Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
The shaking, opening and (faintly) closing of a water bottle. The crystal-microphone is attached to the water bottle the whole time. At first to the side and then later to the top. Tascam.
My dw 13" collectors snare recorded with a shure pg56 on the top and a shure sm57 on the bottom with the phase reversed on the bottom mic. Both mics run through my mackie onyx 1620 mic preamps. The track is uncompressed.
In this series, low ends are made with zynaddsubfx and top end are processed samples of me hitting various objects used audacity and renoise to stack them.
Custom-made samples of gunfire using foley and sound engineering - smashing of bin polymer lids layered on top of each other with varying amounts of hard distortion and compression.
I recorded sound of my washing machine by korg r-09 put on top of that. I succeeded in recording the sound of waving water with deep reverb and shaking the motor. This sound is trimmed a part of bass.
A sound montage of my own creation. It incorporates sounds i recorded in a garage (heavily edited) as a base, before building up various synthesizer beeps and warbles on top of it.
A binaural recording made from on top of a footbridge with light-to-medium traffic passing underneath, building to something of a semitrailer crescendo, and with a bit of chirping birdsong interspersed.
Sounds of me punching my leg, hitting my palms together and punching books under a pillow. These work well as a layer on top of other existing punch sounds on this website to make a punch sound more fleshy.
A highly-modified shepard tone. Reversed, inverted, reverbed, added bass with lowered treble, and to top it all off a highly resonant wah-wah sound effect. All made in audacity.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
You probably know the trick, hold a wineglass in one hand, put a bit of spit on one finger of the other hand, and rub that finger along the top edge of the glass. Recorded with an akg lyra.
A creepy whisper saying "ascend with us!" with some effects thrown on top. I plan on using it in a game i am working on, but maybe someone here will find it useful for who knows what.
~~hello i am back!~~ (^~^). Here's a atmosphere sound i made with a synth and a lot of effects on top! comment below with links to where you used it i love seeing my work in other people's work! :).
A recording of ambient noises in the night, recorded with a zoom h5 handy recorder. The left and right channels have been eq'd differently to give a wider stereo feel, and a reversed version of the recording has been layered on top of the original.
This is an old toy made of metal. It has a handle on top which turns to produce the sound. It is supposed to play a simple melody but it is broken and only plays one pitch. It has been pitched down from the original and reverb has been added.
This is an old toy made of metal. It has a handle on top which turns to produce the sound. It is supposed to play a simple melody but it is broken and only plays one pitch. It has been pitched down from the original and reverb has been added.
I really couldn't figure out how to describe this. There must be an industry standard description for what i'm calling a diminishing reverb. It was the metal funnel in a stove top espresso maker as it was rolling on a tile counter and got got in the tile grooves.
Sound i recorded on my gas stove top of a small pot with boiling water. Recorded with rode ntg-3 shotgun on zoom6 recorder. Tried removing as much of the gas hiss in post as i could.
Recorded the sound inside a container. On top of the container is a wooden construction of a play ground. The container itself was loaded with toys like roller skates, tricycles and shovels. It rained outside moderatly.
Sound of vintage lefima metal snare with metal brushes and wood-tip sticks. Equipped with remo legacy la on top and remo ambassador weather king on bottom side. Sorry for the 50hz-hum!.
11ft waves breaking out at sea beyond the beach at bournemouth, with no wind noise and a clean recording. From a tascam dr-22wl handheld recorder with a rycote softie, taken from the top of the cliffs on the path, with my back against a stone wall. Recorded at night, so no sounds from people or vehicles.
This is two slabs of concrete , one on top of the other, and scraped together. In this sample i have changed the rate to give it a 'bigger slab' effect. You can also add reverb and play with the rate yourself for more dramatic effect.
This is cheap table fan spinning around and moving from left to right. Recorded from top of the fan controllers with nokia 6. 2. Android phone. No processing, just boosted in audacity.
