to hear it!!. Please credit both of my names, jay prowaves a. K. A. Domenian as a "contributing sound designer & artist". Thank you all! i hope that you enjoy my sounds! <3!.

I composed a fairly long midi loop of chord progressions & let each section repeat twice. Then i layered a bunch of return tracks of the same line with arpegiated outputs played with straight, quarter note swing eight note swing, 16th note swing, & 32nd note swing all played together. The output was then compressed, heavily chorused through multiple fx devices, and stereo panned into the nonsense you hear. If you use this please comment a link, i don't need/want credit i'd just be super curious to see what you did with it!.

2 lengths of 3 different pitches of this low cinematic squelch bass. Played once with a large reverb and again played dry with no fx. This sound is modeled after the inception movie's large horn blast. It is a low multi-voiced saw wave with a specific ring modulation setting to give it it's effect. This sound is rendered as a 44100 sample rate 16 bit wav file. Made with native instrument's massive inside ableton live 9.

The fundamentals of this patch is from the doepfer home pagehttp://www. Doepfer. De/a100_man/a100_patch. Htmthe patch they call "random melody". I call the sound "random melody from doepfer site". Boring. . . I added a voice with some delay/reverb fx and some simple drums. The high-hat is made from white noise and the bass drum isa self oscillating filter. I have used a minor scale on my doepfer a-157 quantizer. This sound is slitly treated in audacity. A little compressor and limiter. Review from one of my kids: "well, there is some rhythm".

Created with a korg electribe 2 processed by a zoom multistomp ms-70cdr guitar multi-fx pedal, using the particle reverb. The manual states that it models the line6 m9 particle verb. Particle reverb. In this piece of audio the electribe only uses triangle oscillators. Here's a video showing the setup: https://youtu. Be/zytc4gofwmq. It's always nice to hear what projects you use these sounds for. Let me know. ;-). Please also check out my pond5 and unity asset store profiles for more:http://www. Pond5. Com/artist/cabled_messhttps://www. Assetstore. Unity3d. Com/en/#!/search/page=1/sortby=popularity/query=publisher:20154.

A computer-generated voice build specifically for a video game called artemis spaceship bridge simulator. I wrote the text, put it through a royalty-free text to voice generator. Then i edited it in pro tools with several fx to achieve the proper mood. I specifically use it with artemis bridge tools, which lets this track be triggered by game events. I am not affiliated with this video game in any way. Just a passionate sound designer with a gaming habit. For this track, the computer says "docking complete. ".

Start with chaos. In this sound/patch you have the possibility to enjoy chaos and feedbacki use my sloth lfos and jerkoff - another chaos moduleim possible sick i like this - thou its simple. Sloth modulate vco and filter cut of frequencyfeedback from vco to the filter via a vca controlled by a looping envpan fx also controlled by sloth - same env that controls the frequency. The "prassel" rustle sound is great in my earsjerkoff, exp vca, function and another sloth. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - mediumtimbre variation - some, via filter/two soundsmusical value - i think so!entertaining - yes?!.

I needed a very specific brand of lollipop with a chocolatey center for a short film i'm working on. None of my library crunch fx sounded right, so i chomped into one myself. Just call me mr. Owl. Recorded on an iphone, about an inch from my face. Just a single crunch edited to have a little extra tail. The effect came out as a satisfying crunch with decent low-mid range. Could be pitched down a bit to act as bones, or maybe a small to medium sized tree branch. I may record more of these after i visit the dentist next.

Some creepy music i made in garageband for an intro for something called victors crypt!. It's basically a synth-melody played with a lot of reverb and some echo. And just some fx wailing guitar and voice in the back. Reminds me a bit of some 80's horror theme or something. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

A huge ice storm moves in to the back woods of north carolina on 01/30/2014. First it snowed. . . And then it sleeted. When all that sleet froze on the surface of the snow, walking in this winter-wonderland produced an amazing sound. So, i put on my boots, grabbed my zoomh4n and set out to record the magic!. This would be very useful as foley fx for walking in any frozen environment. I walked on various surfaces and depths of ice and snow throughout. I tried to leave enough space between steps so that the sounds do not overlap so that they can be cut for editing purposes. Enjoy!. - christopher c. Courter.

Created with a doepfer a-100 modular synthesizer sequenced by a korg sq-1 processed by a zoom multistomp ms-70cdr guitar multi-fx pedal, using the particle and hd reverb. Audio source is a self-resonating, modulated doepfer a-108 vcf8. The reverbs ran in series. The manual states that the particle reverb is based on the line6 m9 particle verb. Here's a video showing the setup: https://youtu. Be/5h-mblcybbo. It's always nice to hear what projects you use these sounds for. Let me know. ;-). Please also check out my pond5 and unity asset store profiles for more:http://www. Pond5. Com/artist/cabled_messhttps://www. Assetstore. Unity3d. Com/en/#!/search/page=1/sortby=popularity/query=publisher:20154.

Turntable brown noise mixed edited in audacityused fx phaser and paulstretch and you wa shock !. Free to use. Enjoy !. Subtopia limburg / schmeets media. Http://subtopia-limburg. Comhttps://paper. Li/subtopialimburg/#/http://wp. Subtopia-limburg. Com/http://blog. Subtopia-limburg. Com/https://soundcloud. Com/subtopia-limburghttps://www. Audiomack. Com/artist/subtopialimburghttps://www. Freesound. Org/people/subtopialimburg/http://twitter. Com/subtopialimburghttp://www. Youtube. Com/user/subtopialimburghttp://www. Youtube. Com/user/splendithttp://www. Schmeets. Nl. Https://limebooth. Com/subtopialimburg/profile/https://www. Tribeofnoise. Com/splendithttps://www. Jamendo. Com/artist/499666/subtopialimburg. Https://www. Facebook. Com/profile. Php?id=100020387445244. Subtopia limburg virtual live. Influanced by:. Lou reedvernian processuz jsme domathrobbing gristlesunn o)))scott walkerrecoil (band)moondogjonathan davis and the sfahella (band)brian enoeinstürzende neubautencoiljohn caleboredomsbjörkpink floydarcturusautopsiakarlheinz stockhausensteve reichsun ramax neuhausmike oldfieldphilip glassaaron funkmorton feldmanaphex twinbrian enoclaude debussyivor cutlerjohn cagelustmordkraftwerkthe art of noisethe future sound of london ( fsol )zoviet francemusique concretetangerin dreamyello.

This is the second version without the mechanical bolt. Maybe can be used for bolt action rifles. Made this is ableton live, it is multilayered with the top end of a 9mm and the low/mid range of an ak47. Another carbine sound is faded in after the transients to give more sustain. Two reverbs fade in and out creating a smooth transition and blend. A little white noise is added for subtle sheen and air. All the layers were grouped together into a single band compressor and ran through serum fx distortion and then into a krush distortion plugin for added fatness. A blending reverb was used to glue the sounds into the same space and ran into a final transient designer which is adding a little more snap and punch and clipping the excess transients off. Enjoy.

Switching on some device. Recorded with oktava-102 microphone and behringer ub1202 mixer.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.

Disaster alarm. A couple of glasses breaking in the middle. Why? i don't know. Ah, some explosions. Well, ok, not a simple alarm, almost a disaster (audio)scene per se. Made from (in order of appearance):https://freesound. Org/people/danlucaz/sounds/517759/ (game fx #2, danlucaz)https://freesound. Org/people/avakas/sounds/144115/ (cup breaks, avakas)https://freesound. Org/people/geraldfiebig/sounds/524999/ (ceramic cup shatters on tile floor, geraldfiebig)https://freesound. Org/people/sieuamthanh/sounds/397787/ (sci fi » alarm 0, sieuamthanh)https://freesound. Org/people/onderwish/sounds/470504/ (the dark future » emergency siren, onderwish)https://freesound. Org/people/robinhood76/sounds/188698/ (swoosh whoosh air effects » 04397 passing swoosh exploding. Wav, robinhood76)https://freesound. Org/people/robinhood76/sounds/565947/ (war 'n' battle sounds - simulations and experiments » 10091 water bomb exploding. Wav, robinhood76)https://freesound. Org/people/eflexmusic/sounds/396270/ (destruction » exploding car (with fire) (mixed), eflexmusic)https://freesound. Org/people/jorickhoofd/sounds/179265/ (glass » exploding lightbulb 1, jorickhoofd). Thank you.

Sound effect - bass rumble tension rise (wind river movie). I've looked for this particular bass tension builder sound effect from the movie wind river since it came out!! if you've seen that film and you're familiar with the "standoff" scene, then you'll probably know what sound effect im referring to. . . In the background of that most intense ever scene of all time is this bass rumble or tension builder that gives me goosebumps every time i watch it! i've wanted the original pretty bad because its the best suspense builder(bass rumble) sound ive ever heard! although it doesn't seem to exist online even for purchase. So i tried to recreate it myself! im a movie scene editor all the way, but im less than amature at audio editing, so please excuse the flaws. There are 3 versions in this mp3. All with different tones, speed, and other details trying to recreate as best i could.

Some cafe ambience severely altered with blok modular fx. Was originally a long jam cut up into a bunch of individual files but i figured searching through them would be a pain so i merged them back into one file. So listen through and pick the sounds you like with a wav editor, or enjoy it in its own regard as abstract sound sculpture or something. I don't want to divulge too much of what the patch looked like but it random note values with each keyboard press which were then ran through a waveshaper. Later on i add some reverb and use various things to alter the panning for some strange stereo effects. Edit: you might want to use a dc eliminator on the samples because the waveshaper creates some dc offset (basically useless low/zero frequency noise for those not in the know). But maybe it has some aesthetic value for you to keep it intact? you decide. Http://www. Meldaproduction. Com/plugins/product. Php?id=mutility this free vst has a dc eliminator included.

Recorded some stuff and then i put a bunch of effects on it and made it into this little thing. Could be used in a game or something. You can use it however you want.

If there is one man, white western historyhas neglected, it must be james baldwin (1924 - 1987)known to many as writer, novellist, essayistplaywright, poet. . . Surely unknown to all asactivist, as frontfighter, as luchador of theanti-xenophobic anti-discrimination discoursin general & more specific of the north-american'negro'. His father was a slave & as a childat the tender age of 10, he was teased and abusedby 2 new york police officers, an instance of the racistharassment by the nypd that he would experience againas a teenager and document in his essays. Why isn't his history & discours teached at school ?. Anno 2020, i learn to know him & his eloquent rhetoricalcapabilities through the also fenomenal moving & breath-takingperformance of tawiah + myrrh for the refraction festival, takingplace online of course, due to the ever infamous covid-19. . . An audiovisual délice, in which visual artist myrrh, places tawiahin subtle superposition with james baldwin & his 1965 debate with mr. Buckley ! in the cambridge union ! !! ! ! ! while performinglive one of the most delicate concerts i have seen during corona. . . A must see+hear _ _ _ https://www. Youtube. Com/watch?v=h5l2lssdzro. Being totally absorbed by this performance, i discover as an artist myselfone of the reasons i bind so much with this piece of music is that i myselflike to use the same harmonies, apparently, which i did indeed in 2015https://soundcloud. Com/torturado/eternal-void-the-fall-back& in the mid nineties, that is 1990's. . . A long forgotten piece of me, performed that time during my ritcs studies, as my band torturado, no recordings from then helas online, but gracias a la discovery of tawiah+myrrh & james baldwin picked up again what i remembered from that time & made a 2020 version of it. . . A small visual document of this: https://vimeo. Com/450004585. As from the moment, i discovered james baldwin, i integrated also his powerful 1965 debate in my performances during covid times. . . To spread his word ! to inspire others, to confront others. . . I told myself covid or corona is not going to stop me playing & performing music, which comes natural to me, so i looked for ways to perform outside, in plain nature, with batteries. . . Guitars, 9v fx, fx without 9v compartment, battery based amplifiers, battery based kassette walkmans. . . & it is on kassette that i put an edited full version of the james baldwin vs buckley debate of 1965. . . For this exercice of the sound design formation, we had to upload a sound that intrigues, well, james baldwin eloquent voice, litteral & metaphorically inspired & triggered me. . . Also the sound of electro-magnetic technology called tape is something i have always been fond of. . . So i made an edit of an edit of the james baldwin debate of +- 10 minutes !. Spread the word !a+. Actually this could also serve the exercice of recording a sound that comes from a certain place, or is part of a bigger thing , or personificates a certain place. . .

Water fowing in tomb. Recorded iphone with rode micedited: adobe +fxs.

Made by fl studio +fxs.

Kitchen drumrecorded tascam dr-05xedited: adobe + fxs + mastered.

Made fl studio +fxs.

Made by yellofier and my voice +fxs.

Made by fl studio +fxs.

Tokyo heavy machine experimental abstract music loop 100bpm - abstract industrial mouth voice music loopi recorded my mouth voice sounds and used yellofier. Edited: adobe + fxs + mastered.

Violin solo: happy solo (concert hall). Made by fl studio +fxs.

Tascam dr-05xsfx conversion edited: adobe + fxs + mastered.

Please rate if you like this sound :). This is my voice. I was trying to recreate a similar sound to those of the shrieking nazgul creatures in lord of the rings. They are referred to as different things but overall a creepy, evil, raspy, breathy type screeching sound. I created this with a type of practiced scream on a blue yeti usb condenser microphone. I recorded in audacity and added some reverb, fade in, and fade out. It was originally for a video game voice over audition. I also have the original with no fx if needed. My example/inspiration were the creatures in lord of the rings, fellowship of the ring. They are also called the fell riders and the black wings (when they ride the fell beasts), as well as the shadows, the servants of sauron, and the nine servants of the lord of the rings. The orcs of the tower of cirith ungol call them shriekers. I download from this site often, so i thought i would return the favor :). Feel free to contact me with any other requests!. Apparitions beast black-wings cirith creatures creepy demon evil fellbeasts fell-riders ghosts ghoul halloween hell horror lord-of-the-rings monster nazgul nine-servants orcs sauron scary sci-fi screaming screeching shadow shriekers spooky ungol wraiths halloween.

Made by fl studio +fxs.

I made the score in maestro. Sfx conversion edited: adobe + fxs + mastered.

Tascam dr-05xsfx conversion edited: adobe + fxs + mastered.

Tascam dr-05xsfx conversion edited: adobe + fxs + mastered.

Sfx conversion edited: adobe + fxs + mastered.

Sfx conversion edited: adobe + fxs + mastered.

I made the score in maestro. Sfx conversion edited: adobe + fxs + mastered.

Coffee machninerecorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.

Sfx conversion edited: adobe + fxs + mastered.

Bluesharp loop soundrecorded tascam dr-05xedited: adobe + fxs + mastered.

Bluesharp loop soundrecorded tascam dr-05xedited: adobe + fxs + mastered.

Bluesharp loop soundrecorded tascam dr-05xedited: adobe + fxs + mastered.

Bluesharp loop soundrecorded tascam dr-05xedited: adobe + fxs + mastered.

Spitfire labsfx conversion edited: adobe + fxs + mastered.