93 безплатни аудиофайлове за "G Chords"

G major chord, root in red.

Mu chord on G. Created by Hyacinth (talk) 00:08, 9 November 2009 using Sibelius 5.

Violoncello chord on G

G7alt chord.

A guitar strum (g-chord).

An arpeggiated chord. Created by SreeBot (talk) using Sibelius 5. GFDL-self

Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.

D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.

G#13sus4 chord of one of my layered pad sounds.

viio7 in G major, on the guitar.

The Carpenters chord notated in C Major. Dominant 9sus4 chord in C major: G9sus4.

Hendrix chord.

Me playing my weber mandolin with a high g strum.

Ethereal sounding chord, g#maj. Made in ableton and a mix of sampling. I just love the sound.

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

Dominant thirteenth chord (V13) in F major (C E G B♭ D).

Dream Chord on G, tuned 12:16:17:18. MIDI pitch bend appears to match intervals.

Minor ninth augmented fifth chord on C. C E G♯ B♭ D♭.

The chord of G major played on an acoustic guitar. El acorde de G major toca en una guitarra acoustica.

Elektra chord implies an E Major and C# Major chord together (C# E# G# = Db F Ab)

G mayor acoustic chords.

[Dominant] eleventh chord in F, on C (C11). "As it appears in actual music": C, —, G, B, D, F.

Seventh of a dominant seventh chord in C. Created by Hyacinth (talk) 22:57, 13 May 2010 using Sibelius 5.

Thirteenth chord C13b9. Bass note: C or alternatively G. Created by Hyacinth (talk) 01:33, 6 July 2009 using Sibelius 5.

Altered major chord on B with diminished seventh (B, D♯, F♯, A♭), equivalent to a minor-minor seventh chord on G♯ (G♯, B, D♯, F♯) Alterierter Akkord mit verminderter Sept Esperanto: Ekzemplo por malsupren aliigita septo

Choir chords made in fl studio sytrus. Chord progression is a minor, f, c, g.

Fifteenth chord from Perry on C

Dominant minor ninth chord on C: C,E,G,Bb,Db. Created by Hyacinth (talk) 23:07, 14 December 2011 (UTC) using Sibelius 5.

Just dominant seventh chord on C. C E G B♭. 20:25:30:36. Greater just minor seventh.

Dominant ninth chord in fourth inversion: G,A,C,E♭,F. It then resolves to I: B♭, D, F.

Full diatonic fifteenth chord from Listz on B

Stomp progression two-measure three-chord harmonic cycle. F F#dim7 C7/G C7.

5:6:7 = E, G, B7b = C, Eb, G7b.

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Shave and a Haircut in G with chords. Triplet swing.

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

G major scale note g a b c d e f g.

Diagonal barre chord: major seventh chord on G. The first finger fingers both the second fret on the first four strings and the third fret on the sixth string.

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

Standard open a major 7th chord. The same as a major except the g (3rd) string which has the 1st fret held. Down strum. If any of these samples have any errors or faults, please tell me.

Shave and a Haircut in G with chords. Triplet swing.

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

G#m7 to f#m7.

Lydian augmented polychord on C: 04689e = C,E,F#,G#,A,B.

Harmonic Chord 3:5:7:9. Traditional notation: G E B♭ D. Title refers to harmonics (fundamental=1:3:9:etc.).

Tonic and dominant in C. C major and G major chords.

Viennese trichord as dominant. Created by Hyacinth (talk) 21:31, 4 July 2010 using Sibelius 5.

Just hitting the same chord over and over again but ending up in an almost march like beat. Probably good for an intro or breakdown.

I had this idea yesterday i think, to record a set of chords in vocal with the lords name. This is the chord progression::. 1st. F g# c = f minor. 2nd. D f a# = i'm calling this a d minor augmented. This is really a bflat major chord, but since i started it with a 'd', i'm calling in a d minor augmented ; ) someone's gottago for it. 3rd. G# c d# = g# major. 4th. F a c = f major. Please enjoy and comment, if you use it in anything i would just like to know, but please feel free to use this anywhere. Thanks, god bless.