1 327 zvukové soubory bez licenčních poplatků pro "Chords"

Recorded with fl studio 10.

Dominant sevenths in Chopin's (1810–1849) Mazurka in F minor, op. 68, no. 4, m. 1-4.

Can't remember how i made it, though its a great to mess with. I played around laying chords underneath, beats and stuff. Sorry cant remember bpm. Enjoy! :).

Jazz solo improvisation performance on 'rhythm changes' harmony / chord progression. Recorded with zoom-h6. Instruments in the recording: tenor saxophone, drums, double bass, electric guitar.

Items used:• electric guitar: cort x100 open pore black• guitar pedal: ksr ceres (ceres – 3ch preamp pedal – ksr amplification®). The file is phased. The right channel is delayed 25 ms (milliseconds). It is part of my death metal guitar folder pack.

Wheel music. Music composed stochastically using an algorithm which is illustrated here:. Http://www. Coverpop. Com/wheelmusic/. As the wheel enters each quadrant, notes are selected from a different chord based on the positions of the dots.

Recorded with fl studio 10.

Electro-acoustic guitare loop in c dorian. 115bpmit doesn't encompasses the effect of the soundboard. You should apply (convolve) a guitar soundboard impulse response to this sound to make it sound more natural.

Recorded with fl studio 10.

Made this loop to improvise on c dorian. Delay added later on ableton live. Gear used:. Washburn wr 150 emg-89, s and s. Both single pick ups were selected.

A luscious atmosphere made by adding various wet delay and reverb effects to a pad sequenced with a chord.

Whistful, melancholy sound stretch chords with harmonic changes. Morphagene oven ready with markers rendered at 48khz 32 bit fp stereo. Enjoy the chill. . .

Two chords and a 3 note melody processed in music maker's cinematic synth for high drama.

A synth chord made with an fl studio vst. Bassy/harmonic sound.

I recorded these with my yamaha pocketrak. I used my epiphone sg directly off my simmons d200 drum amp. Edited with sony vegas with 2 track duplications. Please comment on what you may use it for. Thanks. :-).

C add 9 b5 chord played through a journeys synth using bell saw massacre voice at c3 for six seconds. Converted to audio file, copied, copy reversed and two files merged with automatic crossfade. Now 16 and a half seconds long.

Micron sounds packacid like bassrandom synthy sounds. . . . . And chordsand some rhythms made on the micron. . . I'm sorry. . . . Theres no better describtion. . . Im tired.

I accidentally combined all the samples from this pack. Http://www. Freesound. Org/people/vlad99/packs/13522/. And played them two octaves lower, the result was to my liking.

I came up with this melody while testing my new korg kronos 2. This playing style is common in the balkans.

Made with fl studio. Using c minor chords, i made this sad melody. 130 bpm. Let me know in the comment section if you want me to give you the same melodybut with reverb. Injoy.

Mbira, kalimba, thumb-piano i recorded for a friend. Applied noise reduction so some artifacts are audible, but other wise a decent recording. It includes the notes, and some chords and waw waw fx caused by intermittently blocking a hole in the kalimba's resonant body.

An old brown plastic wind organ (?)-you plug it in, and a fan blows the reeds-these are samples of the button chords-somewhat concertina like. Recorded quickly with sure sm81 condenser thru hb tube pre into motu/digi perf setup. A major.

Heavy reverb and delay effects, low gain guitar. To the point type of licks but then some moody chords to finish it out. Probably best served up in smaller sections.

Piano theme. Blues/jazz. Chords played eminor aminor h790 bpm. Recorded with ableton live 9 suite. Place: iceland.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 05:08, 14 July 2011 (UTC) using Sibelius 5.

Coda like phrase. Looping. Rythmical sequence played with fl synth preset. Fl studio, harmor synth.

I recorded this on my yamamha pocketrak directly off my simmons drum amp using my epiphone sg with a vibrato pedal and a little whammy bar. One track duplication for each effect. Please comment on what you may use it for. Thanks. :-).

Audacity created, a loop for a sketch entitled cleaning as anger management for my youtube channel phedre. I particularly like the rhythm of the click, distorted without realizing the effect it would have. Serendipitous. Have at it.

Very short piece of guitar sound you can use in your podcast, movie or anything you want to used it for. I played a samick hollow body guitar over a fender amp. I used different effects in the recordings, but, this one is the clean version.

It was recorded on cubase 5 with an at2020 usb mic. There were about four vocal tracksvocal harmony starting in f#. It builds up in stages and gets better towards the end. The chords are f#7, f7, a#, c#. I think it's 80bpm. Apologies if not.

This is a chord loop at 74 bpm it bounces back and forth between b minor and a major (key of a major). This sound was recorded using propellerhead reason 7. 1 via a motu 828 mkiii on 7/12/2014 the synth used is my korg polysix. Enjoy.

Made with vst instruments / no attribution required - public domain.

Formatted for use in the make noise morphagene. Nine chords from my fender rhodes, based around an a-minor root, each on its own splice. See a video of this reel used as a background pad: https://youtu. Be/upezmsyvst4.

money vocal in autotune at 130bpm. Clipped from my indie track "manifesting $$$ money (extended version)in case you're curious. . . Https://soundcloud. Com/elaineaeris/manifesting-money-extended.

Rhythm guitar bit in bb. Made on a homemade 4-string "rhythm stick"(that's what i call 'em. It's like a cigar box guitar)tuned to bb. This is raw version.

I hope you feel this one too. . . It's deep is a quick 16-bar loop with a sweet guitar chord over deep bass notes. Perfect for using as a background into/outro tune with some vocals over the top. Enjoy. . .

Audio sample which exemplifies Andalusian cadences, as shown in the article (see the picture below the Structure section). Recorded using an emulated acoustic Steinway piano through the Sound Font 2 technology, on August 9th, 2007 and released into public domain in the same day.

Heavy distortion with some ample amount of delay. The very beginning is rather moody and trippy, then it kicks in for a slow arena rock style guitar solo, then some random notes for the ending.

Two chords and a 3 note melody processed in music maker's cinematic synth with a deep bass swell for high drama.

Made with vst instruments / make attribution or not - decide for yourself!.

I just like that bouncy bubbly kinda distorted guitar sound so i came up with this progression and it reminded me of k-on! i hope you like it and as always if you sample it or do something cool with it let me see!.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

Our town was testing the sewers somehow using audio tones to measure something. Maybe resonant frequency or something like that. It sounded vey musical since they were using 3 tones per octave, like a scale based on an augmented fifth chord.

Weird synth loop heavily utilizing ableton's beat repeat, filtered druggy rave vibe. Used in a now-defunct wip. Add some drums and a cool bass!.

A c3 piano, bell sound for all your c3 piano, bell sound needs. Requested by user "slade38012. ".

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

Two chords and a 3 note melody processed in music maker's cinematic synt. This version is a string ensemble voice, a bit lighter than the others but moody.

Mono-e-guitar-track amp-everything-at-11 boss-metalzone-60%gain metal-loop-dirty-noisegates-off i-cleaned-it-up-!boring! so-i-took-all-noisegates-off-for-a-more-authentic-sound.