4 292 zvukové soubory bez licenčních poplatků pro "Midi"

This is "Dap Prampi Mesa Chokchey" (Glorious Seventeenth of April), which was the national anthem of Democratic Kampuchea, in midi format (music only).

A few bars from the songs "Der Lindenbaum" and "Wasserflut" from Franz Schuberts songcycle "Die Winterreise"

Kein schöner Land in dieser Zeit

Ein Heller und ein Batzen

Heavy metal gallop pattern on guitar power chords, with palm muting.

120 bpm basic drum beat. 4 measures long but loop-able. Made on soundtrap, a midi track.

Thomas Roseingrave: Gigue.

Die Nacht ist vergangen (Gotteslob (2013) 83)

O du schöne, süße Nachtigall

Nun will der Lenz uns grüßen

Am Brunnen vor dem Tore

Müde kehrt ein Wandersmann zurück

Francesco Durante: Vergine tutto amore.

Wenn ich ein Vöglein wär

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Im Krug zum grünen Kranze

Sound of an alpha chord on C# Klang eines Alpha-Akkords auf Cis

45:54:64 = F#+, A+, C = C, Eb, Gb-

Es wird scho glei dumpa

Ein Männlein steht im Walde

Gassenhauer

Came ye o'er frae France

The Virgin Mary Had A Baby Boy

Midi file generated by myself with Musescore from the 'La Espero - 1 piano - 2020' pdf file (sheet music).

Hirajoshi scale on C according to Sachs & Slonimsky.

Prinz Eugen, der edle Ritter

Johann Löhner: Wunder-Anfang, herrlichs Ende

Example of the submediant ("triad on VI") used as a dominant preparation.

Dornröschen war ein schönes Kind

Trara, die Post ist da

Im Frühtau zu Berge

Zogen einst fünf wilde Schwäne

In dir ist Freude, Ev. Gsb. 398

Run, Nigger, Run from Slave Songs of the United States (1867)

Im Märzen der Bauer die Rösslein anspannt

First eight harmonics, vertically (just).

Muss i denn zum Städtele hinaus

Two-step drum pattern associated with the older NON-Texas two-step dance pattern.

Du Sonne der Gerechtigkeit; Gotteslob (2013) 269

Audio render of the 'La Espero - 1 piano - 2020' midi file, using LMMS and a free soundfont (and a bunch of magic).

Polonaise in F major (BWV Anh. 117a) for piano by J. S. Bach (1685–1750) from Bach-Gesellschaft Ausgabe 1851-1899 Band 43 (1894).

*Pythagorean comma on C = B♯+++ (Ben Johnston's notation). 531441:524288 = 23.460010 cents. Limit: 3-limit. MIDI pitch bend: 65,71 (23.461914 cents) The note de picted as lower on the staff (B♯+++) is slightly higher in pitch (than C♮).

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

*Lesser 29-limit quarter tone on C = C♯ (Ben Johnston's notation). Just: 30:29 = 58.69 cents. Equal-tempered: 21/24:1 = 50 cents. Limit: 29-limit. MIDI pitch bend: 100,82 on PU

Kommet, ihr Hirten; Evang. Gesangbuch 48; Gotteslob (1975) Hildesheim 816; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 735

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

*Octave and septimal chromatic semitone on C = D♭ (Ben Johnston's notation). Just: 21:10 = 1284.47 cents. Limit: 7-limit. Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 4,91 for 1284.472656 cents rather than 1200.

Lobt Gott, ihr Christen alle gleich (Evang. Gesangbuch 27; Gotteslob (1975) 134; Gotteslob (2013) 247)

Harre, meine Seele, Evang. Gesangbuch (Niedersachsen) 593