602 безплатни аудиофайлове за "Harmonic"

A timbre (rendered with something akin paul naşca’s padsynth algorithm) which has partials of form m + n φ where φ is the golden ratio, and m, n are integers. Though not all the partials, just such a set that this all resembles a usual harmonic timbre. This sequence starts. 1. 000001. 618032. 618033. 618034. 236075. 236075. 854106. 854107. 854108. 47214. This sequence is of several powers of φ up and down from 440 hz (φ⁻² to φ⁵). Look at the spectra for a full dose of xen.

I play three notes on tenor trombone: Bb3, Bb2 and Bb1. They are all in first position. The first two notes are in the standard range of the trombone, while the last note is a pedal tone. This occurs when the instrument resonates at the fundamental, rather than the 2nd harmonic. Pedal Bb is relatively easy on trombone, but much harder on trumpet (I'm unable to do it, despite being proficient at trumpet and at a beginner's level on the trombone).

Voices and songs of gargano's country - italy. Voice of michele ciccone. Powerful voice with the 'castagnole' (it. Nàcchere or castagnette = castanets) and harmonic. He was born in mattinata in the 1922. When was young he played the 'serenate' (lovely songs typically played in the south italy, under the balcony of the sweetheart) to the girls of the country accompanied from some musicians. Recorded the 11 march 1997 thanks to angelo pantaleo's mobile recording studio.

This is a series of sounds created for spitfire audio's make music day 2020 #spitfiremmd2020 it is a plastic drum, a springy pot rack and a big metal chip bin. There are both harmonic and enharmonic sounds here. The bin as a wonderful resonance and a lot of low end. This is a mono recording through a sennheiser 416 and an rme pre-amp. Enjoy!.

A was busy doing some big muff basedenvelope follower, envelope filteredcomposition, when it hit me, a small portioncould be used for the max. 12 second loopof a loop exercice we're doing in the class. Here, i manipulate the envelope filter twice. First, a recorded loop, of my vintage teisco60's 70's don't remember anymore, doesn't matterguitar, i found for 90 euro at an online rommelmarktlet's say. . . I put the envelope filter so that it 'just' triggerson the peaks of my audio file. . . Oww yeah !!!. The second time i trigger the envelope filter, is wheni play live on top of the recorded loop, i'm playing on purposepercussive, a coup of my hand with an immediate attack, toeven further more let the filter open & because of the amazinggrainy low-frequency based russian sovtek big muff the filtergrowls even more. . . On top of the just percussive behavior, i playof course an harmonic, content related sequence, feeling that the loopwhile being in an odd measure, already is repeating itself , the liveplaying, contrastwise, makes variation in texture & harmonic/melodice content. . . This is only a small portion of the biggercomposition, that's comin'curious ? head to. Https://jozefaleksanderpedro. Bandcamp. Com/. For support : paypal/jozefaleksanderpedro. Peace !04012021.

Harmonic progression from a Mozart piano sonata--sound file. Piano Sonata in G, K. 283, third movement, starting measure 247. Digital recording by Opus33 using Wavesurfer software. Transcription into chords by Opus33, loosely following Piston and DeVoto, Harmony. This music is in the public domain. The recording is not copyrighted, and it is hereby released by its creator (known in this context by the pseudonym Opus33) into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

An artistic experiment searching for sound emissions and the limit of human hearing. Composed of infrasonic material that have a low acoustic impedance. Humans will be able to identify tones as low as 12hz. Natural and human produced infrasonic sounds is anywhere, all the time. The artistic idea was to use background noises, signal fidelity, harmonic distortion, low-frequency in order to foster a soundscape of infrasound that travels through space. Made for project that was never released. Think somebody might enjoy or use it.

A combination of:https://freesound. Org/people/symphoid/sounds/159192/ (freestyle piano. Wav)https://freesound. Org/people/symphoid/sounds/159194/ (jangles. Wav). Making a happy occasion piano freestyle with the bright of bells. In my search, i was playing one and by mistake played the other together in the freesound page, it rhymed, so i did this. The piano is unmodified, the jangles had cuts of pieces, invert, volume envelope, and paulstretch (which makes the whoooosh, sidereal moments). ** all credit to >> symphoid <<, author of the original sounds here combined. Credit him if you use this. Thanks **.

Auf, auf, mein Herz, mit Freuden, melody by Johann Crüger (1598 – 1662), basso and harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 441, adapted to Crüger's original melody by Rabanus Flavus (Peter Gerloff) Auf, auf, mein Herz, mit Freuden, Melodie von Johann Crüger, Bass und Harmonisierung von Johann Sebastian Bach (BWV 441), angepasst an Crügers Originalmelodie (Evang. Gesangbuch 112) von Rabanus Flavus (Peter Gerloff)

Your stereotypical wind chime sound effect. Used a lot for transitions into dream sequences and flashbacks in movies and films. I took a very fast recording of someone hitting some orchestral chimes, slowed it down by over 200% and added some harmonic excitement and equalization in post production. Tools used:- usb logitech microphone (no lies, seriously used this $10 mic)- fl studio 12 by image line- vitamin by waves- dynamic eq by izotop. If you'd like me to edit or create any additional sounds for your project, please let me know. I'd be happy to help.

Here is a simple yet usefull reel for your morphagene. I sampled various noise source from various modules to be used into my shared system, as this instrument does not contain any classic one. This reel is arranged like this:splice 1 : left = white noise / right = pink noisesplice 2: left = metallic noise / right = digital noisesplice 3 : left = tuned noise 1 / right = tuned noise 2splice 4 : left = tuned noise 2 / right = tuned noise 3splice 5 : left = tuned noise 4 / right = tuned noise 5splice 6 : left = tuned noise 6 / right = tuned noise 7splice 7 : left = downsampling noise sweep / right = fluctuating random noise sweep. Most sound comes from the verbos electronics random sampling module. The tuned noises are made of white noise fming the verbos harmonic oscillator, each are one of the eights harmonics being recorded. Enjoy !.

Recording of my duduk. It's in the key of a, so i played a b3 and pitched it up to c3 with melodyne so it's usable in a sampler or to import as a wavetable in serum or whatever. Because of it's harmonic content, it actually works great as a clean yet relatively translatable sub bass for electronic music. I used it to make a wavetable in serum which works perfectly. The instrument is a double reed woodwind folk instrument from armenia, the reeds are made of a flattened piece of bamboo, and the body is made of the wood from an apricot tree. And it's history dates back to approximately 1200bc. Enjoy!.

This sound was the result of a scary accident. I was looking at the view in the webcam of an open doorway leading into a dark hallway in my house, when suddenly this haunting feedback faded in and looped repeatedly, until i pulled the volume down. It was unexpected, and quite unnerving. I had to laugh about it once i realized what had happened. But that first moment had me expecting some ghostly apparition to come in from the darkness. Anyhow, it's just an accidental feedback loop. I've had it in my archives for about 20 years now. I thought it might be useful to someone else. Enjoy!.

I made this tune in garageband for something called victors crypt. It a synth-based tune with a eerie typ of bass-synth at the bottoe with a bit more optimistic melody on top of that. Making it harmonic and less pessimistic but still dystopia. The scream in the beginning is something i borrowed here from freesound. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!//v. Natas.

Non-functional tube radio warming up, making a loud 60hz hum with lots of harmonics. As a bonus it clicks off at the end. Zenith consoltone. Only because the faq says so: electro voice n/d 257a through impedance transformer into crappy gigabyte motherboard realtek high definition audio. 16bits, processed at 32bits. Audacity sound editor and/or driver wouldn't record mic level so it was very noisy after amplification. Filtered with a (mathematically equivalent) fft constructed whopping 64k length zero phase filter (blackman window) with 5 wavelength width bandpass at each harmonic from 60hz to 5,520hz. For some reason a fraction of some of the harmonics didn't get through so did another pass on the residual noise and mixed that in. Near the beginning there was a sort of brief duplicate signal that descended in pitch so it didn't make it through the filter. I added that bit in. Attenuated frequencies above 3. 6khz because they are pretty much noise, but removing them didn't sound right. Cleaned up the beginning a bit in various ways, cut it down to 15 sec and carefully appended the unfiltered "click" onto the end, which i denoised 12db with audacity's noise reduction.

Semplice esperimento con gli armonici del do.

A recording of ringing a bicycle bell, slowed by 64%. Production stages- first of all we recorded the sound of a bicycle bell, then i imported it to audacity. I cut the beginning as well as the end, adding a constant gain at the beginning and a constant fade at the end so that the sound would be even more harmonic. Then i slightly compressed the sound, and normalized it. Then i used a “noise reduction” in order to get rid of the sound in the background and a slight equalizer. Ce son est de type v- continu varié. Dès le début il augmente avec les vibrations de la sonnette. C’est un son cannelé. Il est harmonique et résonant et ressemble à une cloche, mais est en fait une sonnette d’un bicyclette ralenti à 64%. Il est lisse et comporte des vibrations (vibrato). L’attaque au début est graduelle, douce, clair, riche et saturé. Il y a des variations scalaires qui nous ammenent à un pic clairement montré. C’est un son énergique et joyeux.

This is me with audacity.

First eight harmonics, vertically (just).

Scale of harmonics on C.

Harmonics prodject.

Delayed guitar harmonics.

Sound clip of the qin playing harmonics

Scale of harmonics on C for the Vietnamese Đàn bầu.

Angelic pad using harmonics. . .

Harmonics on a guitar string.

Morphed laser synth harmonics with fuzz. Free use.

Triangle wave contains odd harmonics that decrease at −12 db/octave.

Similar to fender rhodes, but less harmonics.

Chord from just Bohlen–Pierce scale: C-G-A Title refers to harmonics (fundamental=1:3:9:etc.)., tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation.

Sample of harmonium at 136,10hz, the 32th octave of the solar tropic year.

Bass speaker plugged to a pc that manages to capture the static produced by an lcd monitor. Noise varies according to what is shown in the screen.

One minute of monochord at 136,10hz, the 32th octave of the solar tropic year.

One minute of tampura at 136,10hz, the 32th octave of the solar tropic year.

Drone made in paulstretch. Sudden timbre changes and uncanny harmonics undermining otherwise peaceful atmosphere.

Creepy deep electronic sound to use as a background. A mix of basses and harmonics.

A sine wave pushed through some outboard to trade in some fundamental frequency amplitude for higher harmonics - hence the name.

Bugle scale: the five notes that comprise most bugle calls: C G C E G (harmonics 2 3 4 5 6).

A harsh monotonous drone hit rich in harmonics. Made these fx with a custom effect synthesizer made with synthedit.

Lambda mode diatonic scale in Bohlen-Pierce tuning (Just), in an instrument with only odd harmonics.

Triad in Equal Tempered Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

The sound is composed with four partials,each partial includes a number of different harmonics,similar to additive synthesis. I am using yamaha moxf 6.

Triad in Just Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1,3,9,etc.).

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 7 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

*Major tone on C = D. 9:8 = 203.91 cents. Limit: 3-limit. MIDI pitch bend: 32,65

This is a trnsformation of the original sound: http://www. Freesound. Org/people/xserra/sounds/254374/ , with the parameters:. For synthesis:window type: hammingwindow size: 801fft size: 2048minimum f0: 160maximum f0: 260number of harmonics: 80threshold: -100minimum length of harmonics:. 1stochastic decimation factor : 0. 2minimum sine duration : 0. 1. For transformation :frequency scaling factors : [0, 0. 4, 1, 0. 4] <- (make frequency lower)frequency stretching factors : [0, 1, 1, 1] <- (no change)timbrepreservation : 1 <- (no change)time scaling factors : [0, 0, 1, 0. 7] <- (faster).

*Hundred-eighty-ninth subharmonic on C = F-. Just: 256/189 = 525.31 cents. Limit: 7-limit. MIDI pitch bend: 12,72

*Hundred-sixty-fifth subharmonic on C = A↓♭. Just: 256/165 = 760.41 cents. Limit: 11-limit. MIDI pitch bend: 42,51

*Hundred-seventy-fifth subharmonic on C = G♭-. Just: 256/175 = 658.55 cents. Limit: 7-limit. MIDI pitch bend: 94,50

*Hundred-forty-seventh subharmonic on C = A-. Just: 256/147 = 960.39 cents. Limit: 7-limit. MIDI pitch bend: 41,51