4776 безплатни аудиофайлове за "Solo Instrument And Continuo"

Johann Sebastian Bach's 1st Partita for Solo Violin, 1st movement: Allemande, recorded in the MAT Listening Room, QMUL, London, UK

Mozart Fantasia on D minor K397 closing bars

3rd movement from J. S. Bach's Italian Concerto played on piano

2nd movement from J. S. Bach's Italian Concerto played on piano

1st movement from J. S. Bach's Italian Concerto played on piano

Bach; Chaconne d-moll Heifetz

2-3 suspension in Lassus's Beatus vir in sapientia, mm.23-24. Created by Hyacinth (talk) 14:51, 25 February 2010 using Sibelius 5.

Monochord mit 30 gleich gestimmten Saiten (1 min 51) Monochord with 30 strings at the same pitch (1 min 51)

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (first verse only)

Shave and a Haircut in C. Triplet swing. Created by Hyacinth (talk) 00:13, 8 November 2010 using Sibelius 5.

Shave and a Haircut in G. Triplet swing.

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (all twelve verses)

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (all twelve verses, alternate)

Shave and a Haircut in G with chords. Triplet swing.

Shave and a Haircut in G with chords. Triplet swing.

Shave and a Haircut in G. Triplet swing.

Tonfolge von "Shave and a Haircut" in C-dur als Audio-Datei (ogg-Format)

This file has no description, and may be lacking other information. Please provide a meaningful description of this file.

The range of a Jew's harp as string harmonics:“By using the cavity of the mouth as a resonator, each harmonic in succession can be isolated and reinforced, giving the instrument the compass shown. The lower harmonics of the series cannot be obtained, owing to the limited capacity of the resonating cavity. The black notes on the stave show the scale which may be produced by using two harps, one tuned a fourth above the other.” This file plays harmonics 4, 5, 6, 7, 8, 9, 10, 11, and 12.

Primay triads in c, as MIDI

Sound of steel chisel (tritone)

Sound of steel chisel 8th (octave)

Sound of steel chisel 5th (fifth)

Theme to Paganini's Caprice No. 24 for violin.

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)

Intro to "One Horse Open Sleigh".

Demo file

Klangbeispiel eines Mordents (musikalische Verzierung); Instument: Piano

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.

Klangbeispiel eines Pralltrillers (musikalische Verzierung), Beginn mit oberer Nebennote; Instument: Piano

J. S. Bach Cantata BWV140, orchestral introduction to the opening chorus

Mahler Symphony 2 finale Fig 32, bars 4-10

Wagner Meistersinger Vorspiel bars 158-161

Parsifal Prelude Opening

Piano Sonata Op, 31 No. 3, first movement

Minor version of the theme, with piano right hand elaborating the melody in triplets.