206 zvukové soubory bez licenčních poplatků pro "Detail"

I don't know the details (like male / female, barn, tawny, big, little etc) but this fella started hooting the tother day so loud we could hear him/her indoors. The recording was done straight from my samsung galaxy phone. Slight amplification applied but otherwise raw.

Billeter klunz 50kg power hammer footpedal triggered. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

Hilti angle grinder 230mm (electric) turned on and running once into steel. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

Coal being added to the forge using a shovel, short. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

Desoutter pneumatic drill going through metal, short. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

Unbranded impact wrench started four times against a bench. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

Unbranded straight die grinder started four times. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

Desoutter ts144 pneumatic cutter started once. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

Created in waveform-10 using 1 instance of zynaddsubfx with 3 layers of hi pass filtered oscillators which were tweaked in detail to sound more like noise. Theres a little reverb, delay and distortion in there. The other oscillator was white noise created in 4osc ( native waveform-10 plugin ).

Uryu uag50 pneumatic angle grinder started four times. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

Full machine cycle of an unbranded air compressor turned on, running freely and turned off. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

Holman nc4 pneumatic chipping hammer started four times. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

La fatal pietra ("Morir! sì pura e bella!") from Verdi's Aïda (1871), sung by Nicola Zerola in 1909. Digital transfer by Tim Ecker, cleanup by Adam Cuerden. This is Victor Matrix C-8493-2, Recorded 17 December 1909 in Camden, New Jersey, and released as Victor 74225. (Full details).

This is the second result of fastica applied on this audio:. Https://freesound. Org/people/vollkornbrot/sounds/380165/. Full details about the process are in this scikit-learn tutorial i've written (the text is in brazilian portuguese):. Https://github. Com/danilobellini/notebooks/blob/master/2017-10-26_scikit-learn/mini-curso_scikit-learn. Ipynb.

Fume extractor turned on, running in it's own pace and turned off as heard close to the suction nozzle. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

Atlas copco r4n pneumatic hammer started four times and it sounds mellow. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

Recording done 22/04/2020 in manizales, caldas. Details of recording:geophonysound of a thunderstorm in the city of manizales. Frequency:44. 100recorder: huawei dra-lx3////////////////grabación realizada el 22/04/2020 en manizales, caldasdetalle de captura:geofoníasonido de tormenta eléctrica y truenos en la ciudad de manizales. Frecuencia: 44. 100grabadora: huawei dra-lx3.

Red hot steel out into water bucket, water boils and steel gets cold. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

Changing aperture, rotating ring on old 35mm camera (konica). Recorded with rode nt1-a microphone on a zoom h5 recorder.

Lokomo a 100 kg anvil tapped on the back four times with a hammer. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

Unbranded needlegun scaler started once against a metal plate. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

Piano Concerto No. 3 in C minor, 3rd movement: Rondo – Allegro DuPage Symphony Orchestra (orchestra) Barbara Schubert (conductor) Andreas Klein, piano Performed 17 October 2009. From https://archive.org/details/dso20091017

Playing with a noisy metal shelf to get a bunch of different sounds. Recorded with a rode ntg3 shotgun mic into a zoom f8 field recorder. * note on the license - if you'd like to use these sound effects without giving attribution, send me an e-mail at rifthead@gmail. Com and let me know the details.

Ingersoll rand riveting hammer started once against a metal plate. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

Oh Gee, Say Gee, You Ought To See My Gee-Gee From The Fiji Isle, a song published on player-piano scroll by the Recordo company (serial number 65080). https://archive.org/details/78_oh-gee-say-gee-you-ought-to-see-my-gee-gee-from-the-fiji-isle_billy-murray-lew-br_gbia0004051a

A test tone that can be used for final mix for tv and other similar media. It contains 10 seconds of silence and then 30 seconds of a 1khz test tone (sine wave) with the digital level set at -6dbfs. Uploaded as 24/48 wav for post production work. See http://en. Wikipedia. Org/wiki/dbfs for some details on analogue alignment levels.

This one was also made in sylenth1, its a pretty dirty gritty sounding patch i made. Has a bit of the 'decimate' bitcrusher (sylenths', and i also added a bass amp in logic to fatten the sound up, its played in g. I always name my loops with the first letter on its key hence the name ghost chord=) , and is a loop made at 128bpm. Feel free to use it in any of your works + more importantly let me know why you like it?i take quite some time into adding details in my sounds. I find making a loop can be very good for tuning your ears & production techniques, because like an artist if your painting something small u add a lot more detail. No need to credit me but its always nice(the more u do this the more u get i say=)enjoy. Dw.

From the eerie fx pack. See tags for some more detail. All sounds from eerie fx pack were actually ripped (using edison) from a highly modified version of my upload 'eerie fx full'.

A guitar chord, probably a d. Recorded for the purpose of testing out guitar dsp effects. Recording details:. Gibson les paul junior, p90 pickup, mahogany neck, ernie ball beefy slinky 11-54, dunlop 88mm. Recorded through the instrument input of a focusrite saffire pro 24. Edited in ableton live, no processing other than gain and fade.

The sound change in the St. Burchardi church in Halberstadt, Germany, on 20060105. See As Slow As Possible for details. The actual note change happens at 08:35.Italiano: Cambio di nota nella chiesa di Sankt-Burchard ad Halberstadt (Germania), il 5 gennaio 2006 (vedasi Organ²/ASLSP per maggiori informazioni); il cambio di nota avviene ad 08:35.

A short theatrical loop created in bitwig using third party instruments and effects. This sample is free for anyone to use but if you find it useful, please think about a small donation through paypal: thedjj. Lee@googlemail. Com to fund future samples. We also offer a tailor made sampling service, just drop us a message on here for more details.

Simulation of fingal´s cave (mendelssohn) similar sea swell using modules of the make noise shared system and others to create the feeling of being on a small boat being borne up on the wave. Fits onto morphagene. If you want to know how i made it in more detail, pm me. Enjoy.

Enrico Caruso and Antonio Scotti sing "O Mimì, tu più non torni" from Act IV of Giacomo Puccini's La bohème in a 1907 recording. This is Matrix C-4315, and was released under various labels under the variant name "Ah Mimi, tu piu". (details)

This is a short, but detailed audio recording from my police scanner. It is the "ending" of a dea surveillance being held in my local community. You will hear the dea agents (ground units) following the target suspect as he leaves home, then eventually at the end, you will hear the local pd meeting up with them to stop and capture the suspect. Because of the short-range distant of the dea's radio transmissions, some audio will be "scratchy", yet it is audible. Enjoy!.

Atlas copco rrc 22f pneumatic chisel hammer used to force hot steel four times. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

This is the first of two recordings documenting the transatlantic shortwave radio transmissions by w1zy on february 12, 2019 in performance of the "extremely low elevation angle" experiment, detailed in w1zy's blog here: http://www. Qrz. Com/db/w1zy. It is being posted in 2021 upon initiation of the full archiving of all audio files generated during the saltwater vertical operation from succotash salt marsh in matunuck, r. I.

Enrico Caruso and Titta Ruffo's only surving recording together: "Sì, pel ciel marmoreo giuro!" from Giuseppe Verdi's 1887 opera Otello. Recorded 8 January 1914 in New York City for Victor Records (as Matrix C-14272), this was released under a variety of labels (full details)

Recording done 26/04/2020 in manizales, caldas. Details of recording:biophonysound of insects and birds on the park of 39 street of manizales. Frequency:44. 100recorder: huawei dra-lx3////////////////grabación realizada el 26/04/2020 en manizales, caldasdetalle de captura:biofoníasonido de insectos y aves del parque de la calle 39 en manizales. Frecuencia: 44. 100grabadora: huawei dra-lx3.

Recording done 25/04/2020 in manizales, caldas. Details of recording:low quality soundscapesound of street 39 traffic in manizales. Frequency:44. 100recorder: huawei dra-lx3////////////////grabación realizada el 25/04/2020 en manizales, caldasdetalle de captura:paisaje sonoro de baja fidelidadsonido de tráfico de la calle 39 manizales. Frecuencia: 44. 100grabadora: huawei dra-lx3.

This loop was created in bitwig using multipule third party vsts and processors. This sample is free for anyone to use but if you find it useful, please think about a small donation through paypal: thedjj. Lee@googlemail. Com to fund future samples. We also offer a tailor made sampling service, just drop us a message on here for more details.

Http://i. Imgur. Com/4br3zge. Jpg. Recording of michigan avenue from michigan plaza (225 north michigan avenue). Microphones were on a table facing west towards michigan avenue. Sounds of construction to the south can be heard. Time of recording was 4:40pm. Weather was warm, in the upper 80s. Recording details: 2 audio technica at4022s in rycote windshields > sound devices 302 mixer > tascam dr-40 recorder.

Vois ma misère, hélas! from Camille Saint-Saëns' opera Samson et Dalila (1877), sung by Enrico Caruso on 7 December 1916 in New York City for Victor Records. This is Matrix C-18821, which released under a variety of labels.(Full details)

Http://i. Imgur. Com/tbepi7r. Jpg. One of two recording sites at miller woods, in the indiana dunes national lakeshore area in gary, in. This recording site was in the seating area of the wooden walkway which runs through the marsh area on one of the walking trails. Time of the recording was 1:26pm. Weather was warm, in the 80s, and breezy. Recording details: 2 audio technica at4022s in rycote windshields > sound devices 302 mixer > tascam dr-40 recorder.

Http://i. Imgur. Com/fdzjrnw. Jpg. One of two recording sites at miller woods, in the indiana dunes national lakeshore area in gary, in. This recording site was a higher vantage point on one of the walking trails, and overlooked the marsh area below. Time of the recording was 12:55pm. Weather was warm, in the 80s, and breezy. Recording details: 2 audio technica at4022s in rycote windshields > sound devices 302 mixer > tascam dr-40 recorder.

Recorded in pritzker park in the south loop area of downtown chicago. I am sitting towards the back (west) of the park near the end of the path. The microphones are pointed roughly southeast towards the el train tracks. Time of the recording was 5:22pm. Weather was warm, in the upper 80s. Recording details: 2 audio technica at4022s in rycote windshields > sound devices 302 mixer > tascam dr-40 recorder.

Recording done 25/04/2020 in manizales, caldas. Details of recording:sound of pipes and pipe connected to a washing machine after washing cycle. Frequency:44. 100recorder: huawei dra-lx3////////////////grabación realizada el 25/04/2020 en manizales, caldasdetalle de captura:sonido de las tuberías y tubos conectados a una lavadora después de su ciclo de lavado. Frecuencia: 44. 100grabadora: huawei dra-lx3.

Small waves ( 30cm) are breaking on the sand. Close up with clear details. Mics are very close to the water, following the movement. No disturbing noise. Corsica, mediterranean sea, 2020. You can also lesen to "small waves on the sand general. Wav" on the same beach:https://freesound. Org/people/bruno. Auzet/sounds/542121. Recorded with an ab stereo set of clippy em127recorded on sounddevice 63324bits, 96 khz, stereo.

Well, the pond area still had a layer of ice on it, but the birds were getting chatty anyways. Spring may eventually crack around here…. You can hear a freeway in the background, just pretend it's a river, m'kay?. Recorded march 20, 2014 near chicago. I achieved great detail with equalization, but it’s uploaded here au natural so you can do as you like. Cheers!.

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

Unrestored version of File:Nicola Zerola, Giuseppe Verdi, La fatal pietra (Aida).ogg. La fatal pietra ("Morir! sì pura e bella!") from Verdi's Aïda (1871), sung by Nicola Zerola in 1909. Digital transfer by Tim Ecker. This is Victor Matrix C-8493-2, Recorded 17 December 1909 in Camden, New Jersey, and released as Victor 74225. (Full details).