184 zvukové soubory bez licenčních poplatků pro "Detail"

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Holman nc4 pneumatic chipping hammer started four times. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
Autor: Ldezem
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Desoutter ts144 pneumatic cutter started once. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
Autor: Ldezem
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Uryu uag50 pneumatic angle grinder started four times. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
Autor: Ldezem
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Unbranded impact wrench started four times against a bench. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
Autor: Ldezem
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Unbranded straight die grinder started four times. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
Autor: Ldezem
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02:07
Recording done 22/04/2020 in manizales, caldas. Details of recording:geophonysound of a thunderstorm in the city of manizales. Frequency:44. 100recorder: huawei dra-lx3////////////////grabación realizada el 22/04/2020 en manizales, caldasdetalle de captura:geofoníasonido de tormenta eléctrica y truenos en la ciudad de manizales. Frecuencia: 44. 100grabadora: huawei dra-lx3.
Autor: Artesmediales
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03:09
This is the sonification of a street map of paris. If you look at the sound's spectogram you can see lines which represent streets. On the left for example is a star-shaped crossing of several streets: this are the champs elysees ending in the etoile place. For details see http://www. Waqwaq. Info/atanasiu/art/synesthesia/.
Autor: Atanasiu
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00:24
Live drum recorded 10 years ago with my sm 58 mic on the snare and another (kick) drum mic on the bass drum, fed into some mixer then into my line 6 tone port that went into my ableton live session at the time. Sorry i dont recall any other details.
Autor: Bainmack
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03:32
La fatal pietra ("Morir! sì pura e bella!") from Verdi's Aïda (1871), sung by Nicola Zerola in 1909. Digital transfer by Tim Ecker, cleanup by Adam Cuerden. This is Victor Matrix C-8493-2, Recorded 17 December 1909 in Camden, New Jersey, and released as Victor 74225. (Full details).
Autor: Nicola Zerola (1876-1936) Giuseppe Verdi (1813-1901)
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01:58
This is the second result of fastica applied on this audio:. Https://freesound. Org/people/vollkornbrot/sounds/380165/. Full details about the process are in this scikit-learn tutorial i've written (the text is in brazilian portuguese):. Https://github. Com/danilobellini/notebooks/blob/master/2017-10-26_scikit-learn/mini-curso_scikit-learn. Ipynb.
Autor: Danilobellini
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01:15
Full machine cycle of an unbranded air compressor turned on, running freely and turned off. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
Autor: Ldezem
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01:18
Fume extractor turned on, running in it's own pace and turned off as heard close to the suction nozzle. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
Autor: Ldezem
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Red hot steel out into water bucket, water boils and steel gets cold. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
Autor: Ldezem
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Atlas copco r4n pneumatic hammer started four times and it sounds mellow. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
Autor: Ldezem
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Unbranded needlegun scaler started once against a metal plate. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
Autor: Ldezem
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Ingersoll rand riveting hammer started once against a metal plate. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
Autor: Ldezem
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01:04
Recording done 25/04/2020 in manizales, caldas. Details of recording:low quality soundscapesound of street 39 traffic in manizales. Frequency:44. 100recorder: huawei dra-lx3////////////////grabación realizada el 25/04/2020 en manizales, caldasdetalle de captura:paisaje sonoro de baja fidelidadsonido de tráfico de la calle 39 manizales. Frecuencia: 44. 100grabadora: huawei dra-lx3.
Autor: Artesmediales
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08:58
Piano Concerto No. 3 in C minor, 3rd movement: Rondo – Allegro DuPage Symphony Orchestra (orchestra) Barbara Schubert (conductor) Andreas Klein, piano Performed 17 October 2009. From https://archive.org/details/dso20091017
Autor: Untitled
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04:12
Oh Gee, Say Gee, You Ought To See My Gee-Gee From The Fiji Isle, a song published on player-piano scroll by the Recordo company (serial number 65080). https://archive.org/details/78_oh-gee-say-gee-you-ought-to-see-my-gee-gee-from-the-fiji-isle_billy-murray-lew-br_gbia0004051a
Autor: composer: Albert Von Tilzer performer: Roy Bargy MIDI conversion: Mike Hawley
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Lokomo a 100 kg anvil tapped on the back four times with a hammer. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
Autor: Ldezem
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00:31
Recording done 25/04/2020 in manizales, caldas. Details of recording:sound of pipes and pipe connected to a washing machine after washing cycle. Frequency:44. 100recorder: huawei dra-lx3////////////////grabación realizada el 25/04/2020 en manizales, caldasdetalle de captura:sonido de las tuberías y tubos conectados a una lavadora después de su ciclo de lavado. Frecuencia: 44. 100grabadora: huawei dra-lx3.
Autor: Artesmediales
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00:31
Recording done 26/04/2020 in manizales, caldas. Details of recording:biophonysound of insects and birds on the park of 39 street of manizales. Frequency:44. 100recorder: huawei dra-lx3////////////////grabación realizada el 26/04/2020 en manizales, caldasdetalle de captura:biofoníasonido de insectos y aves del parque de la calle 39 en manizales. Frecuencia: 44. 100grabadora: huawei dra-lx3.
Autor: Artesmediales
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00:09
A guitar chord, probably a d. Recorded for the purpose of testing out guitar dsp effects. Recording details:. Gibson les paul junior, p90 pickup, mahogany neck, ernie ball beefy slinky 11-54, dunlop 88mm. Recorded through the instrument input of a focusrite saffire pro 24. Edited in ableton live, no processing other than gain and fade.
Autor: Loudernoises
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10:54
The sound change in the St. Burchardi church in Halberstadt, Germany, on 20060105. See As Slow As Possible for details. The actual note change happens at 08:35.Italiano: Cambio di nota nella chiesa di Sankt-Burchard ad Halberstadt (Germania), il 5 gennaio 2006 (vedasi Organ²/ASLSP per maggiori informazioni); il cambio di nota avviene ad 08:35.
Autor: Recording: User:Wikipedia-ce. Music composed by John Cage
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Playing with a noisy metal shelf to get a bunch of different sounds. Recorded with a rode ntg3 shotgun mic into a zoom f8 field recorder. * note on the license - if you'd like to use these sound effects without giving attribution, send me an e-mail at rifthead@gmail. Com and let me know the details.
Autor: Rifthead
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Atlas copco rrc 22f pneumatic chisel hammer used to force hot steel four times. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.
Autor: Ldezem
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00:41
Creation date: 13 - 06 - 2017. Details of this sound:. Subject of recording:- object : small waterfall- material : water. Place of capture:- type : in forest- resonance : very low- distance from source : 2 m / 2 yard. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : rycote dr-40mwj. Recording parameters:- capture type : stereo- resolution : 16bit 44khz- input level: 60. Software used:none.
Autor: Alayan
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03:32
Unrestored version of File:Nicola Zerola, Giuseppe Verdi, La fatal pietra (Aida).ogg. La fatal pietra ("Morir! sì pura e bella!") from Verdi's Aïda (1871), sung by Nicola Zerola in 1909. Digital transfer by Tim Ecker. This is Victor Matrix C-8493-2, Recorded 17 December 1909 in Camden, New Jersey, and released as Victor 74225. (Full details).
Autor: Nicola Zerola (1876-1936) Giuseppe Verdi (1813-1901)
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03:05
Enrico Caruso and Antonio Scotti sing "O Mimì, tu più non torni" from Act IV of Giacomo Puccini's La bohème in a 1907 recording. This is Matrix C-4315, and was released under various labels under the variant name "Ah Mimi, tu piu". (details)
Autor: Giacomo Puccini (1858-1924) Enrico Caruso (1873-1921) Antonio Scotti (1866-1936)
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04:45
Enrico Caruso and Titta Ruffo's only surving recording together: "Sì, pel ciel marmoreo giuro!" from Giuseppe Verdi's 1887 opera Otello. Recorded 8 January 1914 in New York City for Victor Records (as Matrix C-14272), this was released under a variety of labels (full details)
Autor: Otello: Enrico Caruso (1873–1921) Iago: Titta Ruffo (1877–1953) Composer: Giuseppe Verdi (1813–1901)
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Calm ambient track. Winter woods / pinewood february 12. 41 pm (noon) in the netherlands near village giersbergen. Bram’s admin request-text and my answer in audio. Hello freesounders,it happens very infrequently that i post requests. However, i have an extraordinary sad reason to do so today. I don't want to go into detail in this public forum, but someone incredibly important and incredibly young in my life and my wife's just passed away. I am thus looking for an extra long recording of a peaceful "forrest ambience" to play during the good-bye ceremony. Something with some birds and perhaps some wind through the leaves,. . . . Currently the ceremony is planned for april 6th so i would need this before then. I know i can look through freesound, but i would like something specifically recorded with this in mind, something we will be able to listen to later as well, remembering this important and sad time in our life. . . Yours in grief,- bram & familywhat you hear;general-noise; soft wind in woods, sometime a bit increasing. A far kid at the edge of hamlet giersbergen. Far hum of the woods. Remark that the far high altitude planes are on a very lo noise level. Off and on craws and woodpeckers. 00. 00-02. 18 clean background-sound02. 18-06. 57 far high altitude plane- 04. 08-05. 42 people passing06. 05- 08. 13 clean background-sound- 07. 15-08. 12 woodpecker08. 16-10. 33 far high altitude plane10. 33-11. 44 clean background-sound- 10. 44-11. 32 (far) woodpeckers11. 33-12. 53 far police serine12. 55-14. 11 clean with some far yelling kids and woodpeckers14. 15-16. 14 far high altitude plane16. 14-26. 11 clean background-sound with some friendly increasing wind gusts- 23. 06-23. 56 woodpeckers- 25. 53-26. 08 woodpecker26. 08-end far high altitude plane and people. More recordings here search: giersbergen. About the area, national park loonse en drunense duinen. (text by irma de potter,ranger of this area) dutch website: https://www. Natuurmonumenten. Nl/natuurgebieden/nationaal-park-loonse-en-drunense-duinen. In the loonse en drunense duinen you will find forest, heathland and especially a lot of sand. It is one of the largest shifting sand areas in western europe. The wind can blow undisturbed in many places, resulting in an ever-changing landscape. By purchasing it in 1921, it has been protected for 100 years and we can still enjoy this brabant sahara today. You can roam freely on the sand plain. So there is plenty of room to explore extensively. Marvel at the submerged trees, enjoy the chirping field crickets and quench your thirst at one of the many cafes or restaurants on the edge of this nature reserve. Walking, cycling or on horseback: it's all possible here. With the wind in your hair and the sand in your shoes. You may even come across the sheep herd. The sheep keep the heath short and eat away saplings. This is how they keep the area open. The loonse en drunense duinen still has 270 hectares of shifting sand. That sand creates rather extreme conditions: the soil is dry and nutrient-poor. The difference in temperature between day and night can be as much as 50 degrees celsius. This ensures a unique flora and fauna. The animals and plants have adapted or feel at home in drought, aridity and temperature fluctuations. Sand sedge and various lichens, for example. And the viviparous lizard, sandpit beetles and sand bees. All species that love sand. In the last ice age, the polar winds blew sand from the north to brabant, where it remained in thick packages. For a long time this sandy plain was covered with primeval forests. Until the fourteenth century the trees were felled by people. They used the wood as fuel. The bare plain was filled with heather, where the farmers grazed their cattle. This intensive grazing and the sod cutting of the soil depleted the soil. This gave the sand free play. For a long time, the sand was a major problem for the residents. Villages and fields threatened to disappear under it. Trees were planted to stop the advancing sand. You can still see the traces of this today: find the submerged trees that only peak above the sand hills with their crowns. Date/time: february 15th tuesday 2017, start 12. 44 pm. Weather: 13c, clear sky, wind se 2-3bft , 1023 hpa. Mic pointed ne. Location; soft-wood-forest giersbergen (drunen), national park “loonse en drunense duinen”, drunen, noord-brabant, netherlands (holland), europe geo 51. 65566 5. 15774. Gear chain: sennheiser mkh30/50 ms, in rycote cyclone small, windjammer > sound devices 302 >tascam dr-100 mk2. Low cut 140hz 6db/octave. Level around -33db for background. Decoded mid-side to stereo.
Autor: Klankbeeld
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05:00
Http://i. Imgur. Com/4br3zge. Jpg. Recording of michigan avenue from michigan plaza (225 north michigan avenue). Microphones were on a table facing west towards michigan avenue. Sounds of construction to the south can be heard. Time of recording was 4:40pm. Weather was warm, in the upper 80s. Recording details: 2 audio technica at4022s in rycote windshields > sound devices 302 mixer > tascam dr-40 recorder.
Autor: Thaighaudio
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00:07
A short theatrical loop created in bitwig using third party instruments and effects. This sample is free for anyone to use but if you find it useful, please think about a small donation through paypal: thedjj. Lee@googlemail. Com to fund future samples. We also offer a tailor made sampling service, just drop us a message on here for more details.
Autor: Sss Samples
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00:42
A test tone that can be used for final mix for tv and other similar media. It contains 10 seconds of silence and then 30 seconds of a 1khz test tone (sine wave) with the digital level set at -6dbfs. Uploaded as 24/48 wav for post production work. See http://en. Wikipedia. Org/wiki/dbfs for some details on analogue alignment levels.
Autor: Blouhond
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04:38
Vois ma misère, hélas! from Camille Saint-Saëns' opera Samson et Dalila (1877), sung by Enrico Caruso on 7 December 1916 in New York City for Victor Records. This is Matrix C-18821, which released under a variety of labels.(Full details)
Autor: Untitled
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01:23
This loop was created in bitwig using multipule third party vsts and processors. This sample is free for anyone to use but if you find it useful, please think about a small donation through paypal: thedjj. Lee@googlemail. Com to fund future samples. We also offer a tailor made sampling service, just drop us a message on here for more details.
Autor: Sss Samples
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00:05
Creation date: 14 - 60 - 2017. Details of this sound:. Subject of recording:- object : upright piano- material : wood and strings- peculiarity : quite high. Place of capture:- type : inside- resonance : none- distance from source : above. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : mono- resolution : 16bit 44,1khz. Software used:- fl studio 11. Fx added:- edison : remove noise, reverse spectrum and suppress reverb.
Autor: Alayan
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00:31
Recording done 25/04/2020 in manizales, caldas. Soundscape of high quality, interior of design studio, preparing implements to draw. Details of recording:height: building 5th floor. Frequency:44. 100recorder: huawei dra-lx3////////////////grabación realizada el 25/04/2020 en manizales, caldaspaisaje sonoro de alta fidelidad, interior de mi estudio de dibujo preparando herramientas para dibujar. Detalle de captura:altura: edificio piso 5frecuencia: 44. 100grabadora: huawei dra-lx3.
Autor: Artesmediales
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04:19
The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details
Autor: Emmy Destinn (1878-1930), soprano Antonín Dvořák ( Rusalka - Lieblicher Mond
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04:19
The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details
Autor: Untitled
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00:02
Night vision turn on sound for video games. Made with rutgermuller's light switch sound https://freesound. Org/people/rutgermuller/sounds/51156/ and audacity generators and effects (three sine waves 1000hz/2000hz/4000hz, sliding pitch shift, fades, reverb, low pass filter, normalization in not that order and exact details i did forget).
Autor: Qubodup
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00:06
Creation date: 16 - 06 - 2017. Details of this sound:. Subject of recording:- object : bedside lamp switch- material : plastic- peculiarity : button + sizzles of bulb. Place of capture:- type : inside- resonance : none- distance from source : 20 cm / 1 lien. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : mono- resolution : 16bit and 44,1khz. Software used:- fl studio 11. Fx added:- edison : to amplify the signal and to suppress parasites. _______.
Autor: Alayan
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00:17
Creation date: 08 - 06 - 2017author: alayan. Details of this sound:. Subject of recording:- object : mechanical keyboard of computer- material : plastic- feature : none. Place of capture:- type : inside- size of the room : 8m^3- coating of room : wood et plaster- content of the room : home furnishings. Recorder:- recorder used : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : stereo- input level : 27. Software used:- fl studio 11. Fx added:- edison : for amplifying the signal.
Autor: Alayan
00:00
03:31
Small waves ( 30cm) are breaking on the sand. Close up with clear details. Mics are very close to the water, following the movement. No disturbing noise. Corsica, mediterranean sea, 2020. You can also lesen to "small waves on the sand general. Wav" on the same beach:https://freesound. Org/people/bruno. Auzet/sounds/542121. Recorded with an ab stereo set of clippy em127recorded on sounddevice 63324bits, 96 khz, stereo.
Autor: Bruno
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05:00
This is a recording of michigan avenue in chicago from an interior perspective made from the 24th floor facing west. The microphones were spaced apart and placed very close to the window. Interior ventilation/air conditioning rumble is audible. This could be a useful sound for a downtown city office background. Time of recording was 3:05pm. Recording details: 2 audio technica at4022 > sound devices 302 mixer > tascam dr-40 recorder.
Autor: Thaighaudio
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05:00
Recorded in pritzker park in the south loop area of downtown chicago. I am sitting towards the back (west) of the park near the end of the path. The microphones are pointed roughly southeast towards the el train tracks. Time of the recording was 5:22pm. Weather was warm, in the upper 80s. Recording details: 2 audio technica at4022s in rycote windshields > sound devices 302 mixer > tascam dr-40 recorder.
Autor: Thaighaudio
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13:30
Http://i. Imgur. Com/tbepi7r. Jpg. One of two recording sites at miller woods, in the indiana dunes national lakeshore area in gary, in. This recording site was in the seating area of the wooden walkway which runs through the marsh area on one of the walking trails. Time of the recording was 1:26pm. Weather was warm, in the 80s, and breezy. Recording details: 2 audio technica at4022s in rycote windshields > sound devices 302 mixer > tascam dr-40 recorder.
Autor: Thaighaudio
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20:00
Http://i. Imgur. Com/fdzjrnw. Jpg. One of two recording sites at miller woods, in the indiana dunes national lakeshore area in gary, in. This recording site was a higher vantage point on one of the walking trails, and overlooked the marsh area below. Time of the recording was 12:55pm. Weather was warm, in the 80s, and breezy. Recording details: 2 audio technica at4022s in rycote windshields > sound devices 302 mixer > tascam dr-40 recorder.
Autor: Thaighaudio
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05:00
Http://i. Imgur. Com/nbt0spy. Jpg. Sounds of downtown chicago streets, recorded from the top (12th) floor of the multi-storey parking lot at ohio and rush, on 7/20/2013. The recording site was on the south side of the parking lot overlooking ohio street below. Time of recording was 3:58pm. Weather was warm, in the upper 80s, with light winds. Recording details: 2 audio technica at4022s in rycote windshields > sound devices 302 mixer > tascam dr-40 recorder.
Autor: Thaighaudio
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04:12
Pasquale Amato's April 16, 1914 Victor Records recording of the Te Deum from Giacomo Puccini's Tosca. Sung at the end of Act I, this scene in fact details the evil priest Scarpia's plans to corrupt and have his way with Tosca, while the chorus goes about seeking redemption. Victor 88489 Pasquale Amato (1878-1942), baritone; Metropolitan Opera Chorus Tosca - Te Deum Mat. C-14715-2 Rec. April 16, 1914 Digital Transfer produced by Tim Ecker for the Internet Archive.
Autor: Pasquale Amato
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