1110 безплатни аудиофайлове за "On Mode"

Dorian mode on C.

Dorian tetrachord. Created by Hyacinth (talk) using Sibelius 5.

An oboe playing the D dorian scale Norsk bokmål: En obo som spiller dorisk skala med tonika på D

Aeolian scale of C

Recording of the Dorian mode in A, acoustic guitar

I-IV-♭VII-IV chord progression. Barre chords on a MIDI acoustic guitar: C-F/C-B♭-F/C.

Chromatic descending 5-6 sequence from which "Lay, Lady, Lay" sequence is derived.

The song "Windham" by Daniel Read; piano reduction, altered to Dorian mode as an illustration of the use of this mode in Sacred Harp singing Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain.

Dorian mode on D. Created by Hyacinth (talk) 09:54, 19 April 2011 (UTC) using Sibelius 5. See: :Image:D Dorian mode.png

Lydian augmented scale on C.

Lydian dominant scale on C.

Звуки натуральной трубы Си-бемоль.

Musical note.

Musical note.

Musical note.

Musical note.

Musical note.

Звуки натуральной трубы Си-бемоль.Natural trumpet B-flat.

Musical note.

Musical note.

Musical note.

Musical note.

Musical note.

Musical note.

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

First page of "The Levee Song," later known as "I've Been Working On The Railroad," as published in Carmina Princetonia: The Princeton Song Book (1898)

Aeolian mode on C. No pitch bend.

Aeolian mode on A. No pitch bend.

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.

5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.

Freygish scale on D. Created by Hyacinth (talk) 03:16, 26 November 2011 (UTC) using Sibelius 5.

C Phrygian dominant scale. Created by Hyacinth (talk) 00:37, 5 July 2010 using Sibelius 5.

*Grad on C. 531441:5242881/12≈886:885 = 1.955001 cents.

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Octave on C. 32/1: 6000 cents.

Octave on C. 32/1: 6000 cents.

Octave on C. 1/8: 3600 cents.

Eighth octave on C. 16/1: 4800 cents.

Diminished octave on C♯ = C♮. Equal-tempered: 211/12:1 = 1100 cents.

*Perfect fifteenth on C = C". Just: 4:1 = 2400 cents. Equal-tempered: 22:1 = 2400 cents. MIDI pitch bend: none

Octave on C. 16/1: 4800 cents.