1 251 Bezplatné obrázky pro Kimono

žena dospělý člověk dítě šťastný člověk dějiny matka dívka slavnostní dcera asijská dívka

Kitagawa Utamaro – Parody of an Imperial Carriage Scene [Left] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Three Beauties of the Yoshiwara [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Komurasaki of the Miuraya and Shirai Gonpachi [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Geisha Kamekichi of Sodegaura [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Boy summer festival

Tekiya japanese festival

Graduation ceremony

Japanese family

Japanese family

Japanese family

Tekiya japanese festival

Girl summer festival

Keisai Eisen – Spinning [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Tsukioka Yoshitoshi – Looks Precarious’ Mannerisms of a Geisha in the Meiji Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Impatient’, Mannerisms of a Fireman’s Wife from the Kaei Period [from Thirty-two Aspects of Women]

Keisai Eisen – Two girls on die pier [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Sudō Shigeru – Hinamatsuri [from Sudō Shigeru Lyric Art Book]

ilustrace panenka

Kitagawa Utamaro – Love for a Street-walker [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Tsukioka Yoshitoshi – Looks Sleepy’ Mannerisms of a Courtesan in the Meiji Period [from Thirty-two Aspects of Women]

Keisai Eisen – Iniayo Sugata (Appearance of Contemporary Women) [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Kawanabe Kyōsai – Benzaiten Viewing Cherry Blossoms, from the Parody of the Seven Gods of Good Fortune series [from Kyosai: master painter and his student Josiah Coder]

Tsukioka Yoshitoshi – Looks Slovenly’, Mannerisms of a Kyoto Geisha from the Kansei Period [from Thirty-two Aspects of Women]

Kitagawa Utamaro – Beauty and Boatman [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Ohisa of Takashimaya with Two Mirrors Set Against Each Other [from Utamaro – Ukiyoe meisaku senshū I]

Utagawa Kuniyoshi – MIEJI: Maple-Leaf Viewing (Momijigari) [from The Sixty-nine Stations of the Kisokaido]

Keisai Eisen – Famous Pine Trees in Edo : Biza Pine at Aoyama [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Kitagawa Utamaro – Fishing with a Scoop Net [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Naniwaya Okita [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Takashima Ohisa [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Takashima Ohisa [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Uemura Shōen – Ise no Taifu [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Scene from a Noh Play Kinuta [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Fish Selling - Colour Remix

rybovití obratlovci dějiny

Tsukioka Yoshitoshi – Looks Cold’, Mannerisms of a Concubine from the Bunka Period [from Thirty-two Aspects of Women]

Kitagawa Utamaro – Parody of an Imperial Carriage Scene [Right] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Naniwaya Okita [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Parody of the Six Poetic Immortals [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Bon odori girl

Boy summer festival

Tekiya japanese festival

Traditional Japanese Women

japonský žena

Japanese family

Couple in yukata

Japanese family

Girl summer festival

Kitagawa Utamaro – Two Pictures in Pair: Monkey Trainer [from Utamaro – Ukiyoe meisaku senshū I]

Tsukioka Yoshitoshi – Looks Happy’ Mannerisms of a Tokyo Geisha in the Meiji Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Itchy’, Mannerisms of a Concubine from the Kaei Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Mannerisms Elegant’, Mannerisms of a Court Lady from the Kyowa Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Graceful’, Mannerisms of a Beautiful Woman from the Tenpo Period [from Thirty-two Aspects of Women]

Kitagawa Utamaro – Catching Fireflies [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – To Jirushi of the Land of Geisha [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Tsukioka Yoshitoshi – Looks Heavy’, Mannerisms of a Fukugawa Waitress from the Tenpo Period [from Thirty-two Aspects of Women]

Kitagawa Utamaro – Women Viewing Fireworks at Ryôgoku Bridge (Left) [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Uemura Shōen – Ono no Komachi [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Kitagawa Utamaro – Okita at the Naniwaya Teahouse [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Ten Physiognomic Aspects of Women: the Passionate Type [from Utamaro – Ukiyoe meisaku senshū I]

Keisai Eisen – Beautiful woman with a Japanese bladder cherry in her hands [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Tsukioka Yoshitoshi – Looks Interested in Buying’, Mannerisms of a Housewife from the Kaei Period [from Thirty-two Aspects of Women]

nakupování tisk

Kitagawa Utamaro – Kitchen Scene [Right] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Tsukioka Yoshitoshi – Looks Delicious’, Mannerisms of a Courtesan from the Kaei Period [from Thirty-two Aspects of Women]

Aankomst Mary Tyler Moore (uit Dick van Dijck show) op Schiphol. Kimonoshow op S, Bestanddeelnr 920-7566

historický dějiny

Aankomst Mary Tyler Moore (uit Dick van Dijck show) op Schiphol. Kimonoshow op S, Bestanddeelnr 920-7565

historický dějiny

Aankomst van de Japanse ambassadeur en twee dames in kimono, Bestanddeelnr 906-9329

historický dějiny

Tsukioka Yoshitoshi – Looks Good’, Mannerisms of a Pleasure Quarter Geisha from the Kyoka Period [from Thirty-two Aspects of Women]

Kitagawa Utamaro – No. 8, from the series Letters of Beautiful Courtesans [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Women’s Picnic beside a Stream [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Japanese family

Graduation ceremony

Graduate

Girl summer festival

Uemura Shōen – Ono no Komachi [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Tsukioka Yoshitoshi – Iga no Tsubone with Tengu [from One Hundred Ghost Stories of China and Japan]

Utagawa Hiroshige – The Sumida Embankment in the Eastern Capital [from Thirty-six Views of Mount Fuji]

Kitagawa Utamaro – Women Holding a Pipe and a Round Fan [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Women Resting at the Fujimiya Teahouse [Right] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Sudō Shigeru – First News [from Sudō Shigeru Lyric Art Book]

ilustrace dívka

Katsushika Hokusai – The Print of Famous Place: Ueno [from Meihin Soroimono Ukiyo-e]

Kitagawa Utamaro – The Story of Umegae [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Kitchen Scene [Left] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Miyahito of the Ôgiya, kamuro Tsubaki and Shirabe [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Tsukioka Yoshitoshi – Looks Observant’, Mannerisms of Kyoto Waitress from Meiji Period [from Thirty-two Aspects of Women]

Kitagawa Utamaro – Umegae Dreaming of Okita [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Aankomst Mary Tyler Moore (uit Dick van Dijck show) op Schiphol. Kimonoshow op S, Bestanddeelnr 920-7564

historický dějiny

The patient's skin is burned in a pattern corresponding to the dark portions of a kimono - NARA - 519686

historický dějiny

Utagawa Kunisada and Utagawa Hiroshige – Fujieda: Fording the Seto River [from The Fifty-three Stations by Two Brushes]

Tsukioka Yoshitoshi – Looks Cool’, Mannerisms of a Geisha after 1872/3 [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Cold’, Mannerisms of a Fukagawa Nakamachi Geisha from the Tenpo Period [from Thirty-two Aspects of Women]

Kitagawa Utamaro – A Yoshiwara Triptych [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Hanaôgi of the Ôgiya, kamuro Yoshino and Tatsuta [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Utagawa Kuniyoshi – ASHIDA: Araimaru and Nyogetsuni [from The Sixty-nine Stations of the Kisokaido]

Graduate

Vintage Japanese Woman Portrait

japonský žena

Japanese family

Keisai Eisen – Fûryû Bijin-awase (Charm contest of women) : Ainare of the Ebi-ya House [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Tsukioka Yoshitoshi – Looks Eager to Meet Somebody’, Mannerisms of a Prostitute of the Kaei Period [from Thirty-two Aspects of Women]

Kitagawa Utamaro – A Modern Version of the Concert of Ushiwakamaru and Jôruri-hime (Center) [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Street Scene at Ryôgoku Bridge [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Utagawa Kunisada and Utagawa Hiroshige – Fujikawa: Women Travellers [from The Fifty-three Stations by Two Brushes]

Kitagawa Utamaro – Yosooi of the Matsubaya, from the series Contemporary Courtesans Drawn from Life [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

1001 - 1100 z 1 251 Další stránka

/ 13