349 zvukové soubory bez licenčních poplatků pro "Shift"

Just a small sound of me crushing a can, then distorting it and adding so scale-shift. I really like it, sounds like one of those sounds for a ui, like menu hovering(!). ~callum.

Just a small sound of me clicking a pen, then distorting it and adding so scale-shift. I really like it, sounds like one of those sounds for a ui. - like menu hovering(!?). ~callum.

I copied the gem breath sound effect from the original ex and pt tv series. I modified a noise i made with phaser. I had accidentally not known that i should set the pitch-shift in delay to off.

Rustled bubblewrap recorded with at2020usb+ and reaper. Poped noise filtered with high pass function. Can be used for many usages like transformation sound effect (male to female, female to male, etc), horror fiction/movies and many more. Enjoy !! ^^.

An abstract sound created with bosca ceoil and audacity. The sound has been pitched shifted repeatedly. It is noise, but hopefully you'll find it to be a pleasant sort of noise. If memory serves, some forms of (non-audio) computer data can produce sounds like this if imported into an audio processor.

Just a small sound of me crushing a wrapper, then distorting it and adding so scale-shift & glotch. I really like it, sounds like one of those sounds for a ui, like menu hovering(!). ~callum.

Sound of two knife edges scraping together. I slowed it down in adobe audition and used pitch shift to make it deeper sounding, like a sword being drawn. Enjoy! it's free!!.

Came up with my own version of a windmill, following instructions on another site:. Http://www. Garagegames. Com/community/blogs/view/11231. Though instead of pitch-shifting some of the sounds as instructed, i time-stretched them (also affecting the pitch) to give them a bigger feel. .

A hardstyle screech i programmed with my access virus c synth. It's pretty usable, i'm not gonna upload many versions of it with different pitch envelopes. Just cut it, pitch-shift/time-stretch, etc and you might come up with something unique.

I played arbitrary co-soundings on the mystic scale (it becomes mystic arabian if you mimic arabian music; otherwise is sounds european). I applied 300 hz steep low pass (eq) on an inverse sawtooth soundwave generator. I applied many delay effects in tandem. Created on fruity loops and re-equed on wavelab. Mystic(has three submodes, scale-shifts [same intervals, overall shifted]). • do, re#, mi, sol, sol#, si• do, do#, mi, fa, sol#, la• do#, re, fa, fa# la, la#. (semitonally/fret steps: 0, +1, +3, +1, +3, +1, +3). (si = ti, do = c). It is chordable.

I like to listen to static (often actually) and it actually shifts a lot through out the day. So i heard some cool ringy stuff. . & decided to sweep through the am band. . . And actually touching the screen of my cell made the static louder. Sounds like a synth.

This sound is entirely made with audacity, i played with the noised and reverberation on several tracks, then i shifted the tracks to create a come and go effect. I also reduced the volume on some parts of the tracks. This sound remind me of a windy weather near the ocean.

I rapidly pressed the fast forward and reverse buttons on a little cassette recorder while it was playing an old radio show from the 90s. One of the first fx recordings i ever did. Recorded with a samson c03u microphone, no processing.

Horror birds - morning birds recorded with h2n, cloned to 4 tracks in audacity, pitch shifted by various amounts and one of the tracks paul-stretched and sped up. Mixed down but then removed lower frequencies (wind or traffic rumble became too noticeable). Normalized. Here's the result.

A simple mouse click from the logitech g302. Recorded in audacity using the blue snowball, then trimmed and fine-tuned. Timbre did some remixes, so if you want some variance, there ya go. Https://freesound. Org/people/timbre/sounds/397926/(you can also pitch shift this sound but that's a little bit more effort).

A meaty glass impact with some cracks forming afterward. Perfect sound for when the glass object breaks, or is nearly broken by some heavy metal object. Made by hitting a porcelain plate with a metal spoon, then crushing up some aluminium foil and ice chunks in my hand. The sound files were then pitch shifted and merged in audacity.

Made with audacity using pitch shift to lower the percussion sounds i took from fl studio and added three times with the "small room (dark)" plugin in the "reverb" effect. Feel free to use, but please use my name in your description for credit!.

Done by sound forge fm synthesizer. Basically four added sine waves, each has some percentage of self-modulation(feedback). The sound effects chain applied over the initial sound is: reverb, chorus, upward compression(sound forge wave hammer), pitch shift(down) and finally vibrato, to simulate a varying speed tape machine.

A space-like sound. I imagined it as an airlock seal engaging in outer space, and the overwhelming sense of isolation through a shifting 8k tone. Believe it or not, i generated this sound not for battlestar galactica, but a courtroom scene on a play i designed the sound for.

Recorded myself beatboxing at 87 beats per minute. I did three layers, then copied the whole thing, pitch shifted it and put it back in. Enjoy! use for whatever you like. This was just an experiment, so i didn't use a click track. Apologies for any timing issues.

This is a toyota supra on a chassis dyno being revved to the max. It has a turbo on it and you can hear it whining. It gets extremely loud to the point of distortion, but it will be a great sound for somebody who needs an engine rev without the vehicle passing by.

This second sound is a recorded sound of a bike chain, i modified it using some effects :1-normalize2-wahwah effect with-frequency = 3. 3 hz-start phase = 0-depth = 70%-resonance = 2. 5-wah frequency shift = 30%3-melt closingthe final sound gives an impression of a sound under water.

Electrical hum created by my guitar lead resting on the table top while connected to a line 6 box going into my laptop. The line 6 software was also giving it lots of 'cavernous hall' reverb. Quite stereo too. It is a g as far as i can tell but slightly sharp so try shifting the pitch to get it in tune with other instruments.

This sound is actually a voice stretched and processed until you hear dinosaurios. Along with multiple flanges & phasers & pitch shifts & compression. The voice is from an episode of cyanide & happiness "señor clean first" when she say 'hey what the hell man. '. Hilarious.

I call this my flash boom. It's a sub plus a pitch shifted snare that i created on my track "a flash of light by the shore" use it to create dynamics on a hit or whatever you want. Give a shout out to stark for machines and have fun! :). - chris.

A solo violin sample from edirol orchestral was used a base, using pitch bend and then layering against pitch shifted copies of the original. Then lots and lots and lots of reverb and maybe other effects. I spent way too long on this for no certain outcome but actually it was perfect for the radio drama i was theoretically producing it for.

Monster noises made using heavy granular synthesis, formant and pitch-shifting on a female voice.

Two sustained voice samples i subsequently pitch shifted and layered for an ambient work (to achieve an 80's choir pad effect). The key is almost in middle c, but slightly off. . . Because i can't sing. The second, lower voice sample was recorded extremely close to the mic to achieve clipping; i wanted to get a buzzy, boomy sound out of it.

In the book of revelation the lamb of god opens the seals to reveal the four riders of the apocalypse. In turn each calls "come and see" voice recorded with voice recorder on android cell phone and processed/layered 4 times using pitch shift in audacity. This is myself doing some voice acting for my music projects.

This is the sound of traffic at a stop light both stopping and going through the light as it turns red and green. There is a motor cycle in this audio that is idle waiting for the light with some revving and it's ultimate take off. Recorded in stereo with a sony pcm-d100.

Crash + kick drum sample, recorded with a akg c314. Is part of a dataset used to train a drums event classifier (https://zenodo. Org/record/4958592). Note that some of the samples are time shifted or contains the tail of a cymbal event.

In the 14th century the bubonic plague descimated the population of europe. Men would push around carts collecting the corpses and shouting to bring out your dead for disposal. Recorded on android cell phone voice recorder. Processed with noise removal and slight pitch shift in audacity. This is myself doing some voice acting for my music projects.

This sound or sounds was created through the help of vst's, time shifting, parametric eq, cutting, sampling, layering and many other methods of sound manipulation. Do not put this sound through youtube's content id system.

Sounds like the uplift to the drop of an edm track, but can also be used as a firework sound effect, or for a bomb dropping. Created using a low-passed square wave, over-compressing it, distorting it, playing 2 notes a semitone apart and pitch shifting.

A guitar through defective self-modulating delay. The time potentiometer went "bad" after years of hard twisting and abuse, and now it warbles and pitch-shifts on it's own. It's very temperamental, though. The pedal is a johnson "ead-2 analog echo delay". May be useful for an outro or something! let me know if you use it, i'd love to hear the results!.

Stereo recording (decoded stereo from a core sound tetramic recording. B-format version also on freesound) sounds are kind of whooshy, very non-present. Very good for non-distinct urban-city bg's. Really useful in helping cover dialog ambient shifts. At :21 two guys on bikes with a boombox pass - one of the weirdest sounding things i've recorded.

A cataclystic, "buildup" sound effect resulted from extreme manipulation from two digital audio workstations - fl11 and reaper. The base sample was a public domain sound of a roland d50-esque sounding element which was heavily edited using volume-scaled automation, reverberation, pitch-shifting, transpositioning and trimming audio.

This file has two different wavetable sets (from waveedit website), spliced per wave and saved in morphagene format. Once loaded, you can skip waves with the shift button, create a two voice synth, morph between l/r channels (e. G. With xpan), modulate l with r channel, etc. Changing morph, gene and size cv can dramatically ruin the sound.

This is the second of two fx i've posted of the beast i used for beauty and the beast in our theatre. I was having a terrible time finding a good sound so i just pitch shifted my own voice down an octave. This is the second where the beast is panting just before his second entrance. The other one is 3 growls (and one meow) of the beast. Enjoy. Kp.

I had no part in producing this sound. A girl entered a vehicle and masturbated herself to climax. The story i heard was a lark on a dare, in broad daylight on a sanitized shift knob. The really interesting part was, it wasn't a car owned by either of the girls involved, the darer or the dared, and in fact the owner would have been very upset. If he'd known. I guess she did have access to the keys.

This is a classic theta brainwave entrainment sound made by two sine waves. The pitch shifts gently to produce some slow variation of the actual speed of the pulse. You can use it as a track and add voice (like relaxation or visualization), or just use as is to promote deep relaxation or trance. The pulses are about 8 hz (cycles per second).

Create dĩa bay dừng lại sound from sieuamthanh’s «dia bay" sound. Audacity:. - cut from 0. 000s to 0. 500s. - copy. - create→add new→stereo track. - paste in new track. - effect→sliding time scale/pitch shift (repeat 4 times)initial temp change (%): 0final temp change (%): -90.

Thanks to cinematic-laboratories for the source from didge-morph. Wav and makenoise for their brilliant gear!. Morphagene settings slf full blue. Morph full cw shift controlled by tempo of o-ctrl. Mimeophon and erbe-verb used for final outputs. Rendering in reaper 48khz, 32 bit. Feel free to put in your own markers wherever you wish.

A jazz sample at 130 bpm composed on fl studio. The left channel preceding phase shift was implement by the removal of a sinelike oscillation. I deleted a left channel sinelike oscillation after the attack (and actually i omitted one more oscillation, because i didn't want to remove the very energetic ones).

Cartoon-style bomb launch and distant explosion. Doppler shifting whistle starts at centre and pans to extreme right with fadeout. A muted detonation follows at extreme right - a non-realistic and short explosion. Created with ni fm8 running as a vsti inside flstudio 11 with a touch of fl reverb2. The "projectile" whistle is a soft square wave lightly modulated by a sinewave at 6x the frequency of the square wave fundamental to give it a touch of metallic ringing.

A silly sound effect i made as a bit for a video: https://youtu. Be/79miczyt7w4?t=233i layered a digital glockenspiel midi track over the following sounds:https://freesound. Org/people/maximbomba/sounds/432139/https://freesound. Org/people/xenonn/sounds/128296/also pitch-shifted them a bit. If you can find some use for this, go ahead!.

Dare 31 signature soundhttps://www. Freesound. Org/forum/dare-the-community/35630/this is my signature sound. It’s the ambience of an airport (got) recorded with my mobile phone. In audacity i amplified, phase shifted and time stretched it a little. I wanted an all round strange ambience sound. Made a 12s loop. This sound will be used and recognizable in the forthcoming three dare submissions from me.

An attempt to make an entire drum kit using only cymbal sounds. Cymbals were pitch-shifted, compressed, equalized, and subjected to other effects in order to make them capable of filling the roles usually occupied by actual drums. Hear them in action: https://soundcloud. Com/sonic_kitchen/amc001-cymballistix.

Driving rhythm created by dpo mapped through qmmg in lo-pass mode. Special effects through mimeophon erbe-verb and echophon. X-pan shifts the pan (before the sh-t hits it). Recorded and rendered into reaper at 48 khz 32 bit fp because i know you want it in morphagene. Sock it to me. . . And enjoy!.

Generation of clicks ticks and cycles in makenoise xpo and karplus-strong in mimeophon. Good for musique-concrete, etc. Cycling up until breakpoint. Rendered @48khz 32-bit in reaper. For all you morphagene fans out there. Feel free to place your own markers. Enjoy!.