931 αρχεία ήχου χωρίς δικαιώματα για "Layers"

Rock and Pop A layering of chamber music and electric guitar that is at times both somber, and driving. Source: Brian.Boyko@netqos.com - Brian Boyko

Some layered midi clip freezes out of a project of mine via ableton.

This sound was created with layering and frequency processing. Bpm 120 key a minor.

An electric guitar, heavily detuned, processed with layering and filtering into noise.

Synthesized truck reversing signal done with synth1 and amp distortion, clean, loopable and layerable in a scene.

Boost the lows, layer and add some delay and it's a good wing flap of a flock of birds.

Horror background atmosphere with gentle cinematic violin-like layer.

A generic harp-like sound for someone having a flashback, made by layering some public domain sounds.

Radio captured noise layered to give a brass stab sound. Very lo fi.

3d printer printing initial layers - slow head movement, predominantly fan noise.

Foley snare consisting of multiple layers recorded in an old factory. Resembles pitched, trap-style snare sound.

A chat notification type soundcreated by layering sounds from a roland gaia synthesizer in sony acid.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, combining and mulching everything into new, dynamic sounds with lots of movement and texture.

Layered some sounds and used granular synthesis to create a earthquake sound effect.

This sound was created with layering and frequency processing. Bpm 100.

This sound was created with layering and frequency processing. Bpm: 145.

Loud, distorted, lo-fi-seeming noise built upon tons of layers of reverb.

Made by layering chirp noises from audacity and a sliding pitch shift.

The simple words "funk, baby" layered over each other for a slight chorus effect.

This sound took me a while i used warehouse machinery at the beginning as the gun is turning to its target and when it finished with an alarm and light sound indicating its powering. The charge & fire sound is all synthesis layered several sounds on top with each other also using eq, compressor ect.

I like guitar in pure data. Layered electric guitar loop with what sounds like flageolet notes has some drone qualities to it.

Master is coming, recorded myself on android samsung voice recorded, processed in audacity by layering and pitchshifting.

An electric guitar, heavily detuned, processed with layering and filtering into a tonally pleasing pad.

G#13sus4 chord of one of my layered pad sounds.

This sound was created with layering and frequency processing. Bpm: 121 key: bm.

A metallic, layered sound for a kill or crafting sound. Good for video games.

A very dramatic, bass heavy drum hit with an echo. Created by pitching down and layering a few drum samples.

Whooshes made with my mouth. . . But you can't tell on some of them. Work well when layered with other sfx.

Some hand claps i recorded in my studio by layering 48 individual tracks.

Gunshot sound effect i made for a game i'm creating. Made using a bunch of impulses layered together and then editing the frequencies.

There was a foley (of the then cranky closet of mine i was fiddling with) lying around in my hard drive i recorded some time ago. I pitched it down several times, stacked up in multiple layers & went on to process the layers individually.

808 drum sounds played through an orange amplifiers "micro crush" miniamp recorded for stereo ambiance in the original batcave. These work well as drum layers under more conventional sounds, and in other creative ways. Recording assisted by steve and mikro.

Ufos are passing over antarctica. 2 layered malstroem patches, faded in and faded out.

A post-industrial feeling created with a tone generator, layering and reverb.

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. ‘slayer’ refers to s-layer, the sample-mangling plugin made by twisted tools. By layering, blending, and mulching the original monos recordings, i was able to get a range of sounds the are dynamic, punchy, and unabashedly stereo. These might be useful for edgy-sounding ui elements.

This series is done through layering and processing many samples of drum sounds i synthesised using various plugins namely xoxo's vst's and zynaddsubfx mixed with some old hardware samples i made a long time ago. There are 4 packs of the same series : perc snare kick and hats all using the same process.

This is me, doing some pseudo latin voice over work for an audio play i'm working on. Basically this consists of 2 vo layers. One normally spoken, but pitched, the other one just whispering the same text in synch with the first layer. Add some fancy reverb and there you have your evil demon chant.

A layered and processed kick drum i made, suitable for trance or techno.

Energy-type explosion or blast sound created using microphone, 4 voice layers and multiple effects. .

A collection of pitched and layered vocal takes to replicate the sound of lightening.

Whooshes made with my mouth. . . But you can't tell on some of them. Work well when layered with other sfx.

Layered some sounds like matches etc to create a ignition sound.

Me singing mr. Turtle man three times and i changed all three pitches and layered it.

Small water impulse created from a variety of water sounds layered. Microphone used: b-1 behringuer. 48000khz.

This sound was created with layering and frequency processing. Bpm 125note e.

A beat induced version of "hive comm", with an emphasis on using a freeware beat generator, (hammerhead) and use of an existing freesound sample. . . .

Deep & dark drone. Created with 3 synths, layered sounds.

A quick inception/movie trailer horn i made in garageband by layering multiple instruments and adding some distortion.

A snare that i created using a combination of samples, harmor and maximus. Created in fl studio on january 11,2015.

A lush and airy pad. Started as a recording of a note on alto saxophone. It contains several resampled/paulstretched layers.