First phrase of "the minstrel boy" by thomas moore (1779–1852), played on a yamaha plastic alto recorder, and recorded using an akg c414 xls mic and tascam dr70d recorder.
Part of the record fx pack this sound is designed to be mixed with the actual record content and provides some of the noises people spent ages to remove!this sound covers the needle being placed on the record a rhythmic crackle and touch of white noise. You can extend the crackle section with the file record noise2 underscore file.
This track was a voice recording of me saying "freesound. Org" using my laptops internal microphone, and then edited audacity®. The gverb filter was applied. The pitch was changed from the original tone which was c to b.
I recorded this with my ipod in coyoacán méxico. I visited grandma and i found this people. You know i love music. So i asked one of them if he could teach me how to play birimbau, and he did. Ovbiusly that is not me. But it is great!.
Different frequencies of sounds from the radio transmission in the basement carpark resembling that of an alien-ish futuristic noises. Recorded using edirol r-09, 15cm from speakers.
Cocktail party 100 people chatting,laughing,drinking recorded in paris 1980 with nagra4/s and two beyer m160,15 ips,stereo,nab ,digitised with pyramix at 48 khz 16bits.
A "bigmack" switch being operated, giving a distinctive click. This sound is recognisable to users of single message aac communicators. (aac: augmentative & alternative communication). Equipment: zoom h4n, internal mics.
Recording of a voiceajout de fondu en ouverture. Typologie de schaeffer : varié continu (v). Morphologie :masse: son seul variégrain : rugueuxallure : présence d'un vibratodynamique : attaque douce et graduelleprofil mélodique : variation serpentine (variation des hauteurs "glissantes").