22 безплатни аудиофайлове за "Or&n"

Bugle Call, Bersaglieri Corps (Italian Army) - Right (or N.1)

Bugle Call, Bersaglieri Corps (Italian Army) - Left (or N.2)

Bugle Call, Bersaglieri Corps (Italian Army) - Center (or N.3)

Zoom h4n 2018 - onboard microphones. This recording is 17 full minutes of ambiance from inside an in-n-out fast food restaurant. This in-n-out is located in downtown burbank, california located at 761 n 1st st, burbank, ca 91502. The great thing about this recording is that it's free of all music that would invalidate the recording due to copyright restrictions. In-n-out, unlike other fast food chains, does not allow music in their dining rooms. This is because most in-n-out locations are so busy and constantly loud, the addition of music would create an unbearable sense of mayhem. So, rest assured you may use this ambiance in your project with no restrictions!. The beginning of the recording starts during a busy lunch hour. As the recording progresses, the announcements on the intercom stop and things become a bit more calm. Enjoy!. - christopher.

A windy day, either a ghost town in a mexican stand-off or a empty october forest. Use for whatever you would like.

Threw a rock in ding or dang slot canyon in goblin valley state park, utah.

Rather ambient bang into a can which sounds like a thick seed husk shot into a spittoon but is more likely a n aluminum knife or something striking a typical one pound bean can.

A terrorific and/or abundant wall of sound pad texture. Situation: for some reason, it reminds me to a funfair. To listen a distant funfair meters underground.

Rode nt4 microphone compare signal-noise of phantom and battery power. Nt4, together with small electrical clock, in bed under all the pillows of the house. ;-). First 48v phantom-powersecond 9 v battery-power. Gear chain: rode nt4 with original xlr cord > sound devices 302 >tascam dr-100 mk2. My conclusion: the battery powered mic nt4 is 0. 5db more quiet. Not very significant. See also; http://freesound. Org/people/klankbeeld/sounds/217695.

Exclusively done with logic pro. . Main sounds used are violins n persian santoor to give that mid-east feel to it. I named it waiting, coz i feel thats what its use for in a clip where you have a brief intersession. . . Pondering , contemplating or whatever. . . .

Cartoon whizz past, or slapstick fling something effect. Free for use anywhere, anyhow, any time. No attribution required. Three instances of the same sound effect. First instance has a rapid left to right pan. Second instance pans right to left. Third instance stays central. Cut 'n' paste whichever one of the three that you like best. Created with ni fm8 and son of a pitch vst inside flstudio 11. 04.

I started recording a vinyl lp into my computer before realising that i hadn’t set the anti-skate properly and the needle was stuck in the lead-in groove. I trimmed this bit of snap crackle n’ pop and kept it in the hope that it might be useful for me or anyone else. Have fun.

Made back in 2005 for a slasher rap beat on fl4 or 5. . Used strings and a dark pad, also a slap bass. I was really into bone thugs n harmony back then, so i really wanted to take the gangsta feel to a whole different level. . It just turned into a slasher thriller horror type beat. . Ofcourse i took the beat off bc i wanted to share only the score. . If used on anything , i would like to watch or listen. If making for a scene, maybe i can extend it for you , hit me up.

This sound would be suited for background atmosphere in a nightmare movie sequence, or to blast out of your windows to the neighborhood on halloween. It was created in audacity by using a piece the audio track from the end of the movie "my cousin vinny". It is the line marisa tomei says as she and vinny are driving back to n. Y. (oh my god, what a f'ing nightmare). It was then noise-reduced, pitch and tempo adjusted, reversed, and paulstretched.

Shooting a nerf gun (nerf n-strike maverick rev-6), most of the shots fail. Then spinning the plastic barrel. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Recorded at tea, a museum in santa cruz de tenerife. I was invited by dancer masu fajardo to create some sound ambients for a dance piece she was doing there, we decided to use only the sounds being created by her body and her interactions with the space. Here we can hear her stepping on a floor that's been previously filled up with salt. It's very subtle but works great as sime sort of glitch or crackle, if that's your thing. Recorded with a zoom h4 n.

Jason is a fuckin' cunt so let's sacrifice that lil' prick!. An instrumental little sumthin' i made in garageband for victors crypt!. It's basically a drum 'n bass-track. Added some atmospheric sounds in the middle but the solid ground is very drums 'n bass. Didn't want to put too many elementsin the mix. Sometimes it's best to keep it simple. Think the groove/beat is alright so didn't want distractions. Could be useful in anything cool, intro, outro, game, dark, eerie, spooky, creepy, scary, horrific, mysterious, crime-ish, thrilling or whatever comes to mind. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

A high quality recording with a solid collection of various snow footstep sounds. There's sounds of slow walking, fast walking, running, jumping and kicking the snow. You should be able to get pretty much all you need for a game or a film in this recording regarding feet and snow. Recorded with a zoom h2 at 96 khz / 24-bit, truncated and saved to flac using audacity. I left some silence n the start if you want to denoise it yourself, but i think it shouldn't be necessary. It was really quiet.

Daisy Bell sung by the DECtalk speech synthesizer. Using v4.61.02 for Windows. In G major at 200BPM, roughly. The input code is as follows: [:phoneme on] [d<40,27> ey<860> z<40,24> iy<860> d<40,20> ey<860> z<40,15> iy<860>] [g<40,17> ih<220> v<40> m<40,19> iy<260> yx<40,20> or<260> ae<300,17> en<300> s<40,20> rr<260> d<40,15> uw<860> _<900>] [ay<860,22> m<40> hx<40,27> ae<810,27> f<30> k<30,24> r<30> ey<860> z<40,20> iy<860>] [ao<200,17> el<100> f<40,19> or<260> dh<40,20> ax<260> l<40,22> uh<560> v<40,24> ax<260> v<40,22> yu<860> _<600,24>] [ih<260,24> tx<40> w<40,25> ow<180> n<40> t<40> b<40,24> iy<260> ax<260,22> s<40> t<40,27> ay<560> l<40,24> ih<220> sh<40> m<40,22> ae<60> ae<100,24> ae<100,22> r<40,20> ih<560> jh<40> _<560,22>] [ay<300,22> k<40,24> ae<520> en<40> t<40,20> ax<260> f<40,17> or<560> d<40,20> ax<260> k<40,17> ae<260> r<40,15> ih<560> jh<40> _<560>] [b<40,15> uh<220> tx<40> yu<560,20> d<40> l<40,24> uh<210> k<30> s<30,22> w<30> iy<260> t<40> _<560,20>] [aa<560,20> en<40> dh<40,24> ax<260> s<40,22> iy<260> t<40> _<260,22>] [ah<150,24> v<40,25> ax<110> b<40,27> ay<260> s<40,24> ih<260> k<40,20> el<260> b<40,22> ih<260> el<260> tx<40> f<40,15> or<250> t<10> t<40> uw<860,20> _<900>]

maze (looking for the exit) is a short piece of mysterious music i made in garageband for a thing called victors crypt. I kept it basic and made a melody on synth. Played around with it with different sounds and added drums and bass. Just a simple little instrumental part that could fit a spooky 'n eerie project. Could be perfect for an intro, outro, something spooky and cool, suspence, sci-fi, futuristic, mysterious or whatever you feel like. . . . Let the imagination run wild. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

boo (i got you good) is made in garageband for a thing called victors crypt. I'm currently in a beat 'n bass-mode it appears. Made this drums on a vintage-sounding drum-machine and added some sampled drums for a more vital sounding beat. Wanted a cocky big bass-line and some spooky music box stuff, sci-fi synth and more. It's space and horror meeting groove i guess. Could be perfect for an intro, outro, something spooky and cool, mysterious or whatever you feel like. . . . Let the imagination run wild. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Don't wanna see my music copyrighted by someone else of course. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Non-functional tube radio warming up, making a loud 60hz hum with lots of harmonics. As a bonus it clicks off at the end. Zenith consoltone. Only because the faq says so: electro voice n/d 257a through impedance transformer into crappy gigabyte motherboard realtek high definition audio. 16bits, processed at 32bits. Audacity sound editor and/or driver wouldn't record mic level so it was very noisy after amplification. Filtered with a (mathematically equivalent) fft constructed whopping 64k length zero phase filter (blackman window) with 5 wavelength width bandpass at each harmonic from 60hz to 5,520hz. For some reason a fraction of some of the harmonics didn't get through so did another pass on the residual noise and mixed that in. Near the beginning there was a sort of brief duplicate signal that descended in pitch so it didn't make it through the filter. I added that bit in. Attenuated frequencies above 3. 6khz because they are pretty much noise, but removing them didn't sound right. Cleaned up the beginning a bit in various ways, cut it down to 15 sec and carefully appended the unfiltered "click" onto the end, which i denoised 12db with audacity's noise reduction.