4431 безплатни аудиофайлове за "Synth Filter"

A lo-pass filter on a single note of a synthesizer.

Synth filter sweep c3.

C minor played with hybrid vst for ableton. Settings set to square wave, and filter with resonance.

Just a short reece loop.

Synth filter sweep bass c2.

Synth loop with lo pass filter and delay.

Filtered korg synth scape.

Violin through filter fx on line 6 pedal.

Reverb with a couple cool synth tones bleeding through.

Short arpeggiated synth loop. The instrument used is u-he's repro-one synthesiser which is a digital model of the sequential circuits pro one. The first part of the loop features a slow filter modulation. The second part of the loop features the built-in wavefolder distortion built in to the synthesiser.

//////// made using audacity (only):. Generate 3 wave forms. Saw - 110hzsquare - 220hzsine - 440hz. Pull down the track's volume using the sliderthen mix them all together on one track. Apply a wahwah plugin :freq= 1,5 / phase=0 / dept=70 / resonnance= 5,2 / cutoff freq= 5. Progresively increase the tempo :source tempo to -75% / final tempo to +150% (with dynamic transcient sharpening)source hight to -50% / final hight to +150%. Normalise to -0,5apply short fade in and long fade out. //////// typologie:continu varié (v)(pourrait presque être aussi décrit en tant que série d'impulsions tonique / n' ). ////// morphologie:- masse: son seul- timbre harmonique: riche, puissant et assez agressif (mais adouci par le filtrage)- grain: grain assez "gros" et rugueux- allure: stable, pas de vibrato rapproché, pas de "chevrotement"- attaque: l'attaque est graduelle- profil mélodique: variations à mi-chemin entre scalaires et serpentines- profil de masse / calibre : présence d'un filtrage évolutif intermitent qui adoucit le grain et donne une impression plus "organique".

This was created with probe software.

I needed this synth part for this song i'm working on right now. . . So i decided to create one instead of getting one from here. Saw wave, with a gate, and a saw lfo low pass filter down, with full delay and slight reverb. Areppegiating on a c#6.

A 100 bpm synth perc loop, first without and then with a bandpass with its cutoff on a 3-bar sine lfo.

Showcasing the filter on some chords played on the unearthly oberheim ob-8 analogue synthesizer. Would love to hear your re-purposing of it!.

Noise clap.

A distorted pad with filters modulated over a beat.

The Merfolk I Should Turn To Be von Soft and Furious. The Merfolk I Should Turn To Be by Soft and Furious.

A fast building white noise with added filter sweep and fade-out, layered with a pulsating synthesized bass tone with a slow attack and an affected decay.

Testing a synth and new filter.

Spitty moogsub37 recording.

I start with a standard reese, next i add a low-pass filter with some attack and a high resonance. Good for drum&bass tracks.

A noise made with a analog modular synth. Used in my submission for disquiet junto project 0504: transform formula.

Made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters.

Testing/documenting my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. " using the fact that it's a dual. 2 sinus waves through both of the rectifiers, through a filter and a little spring reverb.

Feel free to use it in your music but i´d really like to hear what you did with it so if you use it pls write a link to your song in the comments. Hope you like the sound :). If so pls check out my yt-channel: https://www. Youtube. Com/channel/ucfvticwxelr7iqjw7uhfcoq.

This is a remix for the freesound continuum project. I took the original file:. 150306__corsica-s__the-view-from-a-distant-giant. I played with it by vocoding it, and a bit of filtering and general mucking about in reason6.

Fast bandstop filter thru saw.

The same sound thru two filters. No editing. 100% dry.

Same patch 3 drones. I let chaotic lfos control pwm and filter.

Moog voyager in hard sync does a dual lowpass filter sweep. One of those quintessential moog sounds.

Little melody with one synthesizer and effect.

Another beat. . . Made with my modular synth. But a beat is a beat. . . Or something. . .

Synth swooshing sound of a square wave. Suitable for intros or logos. Available in several intensities.

White noise from a synth with shifting filters. Sounds like harsh winter wind. Used this for wind sound effect in a play sound design for a scene in the mountains of nepal.

It's sooo hot in sweden right now! 30 c where i live. Luckey me having a cool modular synth. All previous records are gone. This is the hottest may since 1850-ish.

Dark bass sound made with the following modules as main actors dinsync modseq, doepfer a-124 special edition, uoki-toki polivoks vcf, intellijel μvcf and synthrotek dirt. I'm exploring my filters and try to use them in different ways.

Cool sounds from filter. The two filters filter a tri-wave. The filters are almost self oscillating and are modulated by an lfo. Natural tones. And some spring reverb and analog delay.

Absynth5 + korg m3 karma midi + 909.

Filtersweep with the sequential ob-6 sem-state-variable-filter. C1. Rme babyface pro fs.

Simple beat in c.

Trying to find some nice sounds on my modular. Playing around. . . All modular. The bass drum is a filter "plopp".

Playing with lfos. 2 lfos are controlling the amplitude of the sample and hold generated blips. . . :-).

This loop was accidentally created when some input cables were connected wrong. It reminded me of something the crystal method could have created.

Sold a module. Now there is room fort dirt again. The name is well-deserved. Dirt is a filter module from synthrotek. It's so strange that i wonder if the person who built it got it right. . . It's a kit. But i bought the module second hand.

This is a note played on my guitar and slowed down a ton. . . With some added filtration. . . Works very interestingly as a pad sound.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create a melody.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create an uneasy melody.

Yep, analog filters. . . Everything is analog!no, wait the reverb is digital. And this recording. But the noise that reaches your ears is analog. My little modular synth is playing a patch just for you. Or world is a big ad/da converter!!!. I failed at the fade out. . . Sorry for that.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.