3304 безплатни аудиофайлове за "Tuned Percussion"

Title More cymbal sounds Artist aradlaw Original mp3 data Length:0:53 minutes (838.13 KB) Format:MP3 Mono 44kHz 128Kbps (CBR) User tags Noise, Percussion, vibrating Type Single Subject, Natural, Tone / Tune, Experiment PDSounds record number 700 Comment More cymbal sounds, using a pair of Sabian 16" cymbals.

A 3 against 4 polyrhythm. Derived from Image:3 against 4.mid and translated to OGG by User:Husky.

A 2 against 3 polyrhythm. Derived from and translated to OGG by User:Husky.

Title cymbal sounds Artist aradlaw Original mp3 data Length:0:49 minutes (765.23 KB) Format:MP3 Mono 44kHz 128Kbps (CBR) User tagsMusic, Noise, Percussion Type Single Subject, Natural, Tone / Tune, Experiment PDSounds record number 699 Comment Various cymbal sounds, using a pair of Sabian 16" cymbals. Produced for a LibriVox project.

African double bell

Title Gong or Bell, vibrant Artist stephan Original mp3 data Length:1:04 minutes (1.96 MB) Format:MP3 Stereo 44kHz 256Kbps (CBR) User tags Bell, brazen, deep, drone, Gong, Meditation, striking, twanging, vibrant Type Single Subject, Characteristic, Tone / Tune PDSounds record number 200 Comment Nice droning gong. Played in different ways with my finger.

Title rainstick Artist tamanders Original mp3 data Length:0:25 minutes (393.51 KB) Format:MP3 Mono 44kHz 128Kbps (CBR) User tags Instrument, Music, Rain, rainstick, rustling, whispering Type Single Subject PDSounds record number 250 Comment rainstick

Sound of a Rainstick (Percussion instrument)Klang eines Regenmachers bzw. Regenstabes (Perkussionsinstrument)

sample of sound produced by a güira

Modern plastic guiro

Playing a large and small caxixi together

London Bridge song played with Jew's harp by Alexander Nevzorov

Title Drums Artist imakepitart Original mp3 data Length:5:59 minutes (4.16 MB) Format:ASF Stereo 44kHz 96Kbps (CBR) User tags annoying, atrocious, drums, fast, hard, languid, Metal, Music, Noise, slow, soft Type Single Subject, Natural PDSounds record number 704 Comment Drumming, fast

This is a soundsample for a jew's harp made by me! you can all do what u want with it! its free! :-)

Triangle played Latin style

Clave pattern

Variant of the Habanera rhythm.

Habanera tresillo rhythm for comparison with 3:2 polyrhythm.

Habanera rhythm.

Habanera rhythm (tresillo) and 3:2 polyrhythm alternating for comparison.

3:2 polyrhythm for comparison with the Habanera tresillo rhythm.

6/8 clave, third form (rumba clave)

kleine Zimbel aus Nepal, Durchmesser 7 cm little zill from Nepal, diameter of 7 cm

kleine Zimbel aus Nepal, Durchmesser 7 cm little zill from Nepal, diameter of 7 cm

grosse Zimbel aus Nepal, Durchmesser 23 cm big zill from Nepal, diameter of 23 cm

{{ennoin divisive form. Created by Hyacinth (talk) 05:09, 4 February 2012 (UTC) using Sibelius 5.}}

Rumba Clave Pattern in duple time.

Son Clave Pattern in triple time.

6/8 clave, second form (son clave)

6/8 clave, first form (standard pattern)

Standard bell pattern.

clave pattern in 5/2

clave pattern in 7/4

grosse Zimbel aus Nepal, Durchmesser 23 cm big zill from Nepal, diameter of 23 cm

3-2 Son Clave Pattern in duple time.

grosse Zimbel aus Nepal, Durchmesser 25 cm; kraftvoll gespielt big zill from Nepal, diameter of 25 cm

Habanera rhythm in the bass (cello) from the "Habanera" aria in Carmen.

Campana (Spanish: "bell") bell pattern below a 2-3 clave rhythm.

Rumba Clave Pattern in triple time.

Cowbell pattern

A request.

Sound sample of a djembe at medium pitch, illustrating the three basic sounds (bass, tone, slap). The sample starts with a binary call, plays three cycles of the accompaniment pattern, and ends with a call. The accompaniment is "passport with a bass": s..ss.tts.bss.tt"

Semi tuned tom tom sounds. Frequency based on pitchshifting. "a".

Sample of a metallic percussion hit. The sound is quite dark and muffled. I call it underwater drum, because it sounds to me like it's underwater. This sample is tuned to a1 but there is a very dominant overtone at b1, which is the musical interval of a minor second. The source of the sample was the platter of a dismantled hard disk drive, hit with a wooden mallet. It was then pitched down a lot. The sample is almost raw, i just added some slight eq. The sample was intended to be used with a sampler, you may want to add some reverb for this and filter the previously mentioned overtone, when you use it in combination with other tuned instruments. Also, the pitch is probably not perfectly tuned. Microphone: akq perception 120post-processing: pitch manipulation & eq.

Charleston rhythm, simple rhythm commonly used in comping. Ragtime progression.

An example of a blast beats played in tempos of 120, 160, 200 and 240 BPM. Made with Cubase and Drumkit From Hell. Przykład blast beatów granych odpowiednio w tempach 124, 160, 200 i 240 BPM. Wykonano przy pomocy programu Cubase i syntezatora perkusyjnego Drumkit From Hell. Exemples de blast beats joués aux tempos de 120, 160, 200 et 240 BPM. Crées avec Cubase et Drumkit From Hell.

Chromatic handbells 12 tones. C# tone. File 48khz, 24bit, stereo, no processing. Normalized to -3db. Recorded using a-b stereo technique witch 30 cm spacing between and 50 cm from bell. Microphones: a pair of dpa 4006 microphones with ua0777 nose conesinterface: focusrite saffire liquid 56. Studio room: w:2,5m x d:2. 0m x h:2,8m. Each file contains 3 techniques: single tone, double and ringing bell.

The pelog selisir scale of Balinese gamelan gong kebyar, played on a gangsa.

An 8-bar drum loop at a bpm of 128. The loop contains a kick drum tuned to f0, a snare drum tuned to f2, an untuned hi-hat, and an untuned ride cymbal (as well as chopped delay and reverb effects).