1431 безплатни аудиофайлове за "Second"

Opening a metal mailbox, dropping a heavy letter inside, and quickly shutting the mailbox-- two times, the second louder than the other. I attempted to remove the traffic from the background as best i could!.

An unusual, almost musical poot (fart). About a second long, processed with audacity for a more consistent tone and volume.

This was made from a 2-second stutter on a voice recording i was doing. I pulled it and played with it, looking for the various ways i could manipulate it. At one point it started sounding spooky and a bit dramatic. I kept going with it, and produced this.

Hitting a metal pole with a small metal gate, at the bottom of a stone-wall lined 10 story stairwell. The first hit wavers a bit more, while the second hit carries more conviction.

Another sound accomplished downstairs at the bookstore called nerman's books and collectibles on osborne street. I used the fridge door to open and close to record 19 seconds of sound, however, the suction of the sound of the gasket of that refrigerator is heard in this audio to note - listen carefully!.

An second mp3 recording of painted lady butterflies fluttering their wings in an enclosure (less background noise than "butterfly wings fluttering 1"). Audio captured from a video taken with a nikon coolpix camera. Enjoy!.

This is my favorite sample, i just smacked a spoon against a pan. Added some reverb and this is the result!what do you think?.

For this sound, i generated a square wave at a frequency of 440 hz and an amplitude of 0. 80 and a duration of 1 second. I choosed the following effects:1- wahwah with frequency f=1. 5hz , amplitude= 70 %, resonance = 2. 5 and offset frequency = 30%2. Repeat3- compressor (x2)4- fade in (half of the sound)5- fade out ( the other half of the sound)6 - phaser with 10 phases7 - paulstretch with the stretching factor=5 and resolution = 0. 258- echo with 1 second delay , decay factor=0. 59 - cut (to arrange the sound). After all this effects, the sound is like a sound recorded in space with echos.

Go-pro recording of waves on the beach on a windy day, the microphone is very close to the water and after 45 seconds it gets under the waves for a cool submerged sound.

This sound was made with the chain of the bathroom in a wc of the second floor in the library of campus de la comunicació of university pompeu fabra ( barcelona ) by a zoom h2 recorder. What we perceive is the bath water falling down the tank.

A small test i did to see if i can emulate many games' futuristic computerized voice ui systems. 1st is a (terrible) pseudo british accent, second my regular voice modified, and third a heavily modified robotic sounding voice.

8 seconds from this soundhttps://freesound. Org/people/gis_sweden/sounds/483638/mixed with thishttps://freesound. Org/people/gis_sweden/sounds/415237/and you get some thing else.

Turning on radio reciver and going through fm frequency of few polish radio stations (for only few seconds). Can be used for background noice or transision for audio. Also lots of white noise plus click noice of turning on/off (begining and ending).

Two seperate recordings of an old computer with a tweeter wired as a microphone, then hard panned, compressed, saturated, filtered and run through a ms-modifier a phaser and a 15 second long convolution reverb.

A dyson v7 running for 30 seconds with no attachments. Running on low power.

Builds quickly, sustains and gradually fades. C minor arpeggio stretched from 11 seconds to 1 minute using the paulstretch effect on audacity. Low-fi recording with tablet and hi-q app.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

This a piece of the clarinet a5 sound fromhttps://freesound. Org/people/mtg/sounds/356762/it is under 1 second, converted to sample rate 44100, to be used in thecoursera course "audio signal processing for music applications", given by xavier serra, of universitat pempeu fabra of barcelona.

About 15 seconds from a music-box right after winding it up all the way, so the notes are faster and a bit crisper then in my other samples. The melody is somewhat blurred due to the item's age, but it sounds like silent night.

This sound is an audio file that slowly breaks up the further it is played. I recorded this with an in-built microphone, no idea what make though. I recorded this on audacity, and added gradual distortion. Warning: you may need to turn down the volume for the last 6 seconds!.

This is the automatic mechanic set than move the cable and bells of a church. The church is in extremadura, spain. I climb to the belfry with my family for record the 11:00 am o’clock. I love to listen the bells in a second plane. Record in a minidisc mz-1 with a micro stereo of sony.

*Greater 23-limit semitone on C = C↓♯+. Just: 23:22 = 76.96 cents. Limit: 23-limit. MIDI pitch bend: 80,88 on PU

The second movement of the suite Looking Upward by John Philip Sousa, "Beneath the Southern Cross", played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

This is a 24-bit 44. 1khz impulse response recorded at the very acoustically interesting notre dame in new york city. The stereo x/y mics are oktava small-diaphragm microphones running into a sound devices 702.

Made on fl5 back in 2005 for one of my first rap beats. . Used a pluck instrument on fl5 to create this loop. Has a harmony on the second time around on a higher octave.

Lunch. Friday. Made a friday lunch drone. Made this sound from an eight seconds long part of the right channel from a sound uploaded yesterdayhttps://www. Freesound. Org/people/gis_sweden/sounds/346401/all done in audacity.

Automated linear noise sweep with virus a from color +63 to -63dry60 seconds. For all noise-lovers and those who know what you can do with it.

Six o' clock friday night in the small village of spannum, northern province of friesland in the netherlands. Subsequently two types of bells. First one strikes six; second one is more of a convocation. Crackling in background are dry autumn leaves. Zoom h4n.

An mp7 battery powered airsoft gun. The first sliding sound is the retractable stock, and the second sliding sound is the magazine being pulled out and put back in.

The sound my normally quiet kitten made when he encountered another more agressive cat i was fostering at home. This is recorded using a samsung s3. I have cut out some bit of (human) conversation inbetween the first and second sequence of meows.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Studiorecording of time ticking away. I used a small, older alarmclock. You hear its clockwork ticking in two steps each second. Mild noise reduction was applied.

*Hundred-fifty-fifth harmonic on C = D♯. Just: 155:128 = 331.35 cents. Limit: 31-limit. MIDI pitch bend: 4,74

*Hundred-thirty-third harmonic on C = D♭. Just: 133/128 = 66.34 cents. Limit: 19-limit. MIDI pitch bend: 29,85

Rain recorded from a second floor porch with a terrace, occasional distant thunder can be heard, also occasional low motor rumble from a vehicle passing by. Recording device: blue yetilocation: majorca, spaindate: august 2018.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

Loop composed of 2 layers. First rhythmic layer made in ableton live. Second rhythmic layer made in reactor 6,and then processed with glitch effect plugin. Mixed in cakewalk by bandlab.

This a piece of the violin a5 sound fromhttps://freesound. Org/people/mtg/sounds/356003/it is under 1 second, converted to sample rate 44100, to be used in thecoursera course "audio signal processing for music applications", given by xavier serra, of universitat pempeu fabra of barcelona.

This a piece of the trumpet a4 sound fromhttps://freesound. Org/people/mtg/sounds/357370/it is under 1 second, converted to sample rate 44100, to be used in thecoursera course "audio signal processing for music applications", given by xavier serra, of universitat pempeu fabra of barcelona.