1 327 zvukové soubory bez licenčních poplatků pro "Chords"

| - description - |. Cyberpunk low acid distorted. 115 bpm. F # m chord. | - made with - |. Serum - fl studio.

Piano chord progression laid over organ chorus through audacity.

Heavy metal gallop pattern on guitar power chords, with palm muting.

Tritone substitution. ii7-Vb7/V-IM7 instead of ii7-V7-IM7.

A simple, pleasant notification sound with a small amount of pre-delay.

A part of my song played on a guitar. A very short piece, no musical context. Needed for a sound transformation assignment.

ii7-V7-IM7, for comparison with a tritone substitution (ii7-Vb7/V-IM7).

Beethoven Appassionata 3 final bars of Andante

Stomp progression in Ab. Created by Hyacinth (talk) 07:22, 14 July 2008 in Sibelius.

Mild distortion tone, changing from c to d with a big bend for the end.

Heavy effects, phase and flange, just some simple notes.

This sound can be combined with other soundsvisit my youtube channel https://bit. Ly/3dtslud.

Emotional piano 003 key: d#m - bpm 80.

Secondary dominants in Beethoven's Symphony No. 1, introduction.

Simple repeating motif over major and minor chord switch. Interlude maybe.

Sampled short wave radio in a loop. Some random chords and a delay. Playing with my modular.

A mix of hard and soft. Yamaha dx7 chords over fm drums and synth.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (g♯7 to A).

In the range of three octaves, sung by me in 13 tracks. Not completely in tune. The first one is unedited sound. The second is transposed an octave lower. The third is transposed two octaves lower. In the fourth all the latter are sounded together (39 voices). The transposing makes a peculiar effect to the voice specially in the second (12 semitone) transposition.

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

The beauty of minor6 chords which i love the most.

D sharp electric guitar low gain (not super heavy) with some note phrasing which builds albeit sloppy.

A pad i accidentally made. This sound is in the open domain, use it freely without the need for retribution or credit.

Spanish musical motif with classical guitar (nylon strings).

Download all of my sounds for free, just use this link!. Http://usheethe. Com/h4pt.

Sci-Fi Soundtrack Super slow glowing round synth chords - in space-themed Whole Tone harmonic structures! - Kevin MacLeod

Korg es-1 with some samples from yamaha qy-70 programmed by me. . . Chords by rare vintage yamaha pss-780.

Touching and plucking the strings and body of an acoustic guitar. Recorded with at2035.

Generic scary/suspense sound made using roland mt-32 sounds[cc zero].

Weird psycho loop with synth instruments, including bells and flute. A mix of sadness, hope, and worry.

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Low gain but mushy and nasty type of tone. Simple riff but with the nasty overtones, think of it as ac/dc if they forgot to tune.

Antique hermle fireplace clock bell from the 1950s. One strike. Chord: ab, f7. Long decay time. Recorded in xy stereo from inside the clock. Recorder: tascam dr-60d mkiimicrophone: 2x røde m5processing: noise reduction.

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

Tune from a song i can't identify, looking for help identifying the song. Recorded using my laptop and made using my guitar.

Choir sound i sythesised using sytrus and flstudio and weird chords:d.

A noisy agressive analog synth stab made with a minimoog, no fx applied.

Was in a pile of older stuff about to be deleted! can be applied to various styles. No mixing applied.

Wistful and romantic repetitive melody of piano chord progression laid over organ chorus through audacity.

This is a so called "epic" chord progression (amcfg) played rhythmically by the string section of an orchestra: basses, cellos and violins.

Typical boogie woogie bassline on 8 bar blues progression in C, chord roots in red.

the famous chords symbolizing the church bells in Debussy's prelude La cathédrale engloutie

A piano player coming to a sudden halt. 2 variants. One sounds like a catchy chord while the other one sounds more "crashy".

Bad guy/"Villian" motif/riff.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (d7 to E-flat).

Turnaround in F. Created by Hyacinth (talk) 04:07, 12 June 2010 using Sibelius 5.

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).

This is a faulty file delete it. I uploaded the corrected file, above my 5th upload by the same name.