1 327 zvukové soubory bez licenčních poplatků pro "Chords"

Atmospheric, creepy piece i created in fl stuido.

Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): grit chordnote: c2midi note: 36.

Part of the beta loopset, a set of complementary synth loops. It is in the key of c minor, following the chord progression cm bb fm g7. It is four bars long at 110bpm. It is normalized.

It is basically the same melody as guitar and piano melody. Wav , but this time i added some choirs and a sub bass. Enjoy.

V-IV-I turnaround in C. Created by Hyacinth (talk) 08:54, 6 December 2010 using Sibelius 5.

V of V in C, four-part harmony. From Bach.

Alpha scale major triad on C. MIDI pitch bend matches intervals.

Barred 4th fret strummed & and plucked recorded with blue snowball at 16bit.

Two measures of squelchy acid bass with piercing synth chords. Created in lmms, further effects applied in audacity with valhalla supermassive. 140 bpm, a flat hungarian minor.

Recording of piano (physical, not electronic keyboard) tones and a chord (mostly c in different octaves), made quickly with cellphone with a little bit of noise, hopefully can still be useful.

Part of the beta loopset, a set of complementary synth loops. It is:. * in the key of g mixolydian, following the chord progression g7sus4 fsus2. * four bars long at 110bpm. * normalized.

Excerpt from Bach's Mass in B minor

Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).

What it says on the tin. Loops are made in cubasefollow me on spotify - scruz. Message me on instagram - @scr. Uzwould love to hear anything made with my loopshave a great day.

An mp3 recording of an orchestra blasting out the final chords of antonín dvořák's 6th symphony, movt. Iii. Taken with a black sony ic voice recorder, at boettcher concert hall with the denver young artists orchestra. Use however you'd like. Could be for a cinematic ending or success musical moment. A minor chord, so sounds perhaps more mixed or evil rather than joyful. Enjoy and god bless!.

Tritone substitution (for V). Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.

Montgomery-Ward bridge in C (I7-IV7-ii7-V7). Created by Hyacinth (talk) 06:58, 11 June 2010 using Sibelius 5.

Extended dominant relationship in Schubert's German Dance, D. 643, opening.

Pew pew boom bap then chords + drum fill.

A friend was travelling, stayed over, and brought a battered clarinet (they play saxophone usually)- i sampled, separated a few overtones, and put them back together.

A friend was travelling, stayed over, and brought a battered clarinet (they play saxophone usually)- i sampled, separated a few overtones, and put them back together.

Septimal minor triad on C (C,E7b,G or 6:7:9)

Notes recorded in ableton live demo so i cant export then i freezze and flatten to can use in other software ;).

5 sec tape loop test. Recorded 2 chords from an plastic organ with a tape recorder. Warm nostalgic wobbly and crackling. -alexander.

Harmonic progression from a Mozart piano sonata--sound file. Piano Sonata in G, K. 283, third movement, starting measure 247. Digital recording by Opus33 using Wavesurfer software. Transcription into chords by Opus33, loosely following Piston and DeVoto, Harmony. This music is in the public domain. The recording is not copyrighted, and it is hereby released by its creator (known in this context by the pseudonym Opus33) into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

A friend was travelling, stayed over, and brought a battered clarinet (they play saxophone usually)- i sampled, separated a few overtones, and put them back together.

A friend was travelling, stayed over, and brought a battered clarinet (they play saxophone usually)- i sampled, separated a few overtones, and put them back together.

Simple guitar strum pattern, 4/4 time, on a fender stratocaster, clean with light chorus - pack contains each of twelve chords (e - d#) played in both major and minor.

Triad in Bohlen-Pierce tuning (0 11 13). Title refers to number of semitones (unison=0).

Something i'm working on i figure i'd share so maybe yall can mess with it too!.

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

Original sound was a piano chord manipulated in the ipad samplr app. Sounds a bit robotish, droney, could be used as an alarm? go wild!.

A member of the delta loopset, consisting of a set of complementary synth loops. It is in the key of c major, following the chord progression c7-f7-c7-f7. It is four bars long at 110bpm. It is normalized.

An angry synthesized dog and cat going at it. Tweak the mods.

V of V in C, four-part harmony. Reduced from Chopin.

Made this stab from scratch for a little music doodle. It didn't fit in. . .

A fun "whooshy" intro from a project never finished. Clocked around 150 bpm. Old project, not sure what that chord is and the end of the intro :).

Sorta out of tune and pitch but can probably be used for something in the background. Mid gain distortion with some vibrato.

Short melody using harmless vst on fl studio. Recorded and processed on audacity.

Also an oldie, one i thought up on guitar myself,this time acoustic. Just a few simple chords and some ornaments(i put the notes into a sample instrument of mmm2006). . .

V/V-V-I in C, in four-part harmony.

Sort of a riff but sort of an assortment of noises/harmonics and vibrato/tremolo effects. Chop it up and serve hot or cold, your choice.

V65 of V in C, four-part harmony. Reduced from Chopin.

VII-I cadence in C major. Created by Hyacinth (talk) 14:28, 10 March 2011 (UTC) using Sibelius 5. GFDL-self

Chopin's Prelude in C minor modulates within the first three measures.

Hey , check out my blues / hip hop / indie track.

Plucking a string on a ukulele. 12xxx. Recorded with: nt1-a rode microphone (condenser cardioid mic)program used: reaper v5. 16/x64edited with: adobe audition.

Dominant seventh in Monteverdi's "Lasciatemi Morire" ("Oh, Let Me Die"), Lamento_d'Arianna. Created by Hyacinth (talk) 09:44, 12 January 2012 (UTC) using Sibelius 5.

A friend was travelling, stayed over, and brought a battered clarinet (they play saxophone usually)- i sampled, separated a few overtones, and put them back together.