1.412 αρχεία ήχου χωρίς δικαιώματα για "Modular"

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Recorded a patch that generates blippy swooshy and clicky etc sound effects. The sound file is straight from the modular. You do the post editing. There must be some noises in here that is useful. . . ?.

This is a raw sound-design sci-fi piece i made with a modular system using 4ms ensemble oscillator, mutable instruments clouds, strymon magneto & intellijel polaris.

This is a strange sound. Was testing something. Recorded.

A krell.

The selected track. . . Electronic it is. . .

Electronic loop for you.

Sound made on modular. Today i cant come up with no cool name for my sound. I hope "fussy" is an okay name for a sick rhythm. "fussy" sounds sweet in my ears. Google corrects me, "do you mean 'fuzzy'?". No, i dont. I want fussy. . . Eehhh well. . . .

I'll tell you when the patch is okay.

Working with my spring reverb.

The three parts are following the sam chaotic lfo.

Music made to a graphic score.

Another patch. Almost melodic. . .

Wiggling at the end. . .

Experimenting a little. Gentle sounds.

I'll tell you when the patch is okay.

Recorded modular synth.

A little techno-loop.

What can you do with this strange sound?.

Polyrhythmic synth sequence. Exploring with ring modulation.

17 modules. . . Just to create a beat like this. . . Don't get a modular synth :-dhmmm i can use the same noise source for high-hats and snare if i want -1 then.

Same patch as in electronic minute no 226 and 227 but on my real modular. I'm using a filter. Thats why i call this version subtractive. I'm subtracting harmonics from a square wave. Why are 226 blue? probably because i did it at work. . . Listening in bad earbuds. Makes you rise the bass. Lets see if i can make this wave ble at the end! i will slowly fade out the vco with high pitch. At the very end i'm switching the synth off.

This sound is meant to be paired with thishttps://freesound. Org/people/gis_sweden/sounds/431375/this is an almost tonal machine composition recording. . . Annoying background sound. . . Check! i have selected my part. Made on analog modular synth.

Modular synth patch with 2 voices (vcos). One sinus wave and one triangle wave. Max reverb (hall) on my ladik d-330. Output to reverb is mono. Observe how the output from the reverb makes affects the channels. Meanless and bizarre video on https://www. Youtube. Com/watch?v=daymdm8vrz0.

Modular synth patch where two envelopes are involved in a chase. There could have been a rhythm, but i let chaos disturb theharmony. The triangle wave sounds are "distorted" in a wave rectifier. Kind of metallic sound? interesting. The kind of patch only an owner to a modular synth findany interest in. Maybe a little more interesting then theprevious sound. . . This has an ambient feel. Why?answer: different wave forms, changed envelopes and reverb. A lot of reverb. Do you find any use for some part of this sound let me know!the "ground/root pith" is 122hz. . . Almost a b. . . But not really. I tune my oscillators without caring about "real" tones. The quantizer makes the steps between tones.

Using a frozen wasteland quantussy module.

Nlc jerkoff sweet spot. I'm just listening.

A rare combination?.

I record my modular synth performing. I select parts - silence to silence - under 30 seconds. Machine composition - human selection. Warning this is very electronic. . . I'm patching up quantussy cells to make this. Much work for. . . What?.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Heavily processed sounds form the symbiotic waves module by pittsburgh modular. Filtered through the intellijel atlantis filter. Effects were minifooger chorus and occasionally strymon delay or flint. The name give a hint which oscillator model and processor were used.

Doepfer a-119. Maybe not the coolest module on the market. But i have plans for this little friend. Bought it used. "module a-119 (external input / envelope follower) is designed to allow external audio signals to be integrated into the" (from doepfer home page) modular synth. As delay i use joyo analog delay.

A drone resting in chaos and ring modulator circuits.

What i was listening to while cleaning toilets. . .

Was playing with fm. Wasn't successful. Ended up with this. . . Something.

A small piece of music made a sunny day in november.

Exercising my switches.

No, it's not beautiful but its a generative feedback patch.

Using modules through analog heat. Have fun with it, make music, make sounds.

No comments.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, stereo 44100hz 24 bits pcm.

This is nlc sloth. A chaos module. Doing. . . Chaos. Fade in and out. . .

A bi-product sound. Strange enough.

Testing something i dont know i'm doing right.

A fun patch. Notice the connection between speed and tone.

Trying to recreate an old patch. This was totally wrong way. . .

Rumble made with wave rectifier, vactrolfilter etc. . . But a full spectrum rumble!.