4297 безплатни аудиофайлове за "Richard Temple (bass Baritone)"

Richard Temple, the original Mikado, sings "A more humane Mikado" from Gilbert and Sullivan's The Mikado

Oh, better far to live and die from The Pirates of Penzance

Wagner, Die Walkure, Act III, magic sleep music

Wagner from Parsifal Act III revised

Wagner Fire Music from Die Walkure

Wagner from Parsifal Act III

Wagner from Parsifal Act 1

Wagner, opening of the Prelude to Das Rheingold

Wagner, Prelude to Act 2 of Siegfried

Wagner, Die Walkure opening

Sleep music form act 3 of Wagner's opera Die Walküre.

A song by Mykola Lysenko

Wagner - Leitmotiv de Hunding

In fernem Land, Lohengrin's Act III aria from Lohengrin (Wagner). Sung in German by Hermann Jadlowker. Victor Orchestra. Recorded 1912.

Alberti bass in Thomas Attwood's Sonatina in G Major opening.

Equivalent Alberti bass patterns for 4/4 and 3/4 time signatures: 4/4 version.

Typical Walking Bass

Example of Albertini bass from Mozart's Sonate Opus KV 331 - Variation 6, measures 13-16 (instead of 13-15 so as to allow an end on the tonic).It seems like Alberti bass, but it isn't!

Equivalent Alberti bass patterns for 4/4 and 3/4 time signatures: 3/4 version.

Wagner, Rheingold, Scene 4

Wagner, Tristan, Liebestod closing bars

Wagner, Parsifal prelude closing bars

Wagner Sleep music from Act 3 of Die Walkure

Wagner, Gotterdamerung, transition between the end of the Prologue and Act 1 scene 1

Lament bass from Vivaldi's motet "O qui coeli terraeque serenitas" RV 631, Aria No. 2. Created by Hyacinth (talk) 22:25, 18 April 2010 using Sibelius 5.

Chromatic fourth: lament bass bassline in Dm (D-C♯-C(♮)-B-B♭-A).

Contrasting orchestral groups from the Prelude to the first Act of Parsifal

R. Wagner's Tristan Opening. 7-limit 53EDO Approximation.

Tonally coherent harmonization from Beethoven's C-Minor Variations (1806).

From act 3 of Die Walküre by Richard Wagner; Wotan is sung by Walter Soomer, Berlin 1913

From Die Walküre by Richard Wagner; Wotan performed by bass-baritone Walter Soomer, Berlin 1913

Till Eulenspiegel's Merry Pranks ("Till Eulenspiegels lustige Streiche", Op. 28) performed by the United States Navy Band. Track 8 from Celebrations (2001).

Glockenspiel auf Meißner-Porzellanglocken im Haus des Glockenspiels (Böttcherstraße Bremen), Melodienfolge seit 13. Oktober 1990. Dauer 8:26 Auf, Matrosen, die Anker gelichtet (Volkslied) Steuermann, laß' die Wacht (Wagner) Nordisches Seelied (Loewe) Lustiger Matrosensang (Volkslied) Weserlied (Pressel) Wenn ich ein Vöglein wär' (Brahms) Die Gedanken sind frei (Volkslied) Roland, der Ries', am Rathaus zu Bremen (Volkslied) Wir wollen zu Land ausfahren (Volkslied) Die große Sehnsucht (Schwarze)

Fort denn eile (Fly them swiftly). From Die Walküre, second of the four operas of the Ring cycle by Richard Wagner. Act 3. Sung by Johanna Gadski, conducted by Josef Pasternack.

Typical boogie woogie bassline on 8 bar blues progression in C, chord roots in red.

Gerechter Gott de l'opéra de Richard Wagner Rienzi, interprété en 1908 par Ernestine Schumann-Heink (1861–1936)

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Höre mit Sinn was ich dir sage de l'opéra de Richard Wagner Götterdämmerung (Le Crépuscule des Dieux) interprété en 1929 par Ernestine Schumann-Heink (1861–1936)

Siegfried Fantasie (track 4 of Music of Richard Wagner), a pastiche based on Richard Wagner's Siegfried (1876).

Till Eulenspiegel's Merry Pranks ("Till Eulenspiegels lustige Streiche", Op. 28) performed by the New England Winds of the United States Air Force Band of Liberty. Track 1 from Discoveries (2010).

Wagner - Leitmotiv de l'Anneau

Weiche, Wotan, weiche de l'opéra de Richard Wagner Das Rheingold (L'Or du Rhin), interprété en 1907 par Ernestine Schumann-Heink (1861–1936)

Wesendonck Lieder n°5 (Träume) composé par Richard Wagner, interprété en 1911 par Ernestine Schumann-Heink (1861–1936)

Richard Strauss' Burleske (1886), performed by Neal O'Doan with the Seattle Philharmonic Orchestra in 1991. Conducted by Nico Snel.[1]

Serenade in E♭ major for 13 wind instruments, Op. 7, performed by the Concert Band of the United States Air Force Heartland of America Band. Track 11 from Fancies, Toyes and Dreams (1994).

Arrangement from Richard Wagner's 1876 opera Götterdämmerung: Siegfried's Funeral March and Finale, Music of Richard Wagner (track 5)

Standard Walking bass of a Boogie

Stephen Foster's music to "We Are Coming, Father Abraham", played by the United States Marine Band. Performed February 16, 2009 at The Music Center at Strathmore. Col. Michael J. Colburn, conducting; Gy.Sgt. Kevin Bennear, baritone.

O du, mein holder Abendstern from Richard Wagner's opera Tannhäuser

w:The Roast Beef of Old England, performed by the United States Navy Band