3 613 zvukové soubory bez licenčních poplatků pro "3"

Soundscape_humfaksound description: a chair is moved over the soundwave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät,216 b 3. Stocklat: 6°55'12''olon: 50°56'5''ndate recorded: 2014-11-19recorded by: nina welsandt and edited by nina welsandt. This recording was created during the seminar "gestaltung auditiver medien" (ws2014/2015) intermedia, bachelor of arts, university of cologne.

Sveriges Radios folkmusikinspelningar. Dalaresan 1954 Dokumentatör: Matts Arnberg Instrument: Röst (lockrop) Radiotjänsts ursprungliga produktionsnummer: B/43.157-58:16:3

Sveriges Radios folkmusikinspelningar. Finlandsresan 1959 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:15:3

Sveriges Radios folkmusikinspelningar. Dalaresan 1954 Dokumentatör: Matts Arnberg Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: B/43.157-58:11:3

(recorder: zoomh4npro 2018)(microphones: zoomh4npro 2018 on-board microphones). Isolated footsteps on a very creaky wood floor in my home. Please notice the other 3 versions recorded at other locations in the same room. I would love to know if and where you use these! always fun to know!. Enjoy!.

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:16:3

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Svenska Låtar Dalarna II:3 s. 204 Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:16:9

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:69:3

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:58:3

O Holy Night (with "Lord, Guard and Guide") performed by the Singing Sergeants and Symphony Orchestra of the United States Air Force Band. Track 6 from Holiday Traditions (2007). Michael J. Willen, Conductor[1][2][3][4][5][6][7][8]

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:19:3 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 137

Sveriges Radios folkmusikinspelningar. Jämtlandsresan 1951 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska låtar Jämtland/Härjedalen nr. 3 Radiotjänsts ursprungliga produktionsnummer: B 51/19920:19:2

Power of Suggestion performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 14 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Derrell Kuykendall, bass

Antonio Scotti's March 30, 1908 Victor Records recording of "Gia, mi dicon venal" from Giacomo Puccini's Tosca. Victor 88122 Antonio Scotti (1866-1936), baritone Tosca - Gia, mi dicon venal Mat. C-5084-3 Rec. March 30, 1908 Digital Transfer produced by Tim Ecker for the Internet Archive.

Sveriges Radios folkmusikinspelningar. Smålandsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:40:3

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:65:3

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:48:3

Festival Overture on the American National Air performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

Didgeridoo performed by jimmie p rodgers, recorded with a zoom h2 at various mic gain levels. Permission to upload under cc0 has been gracefully given by the artist. Http://upload. Wikimedia. Org/wikipedia/commons/3/36/elderberrydidgeridoo_little. Jpghttp://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats.

Ringmodulated inversion of my speech from the file https://freesound. Org/people/kb7clx/sounds/648443/ invertedspeechcq. Wav. I took the raw recording and used goldwave's mechanize effect to translate my voice to a center frequency of 14khz. I then demodulated it first at 10. 6 and then 10. 2khz meaning that what comes out is essentially the opposite sideband, offset by 3. 4 and 3. 8khz respectively. 3khz just didn't sound as good. The first i filtered with a low pass of 2. 9khz, the second was filtered to below 3. 4khz to emulate a communications receiver passband. I am speaking upside down as described in this video. Https://www. Youtube. Com/watch?v=q_ykxzcbh-g beginning at 00:03:16. Being blind i can't see their diagram, but i've got my own by ear intuitive method, keeping in mind that oo and ee are farthest from each other, all other vowells get closer the closer they are to the middle of the human voice frequency range. I say: huhlay sue quee, sue quee, sue quee do ux. Cahlloong sue quee sue quee sue quee do ux. The ay in huhllay is like when a spanish speaker says béisbol (baseball). The a in cahlloong is like the a in cat if you're opening wide for the doctor. The oo is like the oo in book. Listen to the other file and you'll hear: hello cq cq cq dx. Calling cq cq cq dx.

Northwest wind gusts through a forest of oak and beech and pine trees. Recorded on saturday july 21st, 2018 at 3:30pm in a midwestern forest. Although there are a lot of birds in the forests at this time of year, they were quiet today. A nice, peaceful, soothing snapshot of summer----recorded just 4 weeks after the solstice here in the northern hemishpere. Temp: 84 degrees fhumidity: 51%. Recorder: sound devices 702microphone: sennheiser mkh-416.

A small, older elevator moves up 3 floors. Including the sound of the elevator door closing and opening. Recorded from the inside of the cabine. Recorded with a tascam dr-40. Note: feel free to use this sound in one of your own projects. If you want to, you also can send me a link. I would love to hear some of my field recording into someone’s work.

A sting / stab (or stinger) to use for an accent, transition, or fx. Good for horror, science fiction, etc. Gear: pro tools 10. 3. 9, korg triton, concert bass drumcreated on: april 26, 2015. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

It's my first attempt to make use of ir-lv2 convolution plugin. Seems like an amazing tool. Recorded with zoom h2 via usb. Processed through ir: lv2 convolution reverbversion 1. 3 by tom szilagyi. Http://factorial. Hu/plugins/lv2/ir. Used a custom ir file:http://www. Freesound. Org/people/unfa/sounds/181699/. Recorded using zoom h2 and audacity.

The bass drum was generated using absynth 3, as well as the other instruments that follow it. Within the software, i simply just generated a quick drum patch (for myself), which i manipulated over and over till i got several varations. I just happened to choose this one for this loop. General techno-trance and suitable for almost any genre in electronica. The loop is set at standard 120bpm for easy manipulation.

I took the groovy part from zagi2's sound fata morgana (mirage) 3. Wavhttps://www. Freesound. Org/people/zagi2/sounds/369208/it's 2 bars. Cut it up in 8 parts. Call them 1 to 8. I let excel randomize function give me 16 numbers between 1 and 8. Then i merge my parts in that order. Result an 8 bar loop. Done in audacity. Did not have to use number 1.

Jd requested i do a dry take of these phrases:. 1: "evaluate your mind"2: "dance with me"3: "love is the key"4: "it's inside you"5: "love"6: "trance"7: "return to the source"8: "all this energy"9: "you create the light". If you have a request, send a message!.

Groovy beat i made a while back. I incorporated some pre-made loops from soundtrap too. Made on soundtrap. Ingredients:. Pre-made loops-. Sfx- dubstep pad2 [cm]. Sfx-lime. Sfx-lime 3 [csus]. Sfx- 2 united 2 [bbm]. My contribution-. Sub glide bass-synth x4. Flopp synth. Cobra synth.

1 of 3 mics recording a peugeot 404 injection driving on the road. There is a 3mics in one edited version too. Some gain control may have been done within the take. Mostly driving down hill. This recording was done with a rode wireless go near the engine, in the inner bonnet on the wall driver side. Recorded in 48khz 24bit on a zoom h5.

A sound i created for my decepticon oc "silverstreaker. " her dual pulse cannons are heard in the audio, however i published it here so others can use it as well! hope this can be of use for some people. You can freely use this wherever you want, but please if possible link me in it if you do. <3. [if the sound seems gritty and grainy, it sounds much better when downloaded. ].

Miracle scale, derived from the secor (s = 116.72 cents), plus the difference between 10 secors and a perfect octave (q = 32.84 cents). MIDI pitch bend appears to match intervals. The Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s+q The difference between s and q (r) is used in the File:Blackjack scale.mid.

The Way Things Ought to Be performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 9 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeant Scott Vinassi, trumpet Airman Farid Barron, piano

Scheherazade, Symphonic Suite, Op. 35. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:36:3

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:5:3

George Frideric Handel's Water Music: 16. Sarabande (Suite No. 3 in G, HWV 350: I. Sarabande) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:68:3

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Hänvisning till tryckt litteratur: Esaias Tegnér: Frithiofs saga Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:57:3

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt litteratur: August Bondeson: Visor på Ätradalens bygdemål Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:15:3

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:59:3

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:15:3 Hänvisning till tryckt/skriftlig källa: Johan Nordlander: Svenska barnvisor och barnrim, nr. 93

Sveriges Radios folkmusikinspelningar. Östgötaresan 1960 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/249:19:3 Hänvisning till tryckt/skriftlig källa: Svend Grundtvig: Danmarks Gamle Folkeviser (DgF), nr. 238

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 3rd Movement (Part 1): Allegro Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 3 November 1937 1st release date: 1938

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:1:3 Hänvisning till tryckt/skriftlig källa: Svend Grundtvig: Danmarks Gamle Folkeviser (DgF), nr. 40

March of the Chamber of Deputies of the Ottoman Empire; the original Turkish lyrics are below (only verses 1 and 3 are in this recording): Türkçe: Osmanlı Meclis-i Mebusan'ın marşı; orijinal Türkçe marş sözleri aşağıdadır (sadece 1. ve 3. mısra bu kayıtda vardır): Lyrics Osmanlılar bugün oldu muzaffer, Fethetti yeniden vatanı asker, Açtı mebuslara yolu süngüler, Yaşasın Niyazi, yaşasın Enver! Gökyüzünde şühedanın hayali, Alkışlıyor sanki ruhi Kemali Ah, ölmeden görmeliydi bu hali, Kıymetli, muhterem vatanperver, Al bayraklar bulutları sarıyor, Şenliğimiz asumana varıyor, Mazlumlara, zalimler yalvarıyor, Hey Allah'ım bu nasıl ruzi mahşer? Uyan Midhat, uyan geldi zamanın, Tutsun dünyaları şöhret ve şanın, Sen bulun önünde şu Mebusanın, Artık yaşa evladınla beraber.

I generated 3 tracks. The first is a noise brown 2 seconds, where i added the effect gverb (first second) and the effect wahwah (second second). The second is a sound of sinusoid d 2 seconds, where i put a nivelleur to increase sound. I generated silences to get a metronome. For the third, i generate the same sound as the sinusoid second track, then i added the effects wahwah and nivelleur. Finally, i do repeat all tracks and i remove any noise.

This is version 2 of my 3 knocking on a door sound i used audacity to edit it and i recorded it with my yeti microphone. I thought that you could use it too. Use it for what ever you want but if you make over 1 million dollars off you aaa game / movie than you share the wealth lol but i would like to know what you use it for that is it credit would be nice but not necessary.

A semi-automatic rifle, pitched down 3 semi-tones. Made in bitwig, i used 10 different recorded gunshot layers that have been eq'ed and multiband compressed to form a new gun sound. Subbass was synthesized for the super low end. The process i use is to select frequencies using high pass and lowpass filters from a recording for the lows, mids and highs. This forms a "layered sound".

4am on 7th june 2015 in the small rural town of charbury in the cotswolds, uk. At about 3 min 45 sec my neighbour's central heating clicks in for a minute. An aeroplane can be heard in the distance from 7 min 30 secchurch bells strike 4am at 8 min 26 sec. Recorded with a stereo pair of akg c1000s mics into a motu8 audio interface. No eq or other processing.

nonlinearcircuits jerkoff chaos circuit is based on sprott's chaotic jerk equation. This sound is long and boring. . . But i wanted to test the nlc jerkoff. This might be of interest to someone. . . I upload an mp3 file to save disc space. . . The single module has 3 outs. 2 of them are controlling vcaa and one is connected to an envelope follower that generates a trigger when the cv is high enough. The signals in to the vca are the same (1. 5v). A way to illustrate the work of the module. Maybe.