4 292 zvukové soubory bez licenčních poplatků pro "Midi"

*Greater 41-limit fifth tone on C = C (Ben Johnston's notation). Just: 41:40 = 42.75 cents. Limit: 41-limit. MIDI pitch bend: 87,77

Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

*Hundred-eighty-ninth harmonic on C = G+ (Ben Johnston's notation). Just: 189:128 = 386.31 cents. Limit: 7-limit. MIDI pitch bend: 115,87 on TT

*Lesser 43-limit fifth tone on C = C↑ (Ben Johnston's notation). Just: 44/43 = 39.80 cents. Limit: 43-limit. MIDI pitch bend: 94,76

*Greater 43-limit fifth tone on C = C- (Ben Johnston's notation). Just: 43/42 = 40.74 cents. Limit: 43-limit. MIDI pitch bend: 4,77

*35 steps in 36-et on C = ??. Equal-tempered: 235/36=70/72:1 = 1166.67 cents. MIDI pitch bend: 42,53

Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.

*Fifty-first harmonic on C = G♯. Just: 51/32 = 806.91 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 17-limit. MIDI pitch bend: 27,66

*Difference between 19:16 (E♭) & 6:5 (E♭) on C = C. Just: 96 : 95 = 18.13 cents. Limit: 19-limit. MIDI pitch bend: 103,69

*Hundred-seventy-first harmonic on C = F+ (Ben Johnston's notation). Just: 5:4 = 501.42 cents. Limit: 19-limit. MIDI pitch bend: 58,64

Seid nun fröhlich, jubilieret, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 742

*Hundred-fifty-third harmonic on C = D♯ (Ben Johnston's notation). Just: 153:128 = 308.87 cents. Limit: 17-limit. MIDI pitch bend: 107,66

*Thirty fifth harmonic on C = D. Just: 35/32 = 155.14 cents. Equal-tempered: 23/24:1 = 150 cents. Limit: 7-limit. MIDI pitch bend: 83,81 on m2

*Lesser 47-limit fifth tone on C = C (Ben Johnston's notation). Just: 48/47 = 36.45 cents. Limit: 47-limit. MIDI pitch bend: 84,75

*Hundred-seventy-fifth harmonic on C = F♯+ (Ben Johnston's notation). Just: 175:128 = 541.45 cents. Limit: 7-limit. MIDI pitch bend: 33,45

Однозвучно гремит колокольчик Einsam läutet das Glöckchen

Suspended fourth chord on C in first inversion.

7-2B heptachord on C. Inverted version of 7-2A.

4-25 (French sixth) tetrachord on C

Major triad on C in first inversion.

Major triad on F in second inversion

Santa Lucia Sul mare luccica (song)

Anfang des dritten Satzes aus Beethovens Opus 109

MIDI by the Mutopia Project

3-1 trichord on C: [0,1,2]. Chromatic trichord.

Adagio-Thema des ersten Satzes aus Beethovens Opus 109

Os escravos de Jó

C altered scale.

Hi-hat "crescendo" from closed to open leading to the ride cymbal.

Persian scale on C.

Wo die Nordseewellen (Ostseewellen)

3-2 Son Clave Pattern in duple time.

Schleswig-Holstein, meerumschlungen

*Greater septendecimal quarter tone on C = C↓♯ (Ben Johnston's notation). Just: 34:33 = 51.68 cents. Limit: 17-limit. MIDI pitch bend: 69,80 on PU

*7 steps in 36-et on C = ?. Equal-tempered: 27/36=14/72:1 = 233.33 cents. MIDI pitch bend: 85,74

*4 steps in 19 equal temperament on C = D♯ (Easley Blackwood's notation). Equal-tempered: 24/19:1 = 252.63 cents. MIDI pitch bend: 108,48

*"Semitone" in the Bohlen-Pierce scale on C = Db to D or Bb to B. Just: 625/567 = 168.61 cents. Limit: 7-limit. MIDI pitch bend: 122,53 Title refers to number of semitones (unison=0).

*31-limit eighth tone on C = D♭ (Ben Johnston's notation). Just: 63/62 = 27.70 cents. Limit: 31-limit. MIDI pitch bend: 110,72

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 28,70

*Hundred-forty-fifth harmonic on C = D (Ben Johnston's notation). Just: 144:128 = 215.89 cents. Limit: 29-limit. MIDI pitch bend: 11,69

Created in Sibelius. Major sixth (Diminished seventh) on C = A (B). Equal-tempered: 29/12:1 = 900 cents. MIDI pitch bend: 0,64

Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

An example of an bad generation to supplement the paper, transformer neural networks for automated rhythm generation.

Random chords, created with midi akai keys on garageband.

Nobody Knows the Trouble

O Maria, gnadenvolle

Characteristic rock drum pattern with rimshot in place of snare

9/8 drum pattern.

4-2B tetrachord on C. Inverted version of 4-2A.

Example of an altered chord progression in jazz.