621 безплатни аудиофайлове за "Harmonic"

Harmonics on a guitar string.

*Sixty-ninth harmonic on C = C♯+ (Ben Johnston's notation). Just: 69:64 = 130.23 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 23-limit. MIDI pitch bend: 86,73

*Hundred-twenty-first harmonic on C = B↑↑♭-. Just: 121:64 = 1102.64 cents. Equal-tempered: 210/12:1 = 1000 cents. Limit: 11-limit. MIDI pitch bend: 108,64

Just augmented sixth on C. 225:128 = 976.54 cents.

*Thirty-ninth harmonic on C = E♭. Just: 39/32 = 342.48 cents. Equal-tempered: 23/12:1 = 300 cents. Limit: 13-limit. MIDI pitch bend: 76,77

Upper harmonics created by a jackhammer operated in wellington city, new zealand (jackhammer sounds filtered out). Jackhammer was clearing debris in the cbd after an earthquake. Recorded with a tascam dr-44wl.

Harmonic component obtained from the analysis of a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

*Eighty-seventh harmonic on C = F+ (Ben Johnston's notation). Just: 87:64 = 531.53 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 29-limit. MIDI pitch bend: 11,74

*Ninety-first harmonic on C = G♭ (Ben Johnston's notation). Just: 91/64 = 609.35 cents. Equal-tempered: 26/12:1 = 600 cents. Limit: 13-limit. MIDI pitch bend: 127,66

Angelic pad using harmonics. . .

Martin d1 played only tone a harmonic flageolet tone.

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Consonant harmonies based on the odd harmonic overtones 3/5/7/9.

Think maybe a sabbath type of riff, low gain distortion but enough of an edge to call it thick/heavy. Probably better split into a smaller segment. Number 95 – flange harmonics g to d – harmonic noise which you could probably use smaller pieces of to signal an alarm/warning type of sound.

*Eleventh harmonic inverse on C = G↓. 16:11 = 648.68 cents. Limit: 11-limit. MIDI pitch bend: 74,79

Hps mode output stochastic part.

Hps mode output stochastic re-synthesized.

A loop done in metasynth. Harmonic minor, 240 bpm.

Morphed laser synth harmonics with fuzz. Free use.

Harmonic sounds of a crystal glass excited by wet finger.

Harmonic sounds of a crystal glass excited by wet finger.

Synth lead with distortion resembling guitar.

*Eighty-fifth harmonic on C = E♯ (Ben Johnston's notation). Just: 85:64 = 491.27 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 17-limit. MIDI pitch bend: 26,93 on M3

Stochastic synthesis output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 7.

Bach St Matthew Passion No 46 Chorale Herzliebster Jesu different harmonization

Short guitar clip. A4 frequency is 432 hz.

Harmonic sound of a crystal glass excited by wet finger.

Close recording of chimes. Musical, harmonic notes for relaxation. Denoised and edited.

Just some pretty wind chimes.

The fibonacci sequence in music; first in harmonic intervals, then melodic intervals.

Somebody set off the fire alarm, and, as i was running down the stairs, i heard something beautiful.

Vocal singing inspired by joan la barbara. . . Singing with harmonic changing.

Metal melodic tubes being hit randomly. Abstract atmosphere sounds.

A long phasing a# note, inspired by the original planet of the apes.

Electric guitar, mid type gain, sorta heavy but sorta clean, sorta rockabilly, sorta country type of licks.

The range of a Jew's harp as string harmonics:“By using the cavity of the mouth as a resonator, each harmonic in succession can be isolated and reinforced, giving the instrument the compass shown. The lower harmonics of the series cannot be obtained, owing to the limited capacity of the resonating cavity. The black notes on the stave show the scale which may be produced by using two harps, one tuned a fourth above the other.” This file plays harmonics 4, 5, 6, 7, 8, 9, 10, 11, and 12.

A harmonic minor scale.

A long tone (approx. G#) on the alto sax, with varying harmonic content.

Buzz harmonic synth riff. Free use.

Similar to fender rhodes, but less harmonics.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. This is a combination of the harmonic component and the stochastic component. It was extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Spoken word recording of be good sounds like take that through audacity with the distortion effect applied to full distortion amount and half harmonic brightness from the first track of the second hour of the war table role-play session in giving and gifting a woman my music.

Residual output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus residual model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01.

Double bass bowed harmonics. Bass played by houston guy, recorded with a shure ksm44, 24bit mono. I was producing a song and asked mr. Guy to give me some noisy strangness just to layer in for texture and he performed admirably.

Tried to add sub harmonic content to a snare, so a lot of the punch in this 200hz snare comes from harmonics like 50hz 100 hz etc. Execution prolly wasnt too great but i like how it came out.

A new hardstyle kick harmonic enough made from a old kickdrum of mine and some bass layers made in sytrus from zero. Key:cprocessed/clean. Tempo:155/130(this instrument is in whole length cause of reverb,is not a loop,just one-shot).

Wind chimes i recorded and processed in ableton live.

A texture i did in metasynth with a fair amount of harmonic motion.

Sample of harmonium at 136,10hz, the 32th octave of the solar tropic year.

Residual signal obtained after subtracting the harmonics from a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus residual model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 02.