629 безплатни аудиофайлове за "Interface"

I slapped some metal kitchen utensil with a wooden spoon. Recorded in 196 khz and 32 bit with a shure sm 57, preamp: art pro channel, interface: rme fireface uc. Thanks to everyone who provides freesounds with quality sounds. Greetings.

Ooo spooky lol so this is my first sound with my recording setup, got a behringer sm57 clone and an audio interface so i can do much cleaner stuff now. If you got something you want to hear let me know.

Mic: akg p420 interface: presonus studio 18|10recorded through window in my room in piotrkow trybunalski (poland). Pretty big highpass from reaeq. Same story next day. Chill out birds and just let me play.

Short melody performed on a moog grandmother with the spring reverb turned pretty high which is what the dissonance between notes. It was recoreded into ableton live 10 using a focusrite 2i2 audio interface at 44. 4 khz in dallas texas on a rainy night.

Three cigarette lighter strikes, flame runs for a few seconds. After. Six dead strikes (flame doesn't light). Sennheiser me-66 shotgun condenser into sony mz-r70 minidisc, transferred into adobe audition at 44. 1khz/16bit through edirol ua-20 usb audio interface. Noise reduction via adobe audition.

Vibratone (like a big cylindrical tuning fork) struck once, rings on e note, decays to silence. Sennheiser me-66 shotgun condenser into sony mz-r70 minidisc, transferred into adobe audition at 44. 1khz/16bit through edirol ua-20 usb audio interface. Noise reduction via adobe audition.

Recording of my kalimba tuned to c-major (give or take a few cents), striking the lowest possible note. Recorded on a rode nt1-a through a scarlett 2i2 interface. Noise-reduced for clarity.

To create this sound i stabbed an apple with a pair of scissors in my bedroom to replicate the sound of someone being stabbed. To record i used my sontronics stc-10 microphone and my audiobox interface running pro tools from my mac at 48khz, 16 bit.

For whatever reason, i decided to blow into a paper bag and pop it in my apartment. May be of some use to the mentally ill. Recorded with a rode ntg-2 shotgun microphone and a m-audio mobilepre usb audio interface.

Ok, obviously i'm not a percussionist. These are just a few takes i made with a borrowed plastic guiro. After a few single samples i included a clumsily played "quintillo" rhythm. Gear:. Neumann tlm-102arturia audiofuse interface. Format:. 48khz 24bitmono.

Recorded with my epi sg through the focusrite interface and walrus slo pedal on dream setting. Edited with reaper and thanks to kenny gioia for the tips. Use it as you like and please comment on what you may use it for. Thanks. :-).

A set of wind chimes recorded with my sony ecm-ds70p mic through my sony mdz-n710 into my edirol audio interface recorded into audacity. I've tried to eq out my computer fan noise but it is still present. Photo: http://www. Flickr. Com/photos/str33ty/370769496/.

Mic: akg p420 interface: presonus studio 18|10recorded through window in my room in piotrkow trybunalski (poland). I cut out cleanest fragments from files i previously uploaded and do some noise reducing.

An improvised stoner riff played on an archtop guitar passed through pharaoh fuzz then through an orange amplifier with overdrive enabled. After that the signal goes directly into the computer. Recorded using an alesis io/2 interface with input set to "line" and gain to the minimum.

The sound of a car starting engines on the street. The sound was captured using two beyerdynamic mc-930 setup for stereo recording using x-y positioning. Preamp used was avalon ad-2022. Usb interface used was audient id22. Raw sound recorded in stereo at 96khz.

I closed the window just before the gargling recording. Blinds go up window closes and then blinds go down. Sony ecm-ds70p mic to a sony minidisc mz-n710 acting as a preamp into my edirol ua-25 audio interface. Flickr picture: http://www. Flickr. Com/photos/str33ty/391967617/.

I have to regularly gargle some horrible mouthwash as i've just had my adenoids removed. Sony ecm-ds70p mic to a sony minidisc mz-n710 acting as a preamp into my edirol ua-25 audio interface. Flickr picture: http://www. Flickr. Com/photos/str33ty/391967617/.

Studio recording of a 10'' inflatable stand-up surf board being deflated. I included a roughly designed version first, and the raw mono take. Format:wav 44khz 16bit mono. Gear:neumann tlm-102audiofuse interface.

Just a test of my new interface and walrus slo effects pedal with an epiphone sg pro. No set tempo and a missed note or two, but use it as you like and please comment on what you may use it on. Edited on sony vegas. Thanks.

This is a recording of my fender jazz bass di'd directly into my interface. Hopefully this set up sounds good so i can upload more with these settings. Any suggestions? please comment below and thanks!.

December 2017. Recording equipment: mk105 condenser mic, digilab smp100 preamp, roland quad-capture interface. Equalized by logic pro x. New not free version of similar sound, recorded in 2021. For new recording used stereo pair rode m5 mic and zoom h5 recorder:https://audiojungle. Net/item/water-to-the-glass/32282046.

The sound of rain and slow and rumbling thunder. This was recorded out of my window using an se electronics 1000a condenser microphone though an onyx blackjack usb audio interface into m macbook pro running logic pro x.

Mono recording of a small cooking blender that, after some pitching and processing, i used as a layer for a robot's movement mechanism. Format: wav 48khz 24bit monogear: oktava mc 012 -> joemeek vc1qcs -> audiofuse interface.

Plastic dice (1) rolling on a piece of paper on a wooden table (to simulate a carton board). Recorded with a se electronics se1 cardioid mic into motu 828mk2 interface, 48khz, pointing at the source, around 30cm away. Small, slightly treated room with reflective walls.

Recorded with my epi sg, finger style with a capo on the 5th fret. (i like the slow tempo). I went through the walrus slo pedal on 'dream' setting, then into the focusrite 2i2 interface, and then into reaper. Please comment on what you may use it for. Thanks. :-).

Original description: radio recording made from qfx j-22ubk rerun x radio routed to my tascam 106 routed to my umix audio interface recorded and edited in fl12. #radio #hardware #analog #recording #random #scanning.

Quick recording of some thunder during light rain. Urban setting with birds quietly chirping in the background. Some heavier water drops can be heard closer to the microphone. Recorded with a blue yeti pro (stereo mode) with a sock for wind protection through the scarlett 2i4 interface.

Mic: akg p420 interface: presonus studio 18|10recorded through window in my room in piotrkow trybunalski (poland). Pretty big highpass from reaeq. Some birds bothers me when i play rdr2 online. I know that it's 4 am, but i need to get some more materials for cripps.

This sound made from init with vital synth (full version free at https://vital. Audio/). I mixed them down to 24bit 44. 1k using presonus studio one and native instruments ak-1 interface. Contact me for the presets and wavetables (also custom) if you have or get the synth. More to follow.

Early morning bird calls, knysna forest, featuring the turtle dove on solo, the hadeda on horns, the sunbird on backing vocals, and a choir of nameless others. Recorded in knysna forest, south africa, using a behringer c1 mic with audiobox sound card interface. Light compression, amplification and eq on studio one software.

Electric garage door opening, with a few seconds of outdoor ambience at the end. This is the mechanized kind of garage door that bends and rolls up in the ceiling of the garage. Nady scm-2090focusrite saffire pro 24 interface/preampmacbook prorecorded in logic at 16/44. 1normalized in soundtrack prono other processing.

Recorded about every sound you can get off a chinese guzheng, tuned in d pentatonic. Recorded with blue spark and blue bluebird condenser mics through a scarlett 6i6 interface. No credits necessary but i'd like to hear what you use it in!.

Took a violin bow to a chinese guzheng and the results were pretty great. Good for ambience, drones and creepy stuff. Recorded with blue spark and blue bluebird condenser mics through a scarlett 6i6 interface. Uncut with a small glue compressor to minimize spikes.

* circular saw for cutting stone on a construction site* ambient noise: birds, voices, construction site* distance to source: ~8m* height above source: ~5m* post processing: none. * microphone: samson c01* interface: phonic firefly 808u* resolution: 24bit@96khz* preamp: +35db* cables: 2x 6m sommer sc-the stage 22, hicon connectors* software: ardour on debian.

I found a program called "bitmaps & waves" today, and thought i'd take it for a spin, basically, what it does is convert any bitmap image into a waveform that you can hear. This is a screen shot from my computer interface. Get this program (yep, it's free!) at http://www. Elisanet. Fi/victorx/bitmapplayer. Htm. Made with bitmaps & waves.

Screams of a female warrior on the battle field. Encouraging her companions forward, taking blows, giving blows and hacking something to pieces. #adpprecorded using a rode nt-1 microphone through a uk=r22-mkii interface using reaper. I recorded this within a blanket fort to reduce external noise and potential echo.

In this piece, the recording of an acoustic guitar was made,with the technique of listening with one ear from several points and distances, since, as we saw in course 2, doing that is like listening to the way in which the microphone picks up the sound; and that is the specific point where the microphone must be. A dynamic microphone, interface and computer with digital audio station was used.

Lead in groove of a 7" single @ 45 rpm. Recording chain:. Pro-ject primary turntable with an ortofon om 5e cartridge→ onkyo stereo amplifier→ behringer uca202 audio interface→ laptop using audacity. Notched out some motor noise and selectively eliminated or lessened some other noises for aesthetic reasons.

This sound is the sound of the door to my bathroom closing from the outside. To record this i used my sontronics stc-10 microphone, my audiobox interface and pro tools on my mac at 48khz, 24 bit. I recorded this sound to be used as foley for a door closing off screen in a student film. I uploaded as i thought it might come in useful to others.

To create this sound i hit an apple with a pair of scissors in my bedroom. It sounds as if someone is being hit over the head with a hammer - i created it as foley for a student film for this purpose. To record i used my sontronics stc-10 microphone and my audiobox interface running pro tools from my mac at 48khz, 16 bit.

This is a recording of a guitar loop heavily processed. Equipment used = yamaha pacifica guitar, roland duo capture audio interface, sony acid pro 7. 0, sony sound forge pro 10, fl studio 10, waves plugins (comp-gate and morphoder), antares filter, cycling 74 pluggo (sizzle delays), korg ms 20 emulator. Thanks for czechin out my sounds. . . Enjoy!.

Download the full pack here : https://goo. Gl/zkrzqr. This sample is from the prism modern pop drums library. Prism’s revolutionary interface gives musicians and music producers the power of incredible electronic percussion performance on their own terms. Easy access to a virtual endless array of drum options means you’ll spend less time searching for sounds and more time making the most of your music.

Take 1. A knife rubbed against a cheese slicer in order to create the effect of a sword being drawn from a sheath. This was recorded for the purpose of a college project. Sony ecm-ds70p mic to a sony minidisc mz-n710 acting as a preamp into my edirol ua-25 audio interface. Photos:http://www. Flickr. Com/photos/str33ty/373690370/http://www. Flickr. Com/photos/str33ty/373690361/.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

By manuel de falla. Not the complete song. I love this song on a classical guitar,(and i love to fish) but wanted to try it my way. No set tempo with some fermatas. Recorded with my squire telecaster and squire mini-bass through the focusrite interface and walrus slo pedal on 'dream setting. 'guitar is triple tracked and bass is single track. Edited in reaper. Please comment on what you may use it for. Thanks. :-).