767 безплатни аудиофайлове за "Khz"

Heavy rain, changing intensity, loud thunder and distant thunderrecorded with zoom h1 in 44 khz 32 bit stereo wav format.

Varous sounds on pillows (grabbing, leaning back, etc. ), stereo, 24 bit/48 khz, -6 db, recorded 2020, with zoom h5.

Heavy rain in brussels. Recorded with a sure mv88, stereo 60 °, 24 bit / 44. 1 khz. Https://soundcloud. Com/lisbonstory/sets.

A metal door in my street in lyon france, which produces a strange grating sound. Mono, 16 bits, 48 khz.

This is a 10. 005-second clip that is 44. 1 khz and 16 bit. 3 seconds fade in and fade out. Normalized to -3 db.

Sounds of pacheco games recorded in nagoya with nagra ares bb - stereo 44. 1 khz 16 bits with shoeps stereo system.

An 8 bar loop done in fl studio 7 using silverbox 303 clone vst. No effects used just automted cuttoff/env mod/decay. Got a few of these. Done in 32 bit 96000khz so you might want to resample for your project.

This is the stereo file of the 4-ch thunder-file--> https://freesound. Org/s/367222/. The thunder is slow downed to 0,7speed and has now very deep frequencies, which can shake your house, if you have the right equipment to play the file. ;-)the 4 channels are recorded in irt-cross technique so it is a 360° record. Ch1(left) = fl+rlch2(right) = fr+rr. _________________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones).

Foley of hand hitting a wooden wall. Recorded with xy mic on zoom h5. Sound is processed with compressor, multi band compressor, hpf eq and a limiter.

Shortwave wide-band digital emission recorded on july 15, 2014 at 15:17 utc in am mode using 2 instances of the online remote controllable short-wave receiver located at the amateur radio club etgd at the university of twente the netherlands. Left channel was recorded below the central frequency, at a frequency of 10187khz, right channel was recorded above the central frequency, at 10191khz. This was an experiment to see if selective fading would create stereo effects, as the lower frequency part of the transmission would be heard better in the left channel, and the higher frequency component would be heard better on the right. I used goldwave to put the separate recordings into 2 channels of the same file, after i synched the recordings by ear at 1/16 playback speed using a set of 2 particularly strong lightning static crashes as a guide, trimming off everything that came before the first strike in both original recordings, then inserting silence in the range of a few milliseconds until the stereo separation was as close to zero as i could get it. I wasn't as successful at that as i've been with experiments with voice recordings from simultaneous broadcasts on 2 wavelengths that i haven't posted here.

10119 khz 2011-oct-27-1400-utc station clicking over the band. Clicks noted in 10114-10123 khz range. His equipment was old czechoslovak army transmitter rs-41 (about 1965 year). Added frequency marks at -45, -27 and -10 sec. Of the record. I know that rs-41 is clicking because i have the same transmitter at home. But later found that also ft-897 receiver is often the source of phantom clicks. . .

Firing the legendary desert eagle. 50 at nexus shooting range. Recorded in stereo lpcm 24 bits 96 khz with a sony pcm-m10.

The sound of inside of a spaceship. 48khz 24bit recorded on my roland r-26.

One horse is eating and chewing. Swalowing and blowing at the end, close up. France, 2010. Recoreded with schoeps cmc6 mk4recorded on sounddevice 744t48 khz, 16 bits, mono.

Water thrown on hot stones in a sweat lodge next to a river. Louloudj, algeria, 2005. Recorded with autiotecnica at822recorded on dat datsac dap148 khz, 16 bits.

Sound of an operating vinyl plotter, recorded with zoom h5, 24 bit at 48000 khz.

In a food processing factory we can hear how a machine puts the sealed packaging on the final products. Recorded mono shotgun. 48000 khz, 24 bits.

Presences midi instrument from studio one with moog synthesizer and various plug ins like lfo, delay, reverb and others. Recording settings:. 48[khz]24-bit.

Static from the 760 khz mark of the am radio band, with spikes to the high side of the tone and very little bass.

This is a bit of 16 bit, 44. 1 khz stereo (but not very) car racing sound. Mixed for television broadcast with 12 on-camera sennheiser 416p's.

Recording of the interior of the train between sóller and palma in mallorca. Almost no passenger sounds. 24 bit / 48 khz, sony pcm-d100.

C2 moog faded in and c2 pizzicato + reversed. All passing through effects of distortion, reverb, delay and lfo. Recording settings:48 [khz]24-bit.

Opening up a glass pill bottle. Recorded with tascam dr-4024 bit / 48 khz.

Field recording of ortaköy waterfront. Mostly arabian tourist noises, cars passing-by, salesmen shouting and in some parts, music.

This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.

Ham radio amateurs. Weak signal with much statics. From july 26th 2017, 5. 15 pm utc, 14. 237 mhz usb 20m. Call signs;ok2bld czech republicf4eih franceoh2hi oh2fi finlandux3un ukraneoe1cga austiadl1bsh germany close to luxembourgsp3ms polandm0bec englanddl2r germany (saying he is in florida :-)f8fhi farnceom2ad slovak republic. Recorded in the netherlands.

Common terns are pale gray overall with a black cap. Breeding birds have a fully black cap that extends to the back of the neck and a gray belly. Terns comes from lac des chanteraines next to paris. I love listen to terns next to highway. It’s a pretty shocking contrast of noise pollution.

A bit of pulsing ambience for further mangling. . .

Futuristic machinery at work in space during a voyage to alpha centauri / stereo file.

Recording of me chewing and swallowing my cereals in the morning, 44,1 khz - 16 bits. Some spoon sounds can be heard.

Bathroom fan recording. Using home bathroom fan, recorded with rode nt1 microphone with avid omni as the mic-pre. Recorded at 192 khz with 32 bit floating point.

Sound of water in a drain. Recorded on february 19, 2017 with zoom h4n, 16 bit 44. 1 khz. Normalized, trimmed and fade-in/-out added.

An ambiance track of rain and some thunder taken while at school one night.

I recorded this with my edirol fa101. All files 48 khz 24 bits mono. Not normalizednot compressedjust natural jomox sounds. Enjoy !.

Recorded some birds in the forest in the morning. Recorded with a zoom f6, 2 x rode nt55s set to cardioid, ortf stereo recording24 bit, 96 khz.

I'm cutting my small front yard with a weed eater.

Synchronized radio beacons gb3ral, gb3wes and gb3ork on 5290 khz (each first 3 minutes of each quarter of hour) http://www. Rsgb-spectrumforum. Org. Uk/5mhz%20beacons. Htm.

Combing of a beard. Recorded with tascam dr-4024 bit / 48 khz.

Studio recording of a medium sized gong tuned to f#. Recorded with a zoom h4 at 96 khz / 24 bit resolution.

Very strange sounds from a very high frequency.

Recording of a common crow making the "chuckling" or "chattering" vocalization. Urban field recording using a digital camera, edited down to 22. 050 khz mono.

A binaural field-recording of the tea's riverside. Sample rate: 96khz.

In a food processing factory we can hear how a machine puts the sealed packaging on the final products. Recorded stereo omni. 48000 khz, 24 bits.

C2 moog notes mixed with c2 pizzicato + reversed. All passing through a distortion, reverb, delay and individual lfos. Recording settings:48 [khz]24-bit.

Moog synth c2 note mixed with c2 pizzicato and c2 reversed pizzicato. Uses reverb, delay, lfo, distortion, etc. Recording settings:48[khz]24-bit.

Recording of noise produced by unplugged microphone jack on my computer. Weird whistle sound moving from 6. 5 khz to 15 khz randomly with pink noise on background. Removed dc part of the sound and normalised with audacity. Sound was cut to make it loopable. Feel free to use it in short movies, games, etc. Just include a comment below and give me credit if used in game (i do not take a care on movies). . .

4-channel surround (irt-cross/25cm) record of a lightning and rolling thunder with (nearly) no rain. The spatial impression is best if headphones are used. Ch1 = flch2 = frch3 = rlch4 = rr. Another very popular thunder clap maybe also interesting:https://freesound. Org/people/bluedelta/sounds/446753/. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. ;-)https://www. Sounddevices. Com/product/wave-agent/.

The bridge of montmartre (caulaincourt - paris)this bridge is located above the montmartre cemetery. Often when i walk there, i hear the bridge making noise when i am just below the bridge. Geofón32bitsfloat_192khz.

This recording is for people who hate the highlighted high frequencies. An old sabian aax small recorded with a røde m5 mic. I the created two copies of the original recording:1. On the first file i applied low pass at 2 khz and hard compression at -24 db without makeup gain. 2. On the second file i applied high pass at 2 khz and hard compression at -24 db without makeup gain. Then i lowered -2 db all the spectrum except for the band from 3. 5 khz to 9. 1 khz and i applied hard compression at -24 db without makeup gain. I merged the two files. The envelope was very flat due to the compression and thus i reshaped it on wavelab (process > level envelope. . . Or press the "v" keyboard button; draw a natural fade out in steps [non-linear]). The result is a warm crash for people who don't want them loud.

Remix of wierd chimes. Wavhttp://freesound. Org/people/kwahmah_02/sounds/250253/which was a recording of a shortwave broadcast in am mode received in usb mode 1khz off frequency. I used goldwave's mechanize feature at 10000khz, then applied low pass filter at 10000 khz to filter out the newly created upper sideband, then i used mechanize again at 9000 khz, which tuned in the recording just like if i had a tuneable receiver.