4 292 zvukové soubory bez licenčních poplatků pro "Midi"

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 512th notes. =60.

Christ lag in Todesbanden (Evangelisches Gesangbuch 101)

Čeština: Česká lidová píseň Ach, synku, synku Czech traditional song Ach, synku, synku

Minor seventh chord on e iii7 in C.

Ihr Freunde Gottes allzugleich; Gotteslob (2013) 542

*Three secors on C. 18/53/19 = 350.15 cents.

Eight bar blues progression boogie woogie bassline on middle C.

Sascha liebt nicht große Worte

Beethoven, 9e symphonie, 2me mouvement, partie B au tempo 116

Bebop dominant scale in C. Created by Hyacinth (talk) using Sibelius 5.

I made this midi file; it is a performance of an In Nomine by Orlando Gibbons, an English composer who died in 1625.

Happy birthday to you Zum Geburtstag viel Glück

From Die Zauberflöte, K.620 Wenn Tugend und Gerechtigkeit ... "When virtue and justice spread the path of the great with fame.." These pages contain some of my MIDI sequences of classical music in general midi (GM) format, linked so that you can download or play them by clicking on the links. The sequences are intended to be heard on a computer sound card, and do not include system exclusive messages or controllers other than volume, pan, reverb and chorus. They are all in the public domain. That is, they are no-one's intellectual property: they may be freely copied, adapted, tinkered with and, I hope, surpassed by others.

Midi file of BWV 610 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia. "Jesu, meine Freude" (Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, with a melody by Johann Crüger, first appearing in a hymnal by Crüger in 1653. The hymn is the base for Johann Sebastian Bach's funeral motet, BWV 227, and his chorale prelude, BWV 610.

O Heiliger Geist, o heiliger Gott, Evang. Gesangbuch 131 O Jesulein süß, o Jesulein mild, volkstümliches WeihnachtsliedMelodie nach Ist das der Leib, Herr Jesu Christ

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

Ich steh an deiner Krippen hier, melody, basso & harmonization: Johann Sebastian Bach (BWV 469); replenishment of basso, transposition to A minor & sound file: Rabanus Flavus (Peter Gerloff)

O selige Nacht (Melodie Heinrich Bone 1858); Gotteslob (1975) Hildesheim 814; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 737 II

Freu dich, Erd und Sternenzelt; Evang. Gesangbuch 47, Gotteslob (1975) Hildesheim 813; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 741

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

Soundscape of some pads. . Strange how the midi was created. . Used a granular device to create some sort of glitchy effect, then just converted that "melody" to midi in ableton, added stock ableton sound. And post processed to give it pad and ambience.

Piano accompaniment from Franz Schubert's lied "Der Wanderer" D.493, second couplet (Die Sonne dünkt ... Ich bin ein Fremdling überall) Accompagnement au piano du deuxième couplet du lied Der Wanderer D.493 de Franz Schubert (Die Sonne dünkt ... Ich bin ein Fremdling überall)

German folksong from the 19th century. This midi file was created in 2014 with the claim, to be in accordance with the original. This includes mistakes in the original. Deviations are unintentional or software related. Modification of this file should follow this claim or become a clearly marked fork. Deutsches Volkslied aus dem 19. Jahrhundert. Titel: "(Die) Teutoburger Schlacht". In Liederbüchern häufig verzeichnet mit dem beginnenden Vers "Als die Römer frech geworden". Diese Midi-Datei entstand durch einfaches setzen der Noten in einer Midi-Software in 2014 mit dem Anspruch, dem Original (bzw. der Quelle) möglichst genau zu entsprechen. Dies schließt Fehler im Original mit ein. Abweichungen sind unbeabsichtigt oder softwarebedingt. Modifikationen an dieser Datei sollten diesem Anspruch entweder folgen oder eine deutlich gekennzeichnete Abspaltung darstellen. Charakteristische Inhalte der Midi-Datei: Der Text der erste Strophe ist in der Midi-Datei enthalten (auslesbar mit entsprechende Software) (Text gemäß der Quelle). Zwei Tracks sind enthalten: Nur Melodie, sowie Melodie mit Begleitkomposition (beides gemäß der Quelle) Ein Kommentar ist hinterlegt der inhaltlich weitgehend diesen Angaben entspricht

This is weird spooky alien stuff, made with my voice, audio edited and some weird midi stuff.

Loop created in may 2018, in coimbra, portugal, using garageband. I played some instruments with a roland midi keyboard.

Schlaf wohl, du Himmelsknabe du

A MIDI recording of the first four bars of Prelude in C Major, BWV 848, by J.S. Bach.

Ives quarter tone fundamental chord.

Denis Gaultier: Appolon orateur (from La Rhétorique des Dieux).

{{ennoin divisive form. Created by Hyacinth (talk) 05:09, 4 February 2012 (UTC) using Sibelius 5.}}

65 steps in 72-et on C = ??. 265/72 = 1083.33 cents.

Glorwürdge Königin, himmlische Frau

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 8th notes. =60.

Bundeshymne der Republik Österreich (Melodie des "Kettenliedes")

Bar 131 to 134 from Grieg's Humoreske op. 6 nr. 4

We shall overcome, Evang. Gesangbuch (Niedersachsen) 616

833 cents scale step 5. 597.32 cents. 1⁄3/ φ {\displaystyle \varphi }  3

Undecimal augmented fourth on C (15/11): F↓♯+. 536.95 cents.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 16th notes. =60.

9-limit dekany scale.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 128th notes. =60.

Just augmented second in just C scale: A♭ and B.

Created by Hyacinth (talk) using Sibelius 5. See: Image:Debussy Prélude 8.JPG

Gott, der nach seinem Bilde, Gotteslob (2013) 499

*Semicomma on C. 2109375:2097152 = 10.06 cents. Limit: 5-limit.

Hirajoshi scale on C according to Kostka & Payne and Speed.

Golden ratio approximation: 233 : 144, 833.11 cents.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 64th notes. =60.

Alle Menschen müssen sterben, Evangelisches Kirchengesangbuch (1950) 329

Jerusalem, du neue Stadt, Gotteslob (2013) 338