275 безплатни аудиофайлове за "Oscillation"

Chromatic notes starting at c0. A blend of three oscillators + and additional wavetable. Not too shabby, but very wabby. Enjoy!.

classic electronic bass sound, created in synthmaster 2. 9 with wavetables created in waveedit. Various modulations in filters and oscillators, phaser effect, lofi and equalizer.

A simple basic saw and sine wave that, when looped, make a both hard and soft (bassy) sounding c note to load into your sampler.

Created using lmms and its triple-oscillator plugin, and lfo automation used on the formant filter (new in lmms 0. 4. 13).

A synthesised ambience made using two sine oscillators, pitch automation and a reverb. Feel free to use the sound wherever.

Big room type kick drum created by processing a recording of filter self-oscillation from roland sh-101.

Vacuum pro vst plugin thru a reverb chain with a easy multicrusher and ariesverb with freeclip plugin on the end.

I played a bit with the filters and oscillators of a free vst synth. This sound is useful for cutting and applying different effects over it. I think that it can be used standalone as well.

2 oscilators. One panned to the left the other to the right. High depth pitch bent on different rate speeds. With a modulator set to a certain frequency. And a delay over to give hi fi depth.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. The oscillators where tuned to the same tone one octave apart. Well. . . Not exactly. After having recorded i measured the frequencies 228,8 hz and 117,7 hz. . . But that made the output from the ring modulator interesting. What is generative with this? i modulate amplitude of the sounds and the decay for all thee sounds. This also affects the rhythm sound.

Piece for, a sometimes fm modulated, oscilator and small sampler. Randomness and modulation hand in hand. Rejoicing the autumn time and the utterance of sounds.

Version 2. . . Of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. . . Or maybe version 34. . . . It's not better but a little different. More dynamics. Softer. But still i have the clicks :-/have to work on that. It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

Synth loops and drums, tense intro track, can be looped for a repeating background pattern or laid over the top as a tense theme, maybe used as a joiner in a faster track.

14 variations of the same tone sequences. Each effect is 1/3 seconds. Key of c, 140bpm. Made in lmms via triple oscillator.

I used daw renoise to edit basic shepard tone and made this real. I hope you like it.

Some kind of tardis-esque machinery humming away, ready to project the adventurer into outer space. Would be useful as a sound effect for a video involving strange futuristic machinery. No effects have been put on it to aid this. This was created with my eurorack, the main component is a waldorf wavetable oscillator nw-1 module, put through an a-127 triple voltage controlled resonance filter and a a-188-2 tapped bdd delay. The filter and oscillator are modulated in sync by an a-145 lfo.

I took 104588_meral_celtic-meral. Wav, ran a loop through sharm studio to pan it bilaterally (left-right channel oscillation) at 359 times a minute (359 cpm), which seems to align with the bpm of the loop.

Sound generated in alchemy synthesizer recorded to disk in logic pro x. Using sample-based synthesis with two oscillators through its own four-bus effects engine.

Sound generated in alchemy synthesizer recorded to disk in logic pro x. Using sample-based synthesis with two oscillators through its own four-bus effects engine.

Sound generated in alchemy synthesizer recorded to disk in logic pro x. Using sample-based synthesis with two oscillators through its own four-bus effects engine.

2 oscilators. One panned to the left the other to the right. Random pitch lfo bent on different rate speeds. With a bit cusher set to a certain amount, and mix to give both the crush and the original.

The rather elusive razor waveform, as it is commonly called due to its peculiar shape, from the commodore 64's sid chip, acheivable only by activating the outputs of any two waveforms on the oscillator section.

Recording of the defective line transformer of the crt of an old tv set. Can be used for sfx and as a nice sample base for diverse lead wavetable sounds.

Dave smith's mopho analog synthesizer's sawtooth wave sampled with an mpc through a behringer mixer. 44. 1k 16-bit.

As i was playing with creating sequences with help of square waves i happen to make this beat. Annoying. . . Made with a small modular synth with love :-).

Sound generated in alchemy synthesizer recorded to disk in logic pro x. Using sample-based synthesis with two oscillators through its own four-bus effects engine.

Sound generated in alchemy synthesizer recorded to disk in logic pro x. Using sample-based synthesis with two oscillators through its own four-bus effects engine.

Another drone sound i created on the microfreak. I used the superwave oscillator and modulated the filter cutoff. Recorded to logic via a yamaha mixer and the ur22 mk1.

Kick from my first sample session with my fresh eurorack:- envelope generator: make noise maths- oscillator: doepfer a-110-1 vco- filter: doepfer a-124 vcf5 wasp.

Complex sound from a unknown engine next to a milking parlour. France, nov2022. Recorded with a pair of clippy em172 in ab setuprecorded on sounddevice mixpre648khz, 24 bits, wave stereo.

Today i'm supposed to play with my modular, or anything. As long as i'm not disturb the boys watching gremlins down stairs. . . Okay. I put some modules out for sale. Made this. The sound is generated by self oscillating vcfs. I love sinus wave. I will sell my triple oscillator now. It does not have sinus wave! the randomness is generated to old fashion way. I don't have any fancy random trigger modules. Bla bla bla. . . I stop there.

This is the initial button push, the electronic squeal of energized circuitry and subsequent static of turning on a tv that is on a dead channel. A "swatch" culled from the back end of the sound can be looped for continuous static and electronic squeal. Made with fruity loops oscillators.

Percussion cycling with maths generated using instruo and sequenced by o-ctrl. Triggered by pressure points. Optomix as lpg. Erbe-verb as effect unit.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. The vco is also tuned to 270hz. In this test i connect the same lfo to cv1 on the vcf and 1v/oct on the module i use as vco (intellijel μvcf). I let the lfo run. Cv1 on vcf pot at 100%. They are playing together. The vco is connected to the in on the vcf. Confused explanation. . . But at least not in swedish.

I built a pad with several multiosc synths, this is me pressing one key on a midi controller and letting it go. There are approximately 48 separate oscillators stairstepped on this one. I think it might have completed one cycle.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. Result a generative ambient patch and sound.

This was an experiment running a yamaha tx81z through a korg ea-1. The fm is a grand piano patch decimated and warmed up with analog oscillators. Sampled into an mpc. 44. 1k, 16-bit.

Algorithmic drone music program. The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem osc_1 - wave shaped sin oscillator (osc) - tuned to 130hz00 rem osc_2 - clean sin from oscillator - tuned to 130hz00 rem osc_3 - sqr from oscillator through filter - osc tuned to 130hz00 rem clk speed = 0. 5 hz00 rem line 01 each of the 3 vcas gets an unique cv value ([gate] -> [3 s/h] -> [3 vca])00 rem ---------------------------------------------------01 sample values for vca (cv in) x 3 (osc_1, osc_2, osc_3)02 sample frq for osc_103 sample frq for osc_204 sample new clk speed05 sample frq for vibrato in osc_106 sample frq for osc_307 env to all vca08 sample cv for (osc_3) filter10 goto 01. When i begin the recording the program has been running for a while.

Modular synth patch where two envelopes are involved in a chase. There could have been a rhythm, but i let chaos disturb theharmony. The square wave sounds are "distorted" in a wave rectifier. The kind of patch only an owner to a modular synth findany interest in?do you find any use for some part of this sound let me know!the "ground/root pith" is 122hz. . . Almost a b. . . But not really. I tune my oscillators without caring about "real" tones. The quantizer makes the steps between tones.

Warning-bass! keep it low on preview! this is for testing low range frequencies in controlled environments, you've been kindly warned=d. 20hz to 190hz sine wave sweep. Length=13 secondsbpm=128bars=7. .

Signpost. 2 oscillators, reverb. Created with psychic modulation (aethereal). Mixed in audacity.

Some synth thing i made for a track i was working on. It's a layer of a few different oscillators tuned a certain way to sound harsh. . . Then ran it through a hpf to make it ggrroowwll. . !!!!! and of course a lil echo and stuff. .

A series of drone sounds created using a roland system 100 modular synth. Lots of deep roaring bass.

Cool sounds from filter. The two filters filter a tri-wave. The filters are almost self oscillating and are modulated by an lfo. Natural tones. And some spring reverb and analog delay.

This is a sound made to represent an abstract mass of people. It is mostly made with 100 blips made from using a phasor as an oscilator, so basically a saw tooth. There is some snippets of voice thrown in too. This sample is public domain, ignore the cc license.

By using a frequency filter by setting its oscillations in variable arrays on the piano preset - i was able to make most of these sounds. Also vocoding and feedbacks and feed throughs were happening. Then they were altered in audacity.

I let both the vco (intellijel μvcf) and the uoki-toki polivoks vcf play a little melody, the same. The vcf is in self-oscillation and cv1 at 100%. It does not track perfectly, but could be useful.

Aha! the wave form effects the wave color! here is a 60hz tone playing alternatly sinus and triangle wave. In this test im using vco-1. #colortest.

Automated linear noise sweep with virus a from color +63 to -63dry60 seconds. For all noise-lovers and those who know what you can do with it.

Made some adjustements and a new recording. Terrible result but fun work/programming!. Algorithmic drone music program. The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem osc_1 - wave shaped sin oscillator (osc) - tuned to 130hz00 rem osc_2 - clean sin from oscillator - tuned to 130hz00 rem osc_3 - sqr from oscillator through filter - osc tuned to 130hz00 rem clk speed = 0. 5 hz00 rem line 01 each of the 3 vcas gets an unique cv value ([gate] -> [3 s/h] -> [3 vca])00 rem ---------------------------------------------------01 sample values for vca (cv in) x 3 (osc_1, osc_2, osc_3)02 sample frq for osc_103 sample frq for osc_204 sample new clk speed05 sample frq for vibrato in osc_106 sample frq for osc_307 env to all vca08 sample cv for (osc_3) filter10 goto 01. When i begin the recording the program has been running for a while.