2027 безплатни аудиофайлове за "Low"

August, 2nd 2013. About eight and a half minutes worth of summer evening ambience, with crickets and cicadas leading the evening songs. Nothing too eventful, but a nice finish to a great day. Recorded at 48khz, 24 bit. Stereo pair of behringer c-2s (cardioid). The mics have an on-board 3-position switch, with labels "flat," "low-cut," and "-10db. " the switch was set in the -10db position (whoops!). It is unclear if this position also activates the low-cut. Additionally, a 24db/oct low-cut applied in pro-tools at 80hz to clean up a slight wind ruffle. Since it was late at night, and the rest of the family was in bed, i opened my window and placed the microphones (almost) right up against the screen. The a/c unit you can hear is directly below the window. Around the 4:45 mark, the digital thermostat hit a programming mark and kicked the air conditioner back on. Roughly one minute later, i adjusted the thermostat to turn the unit back off. Location: suburbs of atlanta. Free to use whenever and wherever! i'd be interested to hear/see where you use it!.

A bunch of garbage (soda cans, beer bottles, chip bags, styrofoam container, etc. ) on top of a bed/blanket, then gets tossed onto the floor. Includes body movement, resetting of props and retakes. Stereo. 24 bit. 48 khz. Low cut applied.

Here is a clip i recorded using a canon gl1 and a audiotechnica shotgun mic(unsure of model number, a cheap one i'm sure). The clip contains thesound of me clinking a fork around inside of a bowl (sounds likesomeone eating) and pouring water into a glass as well as a bowl. Thegain might need to be increased as the audio is low.

A chair i moved over a stone tiled floor. Keeps getting heavier and noisier, quite eery in the end. Recorded with sony tcd d10 pro ii & sennheiser md21u.

48 khz pcm wav file. Developed for use as background, low-level sound in science fiction interior scenes. M-audio venom synthesizer. Long-running clip changes subtly over time.

Low, metalic drone in f# made by time-stretching some voice sample ran through vocoder (using paul's extreme sound stretch). It has some digeridoo timbre, but just a little bit :) enjoy.

Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

Sunny spring day in back garden in galway ireland. Birds singing, light breeze, low traffic in background, church bells can be heard in the distance towards the end. Recorded with in built mics on zoom h4n with rycote wind protector.

Short sample of an overhead fluorescent tube light in my basement with some low white noise. Loops seamlessly. Recorded with a roland edirol r-09hr and edited in audacity. If you use this sample, please tell me what you did with it below! links are nice too.

I made a tonal quantussy recording. The bass always plays a low c. The 5 tracks are selected from one 15 min long recording. The synth creates defined tracks with different character.

Recording of ambient birds and wind through the trees at point halloran, qld australia. This sample has muffled birds and some low rumble and tones from. Captured with a bp4025 microphone and zoom f6 floating-point recorder.

It's a winnie the pooh stocking that sings "we wish you a merry christmas" when you push it, but i decided to take one of the batteries out and see what happens. The result is rather funny. Recorded on november 27, 2011 with an ipod touch. Converted to wav with audacity.

This is the sound of pressing a tap and let the water flow of a toilet (low frequency) from the roc boronat building in the upf campus poblenou, barcelona. It was recorded at 13. 35. Recorded using zoom h4, normalized with audacity and adde fade-in and fade-out.

Minimalist beat captured in a natural setting, probably some siding on a building being replaced. Mixes metal rattling (like screws or coins) with hammering and a low background voice. Portions have been looped and mixed, could be cut and looped in various patterns.

Automatic stick shift being shifted, 2003 hyundai elantra. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).

I created a first rhythm track -> tempo 110. 0 bpm, beat of bar 3then a second pluck track in 60 midi pluck height and a steep fadei repeated the first track, driving the sound very low to give more rhythm to the sound.

A production sound created for a film project where the character is looking into the void of a black hole - and the emptiness overwhelms. The track is rooted in me slowly exhaling across the microphone. A flanger and low-pass filter is responsible for the rest!. Created on 04/17/2021 with an h4n and sennheiser shotgun mic.

Simple type of riff which would work for a beginning or break segment. Low gain type of sounds. Call it garage rock or alternative lo-fi rock. Actually changes into a couple different segments which might be useful.

Sitting on a bench one meter by the lake starnberg, on a windy day in the end of may 2020. Recorded with a zoom h4n pro, internal microphone. Some eq editing to remove low-frequency wind noises.

Rain storm with low thunder rumble in city with street traffic, buses cars and distant siren. As a courtesy if you download my sounds please subscribe to my youtube channel: https://www. Youtube. Com/user/mycompasstv thanks!.

It’s a mix the 80s gated reverb and the fisher k10 stereo (gated), this is an experiment that i did combining a thicker reverb with low frequency, with an impulse response from a 60s spring reverb unit, which brings a movement nice in the mix.

The deep, low octave sound effect popularised by eric serra for the goldeneye film score. It is available on the e-mu proteus 2 fx synth module under the patch "infinite". Alternatively, you can make a similar sound by sampling a woodblock/tambourine/cowbell and then pitching it down heavily (with added reverb).

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

Circuit du mans. Passage of the cars (beetles) on the pitlane during the fun cup 2021. Paddock atmosphere with the cars passing on the circuit in the background. Recorded on 20/08/2021 at 17:35 by an olympus ls-100, low cut at 100hz.

Here's a recording of light waves on the shore of saint-laurent river in quebec, canada. This stereo recording was made with a sound devices usbpre2 into a tascam dr-680 (spdif) and 2 studio project c1 in ortf with a 80hz low cut.

Soft stereo wind. Low frequences modulation foreground, due to mics windscreens. Trees sometimes softly moving around. Some residual water drops and metal crackeling. France, nov 2022. Recorded with 2 em 172 in ab setuprecorded on zoom f3wave stereo, 24bits 48khz.

Created this sample using only audacity. I started off by generating a square wave chirp between 10000 and 20000 hz on a mono track, copied this created a stereo track and messed around with timestretching and low pass filtering until i got the desired sound.

Recording of me "growling" that has been highly altered to sound like a demon snarling. Same as "demon_ghost growling 1" but amplified to sound more sinister. Recorded and edited using audacity.

Night sounds of night, mainly crickets, recorded at san francisco libre, nicaragua. You will also hear low human voices and some cars far away. Listen through the loops, because perhaps you will need to make some adjustments.

Track was created using audacity®. The track was a generated chirp of 1 sec. Repeated once and then reversed. The gverb filter was used with a low early reflection and high room size value. And then the echo filter with 0. 2 delay time of seconds and decay factor of 0. 5 seconds was applied.

For sound effect, or a bit of rhythm. I happened to record this sound without knowing after i had done some field recordings. I hope low frequency sounds abundantly on your devices. My small speakers don't. Recorded with at825 and fr-2.

The sounds of a passing thunderstorm from out my back porch in downtown austin. Includes some low and far thunder rumbles, rain drops on asphalt, and far off city noise. Recorded using a sennheiser mke600 directly into audition (dual mono). No processing applied.

A short clip of a (intentionally) low-skill trumpet player playing a simple warm-up tune. Could be used to demonstrate technique improvements or what-not-to-do. Trumpet played was a yamaha allegro with a yamaha 14b4 mouthpiece. Recorded using the internal microphones of a tascam dr-40x at a distance of approximately 3 feet.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

Music box revolved on a 12" x 12" ceramic tile. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

A dark hip hop drum-loop made using fl studio's fruity drumsynth live (analog modelling drum synthesizer), using fl studio as my host daw.

The whole precedure: switch-on-klick. Heats up. Hisses with a few nice whistling melodies (from 00:27 on). Boils. Automatic switch off. Close stereo recording (10cm) with sony pcm-10. Pretty low background noise (kitchen ambience).

My upstairs neighbor sometimes likes to rhythmically stomp on their floor. I recorded their stomping with low gain and then with high gain, from the living room of my apartment. You'll likely need to perform some noise reduction, especially on the high gain stomps. This was recorded with a blue yeti mic.

I played arbitrary co-soundings on the mystic scale (it becomes mystic arabian if you mimic arabian music; otherwise is sounds european). I applied 300 hz steep low pass (eq) on an inverse sawtooth soundwave generator. I applied many delay effects in tandem. Created on fruity loops and re-equed on wavelab. Mystic(has three submodes, scale-shifts [same intervals, overall shifted]). • do, re#, mi, sol, sol#, si• do, do#, mi, fa, sol#, la• do#, re, fa, fa# la, la#. (semitonally/fret steps: 0, +1, +3, +1, +3, +1, +3). (si = ti, do = c). It is chordable.

Recording of sea undertow on the beach of formicoli, vibo valentia, calabria, italy, the 19th agust 2022 16:44. The sound was recorder with a zoom h1n with windshield at a short distance from the crashing of the waves on the beach. The waves are driven by a light, gentle wind. The sound was recorded by holding the microphone in my hand while i dived knee-deep into the water and walk, filming the crashing of the waves (also on my legs). High-frequency sound details (the foam of the sea, the impact of waves on each other, etc. ) are much more audible here. Processing:* volume adjustment;* 120hz high pass filter (to reduce low some low frequencies rumble due to the wind);* cut and crossfade to eliminate very few mechanical noise of my hand on the mic;.

Recording of a door being opened and closed, and then opened and closed again. Very slight footsteps (on carpet) can be heard. The microphone (sennheiser mkh-50) was intentionally placed about 5 feet away from the door and aimed slightly off-axis so as to capture more of the natural room sound/reverb. I have another recording available of the exact same door and mic setup, but aimed on-axis for a more direct recording (it still has a slight bit of room sound - that was what i wanted for these two recordings). Recorded into a tascam 208i audio interface and into adobe audition. Very minor processing (low-cut at 80hz to remove low-freq rumble).

These short files are random selections from a 9min composite audio file i put together from an accidental recording made when i left my sony camcorder on in my studio. They are part of the same series posted elsewhere on thefreesoundproject site titled "accidental recordist". There is some hiss/background noise which is part of the street front urban scene of my studio. There are two chimes - one low pitch constructed of four aluminium tubes and wooden clapper (gift) and the high pitch one of small stainless steel discs (purchased in maui from craft shop). I did some basic cleanup of low level background noise and applied plus one level of loudness using adobe soundbooth cs3 to get some clarity.

A few seconds of mistaken recording in a car. I believe it's radio commentary of a sports game of some kind, but you can't tell what the man is saying.

A digital sounding humming ringing noise, or a ringing humming sound. Not really sure how to describe this what this is, but i liked the way it sounded so i uploaded it. Sound is a paulstretched cello. Used audacity's pitch lower till it made that ringing noise. Was trying to make sound for ambient tracks.

I said a sentence into the mic and made its tempo and pitch very slow and low. You could probably use the part of it that sounds like a screech(which was literally me pronouncing "ssuck")for some kind of video game monster like scp 096 (hence the scp tag).

Computer calculating - technology. Let me know if you find a use for it.