193 безплатни аудиофайлове за "Quantization"

I recorded my voice sounds and used yellofier. Edited: adobe + fxs + mastered.

Created a loop in audacity by hitting an old coca cola collectors glass with a spoon in several locations, altering the pitch of these sounds, and applying them in a rhythmic fashion. Ended up with a kinda creepy march-like sound.

I used this loop in this song:. Https://dpath. Bandcamp. Com/track/deeds-paid. Https://soundcloud. Com/dpath. Https://www. Instagram. Com/dpath_wav/.

A balearic disco electronic drum-loop. Inspired by the happy mondays. Made on direct wave (a multi-sampler vst plugin by image line ), running fl studio as a host.

The engine to the hysterical "melody" is formed by a two lfos and a looping envelope performing an ever changing dance of random or maybe chaos. Zooming in and study waveforms in this sound is interesting. The sound is unedited, straight from the analog modular synth. Quantization of the pitch - nope. . .

A loop i made in fl studio. Set to 127 bpm, no shuffle. Arigato!. ハヌカのためタマーレを食べます.

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

Created with:arturia minibrutearturia drumbrutekorg m3novation circuitteenage engineering po-20.

A funky grooved beat i made from individual copyright free percussive sounds sequenced together in sony acid. I applied a groove by manually moving some of the samples off the quantized beats.

Synthwave / techno loop created with a novation circuit. Doctor dreamchipportland, orfebruary 2019.

It's fun to patch up a kind of analog shift register (3 stages). Doepfer a-160 controls the stages. On a-160 i use /2, /4 and /8. I sample slewed noise. No quantizer.

Recorded on iphone, eq, filtered and mastered. I made it with my nails passing them over the table.

Istanbul 18" agop signature china cymbal (agch18-1012815p),audix fusion f15 cymbal condenser mic,envelope reshaped via wavelab on steps-quantized fade out. Do that: open wavelab and press "v" or wavelab/open file/process/level envelope. . . And design smooth fading out steps.

Loop i made while producing a track, layered a bunch of drums, carved out the bottom end and synthesized my own, and then compressed it all together, and excited a bit.

Rhythm generated by wogglebug quantized into harmonaig root 3th 5th and 7th outputs generated using telharmonic, mysteron, plaits and final output of dpo. Maths generated envelope. Effects mimeophon, erbe-verb (output to morphagene max speed and morph slide @ 12. Rendered to 48khz 32 bit in reaper. Enjoy and stay safe!.

Vcv-rack and a machine composition patch - or generative patch. Minimal but some of the voices are constantly "doing things". . . I tried to add some sort of steady beat to this one. Wanted to make it less wild/wierd. Quantizer? what is that. Let the virtual synth decide.

Generative modular acid line sequenced with my own custom script that is specialized for non-quantized sort of strings of notes. I mangled the envelope quite a bit though so it just sounds more swingy than anything i guess. Not sure what the bpm would be. Would be better if it were cut up for one-shot sounds maybe.

Remix of this::. Http://www. Freesound. Org/people/bronxio/sounds/239080/. Pitched it up an octave, gave it a saw hpf lfo, and a saw vol gate (cleans up the rhythm) then added the original octave lower in the mix. Made it sound more digitized. Good sound for starting off a track. 고맙습니다.

Grunting baseline and electronic black noir percussion produced using instruo cš-l and dpo, passed through envelop of qmmg using maths and erbe-verb. Rendered in reaper at 48khz and 32 bit fp for morphagene, because i love all you users of makenoise and morphagene so very much. Enjoy!.

I haven't really mastered it or anything, you can have it if you want. Free nature type beat, i won't charge for you to listen. You can download it, print it out if you want. Your life is your life.

Glass beer bottle blow sounding like the background "whoo" effect in the movies alien and blade runner. Mono. Old school spot effect. Helmholtz resonance using a partially-filled (for pitch tuning) glass beer bottle. The resulting tone was sampled, bandpass filtered, pitch bent and laid over a copy of the original sample. Reverb added post-effect to push the sound back and smooth out some nasty quantizing artefacts caused by the pitch bender.

Took a drum loop and pitched out 3 different layers of itself, one at half speed an octave down, one at quarter speed 2 octaves down, and one on top that starts out chopped up into separated transients and returns to full speed at the end. I originally made this to be 3 different levels of progression for a backing drum-loop, with the first section being the buildup, the second as the transition/windup, and the third as the breakdown.

Live streaming every wednesday and saturday 6pm (argentina time) https://www. Sessionslive. Com/dpath/live. Https://dpath. Bandcamp. Com/. Https://www. Instagram. Com/dpath_wav. Https://soundcloud. Com/dpath. Https://www. Youtube. Com/channel/ucavxmkpekrascrkfkosrjdg. Donations: https://www. Paypal. Com/paypalme/dpathmusic.

Download the full pack here : https://goo. Gl/zkrzqr. This sample is from the prism modern pop drums library. Prism’s revolutionary interface gives musicians and music producers the power of incredible electronic percussion performance on their own terms. Easy access to a virtual endless array of drum options means you’ll spend less time searching for sounds and more time making the most of your music.

Free music made only from my samples. Https://youtu. Be/iqddwaji3s0?t=16. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 180 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/iqddwaji3s0. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Made this short loop and thought i would share, i hope you enjoy! its dry due to no effects and yes this is free! feel free to give credit if used. Daw: fl studiodrum packs: kendrick lamar exclusive drum kit, wu tang drums (freedrumkits. Net)bpm: 140. 00. 12:43 5/24/15- justin payne.

This is a repost of beerbottlewhoo. Ogg. It's the same sound except that this one is in wav format. Glass beer bottle blow sounding like the background "whoo" effect in the movies alien and blade runner. Mono. Old school spot effect. Helmholtz resonance using a partially-filled (for pitch tuning) glass beer bottle. The resulting tone was sampled, bandpass filtered, pitch bent and laid over a copy of the original sample. Reverb added post-effect to push the sound back and smooth out some nasty quantizing artefacts caused by the pitch bender.

I took a few one-shot samples from a bunch of free packs i downloaded off the net (legally), i gave the kick some subtle crunchy distortion in the high end whilst trying to retain it's core sound and it's punch, i altered the transients and the pitch of the samples to make them pop more and sound more to the point and i placed a coloring compressor on the master to give it a bit more overal volume raise without causing it to clip in a bad way.

Recorded with my epi sg through the walrus slo pedal on dream setting into the focusrite 2i2 interface and into reaper. The bass was recorded with a squier mini-bass through a behringer bxl1800 amp and into reaper. Did a pitch change on the guitar and no quantizing as i like the 'push/pull' feel of the human tempo. May add some percussion down the line. A shout out to kenny gioia for the reaper tutorials. He's the man. Please comment on what you may use it for. Thank. :-).

2nd sound today! in spite of short time by the synth. . . . Anyway here in using a feedback loop on the quadra envelope generatorstrange effect with long pausesi use quantizer on thisnoise from jupiter storm. Evaluation of patch/soundone cycle is - about 17 sec - goodonly short sounds - no and yes, good this timeamplitude variation - yep goodpitch variation - yep, enough, goodtimbre variation - could say somusical value - i should consider this musicalentertaining - hmm. . . Interesting.

A patch generating triggers not that random. . . The triggers are triggering an envelope generator and a sample and hold. The sample and hold cv is quantized following a minor 7th chord rules. Hope you understand. . . Pardon my english. Why this. Answer. I have to start adding something like this to my patches. But i use 3 lfos for this :-/ thats about all i got - right now. The alm pip slope works fine as an lfo too. Square wave this time. Take a close look.

Really simple patch. Cv from nlc sloth to quantizer (doepfer a-156), via attenuverter. Triggers from doepfer a-160(161). But a tone is only generated if there is a change in cv from sloth. Its not 100% generative :-) first there is no cv connected to the oscillators. I connect them one at a time. The noise is also controlled by the same sloth. The analog delay is connected to barton musical circuits (bmc) 4 quadrant multiplier and panner acting as a panner, controlled by nlc jerk off (still a sick name on a great module). The ehh drum sound is generated by bmc decaying analog noise.

Electronic beats made from an original sample pack designed using the drum synth on ni maschine. Processed with high-quality analogue emulation plugins and effects to give it extra punch and character. Enjoy!. Tempo 107 bpm. Beat 4 of 4. All individual samples can be found in the spiryt beats kit pack.

The fundamentals of this patch is from the doepfer home pagehttp://www. Doepfer. De/a100_man/a100_patch. Htmthe patch they call "random melody". I call the sound "random melody from doepfer site". Boring. . . I added a voice with some delay/reverb fx and some simple drums. The high-hat is made from white noise and the bass drum isa self oscillating filter. I have used a minor scale on my doepfer a-157 quantizer. This sound is slitly treated in audacity. A little compressor and limiter. Review from one of my kids: "well, there is some rhythm".

This is a short, dissonant loop made with a neapolitan mandolin. This has been recorded with an sm7b into a rme interface, and quantized to 148bpm in logic pro x. This is a dry file with no other processing. I used it on a couple of old-school hip-hop beats to trigger effects or completely butchering with distortion for some extra textures. I thought it might come in handy to rap producers out there! if you do something with it, i would love to check it out!. I was recording an acoustic version of a song called "closer" by my band dead rituals, and a friend let me borrow this old neapolitan mandolin. I made some random noises by picking behind the strings at the end of a take, and i decided to sample it!.

I was bored and made this loop on fl studio. I made this loop using no drum samples. (adding some effects to little motor sound i recorded)=========================================for making this, you mainly need gross beat with drum loop preset on volume (the bottom one) section. I have explained all the presets i used for this in the sound i have linked below. The another loop drum loop i made using this and layering some drum sampleshttps://freesound. Org/people/the_isot_is_back/sounds/640143/. Original motor sound that i used for making thishttps://freesound. Org/people/the_isot_is_back/sounds/640146/.

This is a beatboxing clip i made using an open-sourced klatt text to speech engine. This version of the clip was modified for a mashup i created called nostalgia heaven. You don't have to credit me if you don't want to, but if you do want to, i'll give you a big hug! :-)klat engine (command line application): https://www. Dropbox. Com/s/0qvsqwrlfeqxyrc/klatt. Exe?dl=1the klatt engine was compiled by philip bennefall of blastbay studios: http://blastbay. Comphilip's youtube channel: https://www. Youtube. Com/channel/uccxndm8oilkzzjorvjizmfgnostalgia heaven: https://youtu. Be/zl3f419-pzc.

Alert (!) or surprise sound effect directly inspired by the popular sound from metal gear solid. Performed live not quantized or synchronized to any particular tempo. The notes used in this performance should be the same notes used in the original game's sound (unconfirmed) detuned a few cents upward. Tools used:- fl studio by image line- dexed by digital suburban- edison by image line. If you'd like me to create any sounds for your next project, don't hesitate to ask. I'd be happy to help. As this sound isn't exactly a completely original creation or composition. I've set the license to cc0.

I want you to compare this sound with:"electronic minute no 18 - vcv rack sqr sequencing"https://freesound. Org/people/gis_sweden/sounds/413520/in this sound, no 19, i use my modular synth. The sound is not as clean as in the virtual one. To some extent i blame my method of recording. . . Different oscillators sound different. Here i use a self oscillating filter. That produces a clean sinus wave. The cleanest sinus in my rack. But i guess the real thing is not perfect and that is what you are hearing? in neither of the patches i use a quantizer. . . (that's art :-)and, i almost forgot, i use a cheap analog delay pedal. Noisy. . .

This is a first in a series of loops made with the x-base09 drum-kit i have posted long time ago, i thought this would be a nice addition. Loops will be mainly processed in live9. Information will be available depending on the loop. This loop is a dry unprocessed loop, all i did was reduce the release on one of the kicks, as it has a long delay, and i didn't want that in the background of this loop, some midi velocity on the hi-hats, and i added a groove (chachacha) with only 10% quantization. This first loop was mainly to show the original sound of the individual hits as they where recorded, playing as a loop to give you a better picture of the sounds and therefore i added it to the x-base kit instead of x-base loop pack.

I was bored and made this loop on fl studio (jumpscare warning at the end). Stems in order: kick, snare, shaker, transition, unlayered loop and the original sound that i made the unlayered loop from (some motor sound that i recorded). =========================================for anyone that might wanna recreate the unlayered loop, i made it using eq, some valhalla delay preset called magenta, gross beat plugin (chaos 4/drum loop), a plugin called "pancz" by oversampled (add punch & flavour preset), gross beat again (complex 10/drum loop) and little bit of bitcrush using fx(effector fx module). Original motor sound that i used for making thishttps://freesound. Org/people/the_isot_is_back/sounds/640146/.

Modular synth patch where two envelopes are involved in a chase. There could have been a rhythm, but i let chaos disturb theharmony. The triangle wave sounds are "distorted" in a wave rectifier. Kind of metallic sound? interesting. The kind of patch only an owner to a modular synth findany interest in. Maybe a little more interesting then theprevious sound. . . This has an ambient feel. Why?answer: different wave forms, changed envelopes and reverb. A lot of reverb. Do you find any use for some part of this sound let me know!the "ground/root pith" is 122hz. . . Almost a b. . . But not really. I tune my oscillators without caring about "real" tones. The quantizer makes the steps between tones.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.