1686 Imágenes gratuitas de Kimono

mujerpinturachicasilustraciónmadreropajapónparejasbebépapel
Tsukioka Yoshitoshi – Shirafuji Genta With a Kappa [from One Hundred Ghost Stories of China and Japan]
impresiónvarón
Kitagawa Utamaro – Parody of an Imperial Carriage Scene [Center] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónpersonas
Keisai Eisen – Geisha under the willow in moonlight [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]
personasmujer
Sudō Shigeru – Bright Moon [from Sudō Shigeru Lyric Art Book]
ilustraciónluna
Sudō Shigeru – Fine Autumn Weather [from Sudō Shigeru Lyric Art Book]
ilustraciónotoño
Uemura Shōen – Cherry Blossom Viewing [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]
primaverapersonas
Uemura Shōen – Insect Sounds [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]
veranomujer
Kitagawa Utamaro – Needlework [from Utamaro – Ukiyoe meisaku senshū I]
impresiónmadre
Shiromuku
bodasropa
Geisha
personasjapón
Egon Josef Kossuth - Portrét dámy v dračím kimonu (1922), Egon Josef Kossuth, 1922
White Peacock, Helen Hyde, 1914
n8_w1150
montañajapón
Kimono Lady Reads
japónropa
Uemura Shōen – The Beautiful Woman Enjoying Cool Summer Breeze [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]
personasmujer
Sudō Shigeru – Yasukuni Shrine [from Sudō Shigeru Lyric Art Book]
ilustraciónprimavera
Uemura Shōen – The Dance of the Beach Maiden [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]
danzamujer
Uemura Shōen – Looking up at the Rainbow (Right) [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]
madrebebé
Uemura Shōen – The Dance of the Beach Maiden [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]
danzamujer
Tsukioka Yoshitoshi – Nikki Danjō Naonori Changing into a Rat [from One Hundred Ghost Stories of China and Japan]
impresiónvarón
A Japanese Woman, Włodzimierz Błocki, 1910
Japonka, Leon Wyczółkowski, 1897
realismoretrato
Katsushika Hokusai – The Print of Famous Place: Ōji [from Meihin Soroimono Ukiyo-e]
impresiónárbol
Tsukioka Yoshitoshi – Looks Curious’, Mannerisms of a Senior Maid from the Tenpo Period [from Thirty-two Aspects of Women]
impresiónchicas
Kitagawa Utamaro – Young Couple Dressed as Komusô [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónparejas
Kitagawa Utamaro – Three Beautiful Mistresses [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónpersonas
Kitagawa Utamaro – Women Imitating an Imperial Procession [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónmujer
Kitagawa Utamaro – Ta Sign of the Western Station [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónpersonas
Uemura Shōen – A Deepening Evening in Summer [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]
familiamadre
Chinese man with umbrella by Afong
históricohistoria
Hanging scroll, painting, between 1716 and 1744
papel
Японка, Vasily Vereshchagin, 1903
Keisai Eisen – Fûryû Hana-awase [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]
impresiónmadre
Kitagawa Utamaro – After the Utamaro Fashion – Reading a Letter [from Utamaro – Ukiyoe meisaku senshū I]
impresiónpersonas
Japanese Girl, Lilla Cabot Perry
It's good to wear new clothes, Hokkei, 1822
papel
2018 Ikenobō Autumn Tanabata Exhibition 19, Shōka
Jonge vrouw in een zomer kimono Natsu yosoi no musume (titel op object), RP-P-1994-152, August 1920
Utagawa Kuniyoshi – SHIMONOSUWA: Yuegaki-hime [from The Sixty-nine Stations of the Kisokaido]
impresiónzorro
Tsukioka Yoshitoshi – Looks Painful’, Mannerisms of a Courtesan from the Kansei Period [from Thirty-two Aspects of Women]
impresiónpersonas
Kitagawa Utamaro – Parody of an Imperial Carriage Scene [Left] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónpersonas
Kitagawa Utamaro – Three Beauties of the Yoshiwara [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónpersonas
Kitagawa Utamaro – Komurasaki of the Miuraya and Shirai Gonpachi [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónparejas
Kitagawa Utamaro – The Geisha Kamekichi of Sodegaura [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónpersonas
Keisai Eisen – The season’s first snow [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]
impresiónpersonas
Tsukioka Yoshitoshi – Looks Coy’ Mannerisms of a Girl in the Meiji Period [from Thirty-two Aspects of Women]
impresiónpersonas
Sudō Shigeru – Memorial Tree [from Sudō Shigeru Lyric Art Book]
ilustraciónárbol
Sudō Shigeru – The Sun Sets [from Sudō Shigeru Lyric Art Book]
ilustraciónchicas
Fujinzo-zō by Yamamoto Hōsui, Hōsui Yamamoto
100 Famous Beauties of Edo Kimono Bashi, 1857
Toyohara Kunichika – Ko’ina of the Inamotoro, Kuruwasenryo, from the series Hisenryo O-Edo Nigiwai [from Takahashi Yuichi: Pioneer of Modern Western-style Painting]
impresiónpersonas
Kitagawa Utamaro – Three Beauties at Matsubaro – Matsukaze [from Utamaro – Ukiyoe meisaku senshū I]
impresiónpersonas
Tsukioka Yoshitoshi – Looks Amused’, Mannerisms of a Lady-in-Waiting from the Bunsei Period [from Thirty-two Aspects of Women]
impresiónpersonas
Kitagawa Utamaro – Someyama of Matsubaya with Two Attendants [from Utamaro – Ukiyoe meisaku senshū I]
impresiónmuñeca
Katsushika Hokusai – Lingering Snow for Azuma and Yohei (Eight Views of Tragic Lovers) [from Meihin Soroimono Ukiyo-e]
impresiónparejas
Tsukioka Yoshitoshi – ‘Looks Annoying’, Mannerisms of a Girl from the Kansei Period [from Thirty-two Aspects of Women]
impresiónpersonas
Utagawa Kuniyoshi – MIEJI: Maple-Leaf Viewing (Momijigari) [from The Sixty-nine Stations of the Kisokaido]
impresiónmujer
Keisai Eisen – Famous Pine Trees in Edo : Biza Pine at Aoyama [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]
impresiónpersonas
Kitagawa Utamaro – Fishing with a Scoop Net [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónbarcos
Kitagawa Utamaro – Naniwaya Okita [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónpersonas
Kitagawa Utamaro – Takashima Ohisa [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónpersonas
Kitagawa Utamaro – Takashima Ohisa [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónpersonas
A Load of kimonos just finished. Girl very reticent. Thompson St., N.Y. LOC nclc.04182
históricohistoria
The patient's skin is burned in a pattern corresponding to the dark portions of a kimono worn at the time of the... - NARA - 519686
históricohistoria
Keisai Eisen – Spinning [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]
impresiónmadre
Tsukioka Yoshitoshi – Looks Precarious’ Mannerisms of a Geisha in the Meiji Period [from Thirty-two Aspects of Women]
impresiónpersonas
Tsukioka Yoshitoshi – Looks Impatient’, Mannerisms of a Fireman’s Wife from the Kaei Period [from Thirty-two Aspects of Women]
impresiónpersonas
Keisai Eisen – Two girls on die pier [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]
impresiónpersonas
Sudō Shigeru – Hinamatsuri [from Sudō Shigeru Lyric Art Book]
ilustraciónmuñeca
Tsukioka Yoshitoshi – Looks Sleepy’ Mannerisms of a Courtesan in the Meiji Period [from Thirty-two Aspects of Women]
impresiónpersonas
Kitagawa Utamaro – Love for a Street-walker [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónpersonas
Henri de Toulouse-Lautrec - Madame Lili Grenier., Henri de Toulouse-Lautrec, 1880s
Man met bolhoed en paraplu en dame in kimono, RP-P-1997-88, Takeuchi Keishū, between 1900 and 1925
Kusakabe Kimbei - 392 Girl Sewing
historiakimono
Keisai Eisen – Iniayo Sugata (Appearance of Contemporary Women) [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]
impresiónpersonas
Kawanabe Kyōsai – Benzaiten Viewing Cherry Blossoms, from the Parody of the Seven Gods of Good Fortune series [from Kyosai: master painter and his student Josiah Coder]
primaveramujer
Tsukioka Yoshitoshi – Looks Slovenly’, Mannerisms of a Kyoto Geisha from the Kansei Period [from Thirty-two Aspects of Women]
impresiónpersonas
Kitagawa Utamaro – Beauty and Boatman [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónparejas
Kitagawa Utamaro – Ohisa of Takashimaya with Two Mirrors Set Against Each Other [from Utamaro – Ukiyoe meisaku senshū I]
impresiónpersonas
Portrait of a Geisha, Andrzej Jerzy Mniszech, before 1905
retrato
12 Scenes at Nagasaki, The Cross, Yumeji Takehisa, 1920
Kimono Tea Lady 1
japónropa
Kimono Tea Lady 1
japónropa
Figuur in kimono, RP-T-1924-69-138, George Hendrik Breitner, ca. 1880 - ca. 1882
Geisha
kimonomujer
Man in yukata
varónropa
Tennō Kōkō, Katsukawa Shunshō, 1775
Utagawa Kuniyoshi – NAGAKUBO: Oshichi and Kichiza [from The Sixty-nine Stations of the Kisokaido]
impresiónparejas
Kitagawa Utamaro – Women Viewing Fireworks at Ryôgoku Bridge (Left) [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
fuegos artificialesimpresión
Tsukioka Yoshitoshi – Looks Heavy’, Mannerisms of a Fukugawa Waitress from the Tenpo Period [from Thirty-two Aspects of Women]
impresiónpersonas
Kitagawa Utamaro – Parody of the Killing of the Nue, from the series Picture Siblings [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónkimono
Tsukioka Yoshitoshi – Looks Cold’, Mannerisms of a Concubine from the Bunka Period [from Thirty-two Aspects of Women]
impresiónpersonas
Kitagawa Utamaro – Parody of an Imperial Carriage Scene [Right] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónpersonas
Kitagawa Utamaro – Naniwaya Okita [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónpersonas
Kitagawa Utamaro – Parody of the Six Poetic Immortals [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
impresiónmujer
Kakemono-e, Katsukawa Shunsen, 1810-1820 (circa)
papel
Katsushika Hokusai – Spring Flowers for Osome and Hisamatsu (Eight Views of Tragic Lovers) [from Meihin Soroimono Ukiyo-e]
impresiónparejas
Kitagawa Utamaro – Two Pictures in Pair: Monkey Trainer [from Utamaro – Ukiyoe meisaku senshū I]
impresiónmadre
Tsukioka Yoshitoshi – Looks Happy’ Mannerisms of a Tokyo Geisha in the Meiji Period [from Thirty-two Aspects of Women]
impresiónpersonas
Tsukioka Yoshitoshi – Looks Itchy’, Mannerisms of a Concubine from the Kaei Period [from Thirty-two Aspects of Women]
impresiónverano
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