3612 pistas de audio libre de derechos para "3"

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:7:3

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:3:1

Sveriges Radios folkmusikinspelningar. Värmland/Dalslandsresan 1951 Dokumentatör: Olof Forsén, Qvitt Holmgren (Radiotjänst) Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 51/14284:3:2

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:6:3

The President's Own United States Marine Chamber Orchestra performs Max Bruch's Kol Nidrei, Op. 47 on March 3, 2013 at the Rachel M. Schlesinger Concert Hall and Arts Center in Alexandria, Va.

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6339:3:4

Sveriges Radios folkmusikinspelningar. Norrlandsresan 1962 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6302:3:9

Sveriges Radios folkmusikinspelningar. Jämtlandsresan 1951 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: B 51/19920:13:3

Sveriges Radios folkmusikinspelningar. Gotlandsresan 1956 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 56/10126:3:6

Sveriges Radios folkmusikinspelningar. Östgötaresan 1960 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/249:20:3

This sound was made with 3 lfos, 1 vco and 1 vca. It was decided that the sound should be 30s. It took some tries for me to set the lfo that controlled the vca. The vca controls the output amplitude of the sound.

This is percussion in an empty swimming pool in essen, germany. The empty pool gives it a natural 3-time delay. Recorded with a grundig tape-recorder about 1987. Today (in 2018) the swimming-pool is filled up with sand and is part of a beach-bar.

Applied stuff like echo, chorus, and tremolo. Converted it to amr then back to wav to make it mono. Reminds me of that sound effect from five nights at freddy's 3 that plays at the start of the minigames.

An approximation of a 3-toned engine powered/blower stationary air raid siren so powerful that it has to be set on a hill at least 2 miles from a population center. Based on a chrysler engine powered siren.

This is a fantastically clean stereo recording of a paste gong that was about 3 feet in diameter. Recorded in a very dry room with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.

Dark and noisy indoor ambience, normalized to -6 db. Recorded using a rode ntg2 shotgun microphone, placed three meters back from the window of a room of 5 x 5 x 3 meters. Sounds from cars and trucks running over a distant road can be heard in background.

During quarentine (march 2020), the night birds are more audible (active), because of the lack of human produced sound. Recorded from my window with a sd mixpre6 and a pair of primo 172 clippy's in ab stereo configuration (3 meters apart).

Dropping a phone book on a table and giving it a little push. Recorded with h5 zoom with ntg-3 mic. Please note: no phone books were harmed in the making of the audio (sorry about the trees).

Little loop i made today. Kinda reminds me of the drum patterns on the toejam & earl soundtrack. Used dpren's fat kick (https://freesound. Org/people/dpren/sounds/248142/) and tictacshutup's prac-snare 2 (https://freesound. Org/people/tictacshutup/sounds/439/), edited in audacity 2. 3. 2.

An intense mystery & horror themed song for to be used in any project. It's pretty amateur but if it's any good to you than feel free to use & edit it. If you are planning to use it i would really aprreciate credits <3.

Made with mashing a few samples together. Realistically, it should sound like a metal can hitting the ground. But i used it for throwing a can at the ground (before impact), which works too. Please comment where you used it! <3.

3 alternating square waves put together in milkytracker. -----------------------------------------------------------------------. This sound, like everything i upload here,is completely free for anyone to use. You may use it however you please. I hope it is useful. 🎶.

This is made by feeding homemade images to audiopaint 3. 0 while its oscillators are tuned to randomly-selected scales. Some of them use sine waves, while others use custom waveforms.

Several species of cicadas singing in a late afternoon in the city of alta floresta, state of mato grosso, brazil, by a busy street. Recorded in 3-september 2021 with samsung galaxy s7 voice recorder app with high quality settings.

Several species of cicadas singing in a late afternoon in the city of alta floresta, state of mato grosso, brazil, by a busy street. Recorded in 3-september 2021 with samsung galaxy s7 voice recorder app with high quality settings.

Waves crashing into shore, wind and environmental noises, small planes flying over. Parkdale beach, melbourne. 1. 15pm 3 december 2020. Recorded with zoom h4n pro.

Cars and and trucks passing in both ways. Recorded from a bridge above the highway, edited from a longer recording. Sound devices mixpre-3 and rode nt5s.

I had a sound design session and at the end i rendered out the whole messy file, ran it through 3 otts, some reverb and delay and basically got an awesome spooky and unsettling atmosphere. Feel free to use it in your projects!.

Banjo sampled from an older record, morphed into complete new sound, after adding audio effects, changing pitch, warping, changing eq and cut offs. It has 3 plucks around 96 bpm.

Some sort of poor mans quantussy x 3. Am-modulation delivers some nice sounds. Deep blurp. Beeps and nonsense. This is generative modular synth music. Machine composition. The machine is a small analog modular synth. Beep!.

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:16:3

Gesu Bambino performed by the Concert Band of the United States Air Force Band of Mid-America. Track 3 from A Musical Christmas (2007).

Sveriges Radios folkmusikinspelningar. Hälsinglands- och Härjedalsresan 1960 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/120:13:3

A technical problem i had with my technics stereo cassette desk rs-5 where playback would deliver this fading squarewave at maximum volume. Apparently, it could have been an issue with the tape header wearing out. Thought i might as well upload it here, as i'm not sure anyone will be able to create this sound again. Note, this sound was de-amplifiied by 10 db in audacity 3. 1. 3. Simply put, the raw file was incredibly loud. If you're curious enough, you can increase it back up to its original volume, though i wouldn't advise it.

A field recording i made. The original file was about 3 hours long, i just cut a cool piece out and uploaded it :: gear: one røde nt-1a (right channel) and one shure 8700 (left channel; eq-based hiss reduction) :: setup: both microphones were mounted next to each other with an offset of about 2. 5 meters :: the preamp for the nt1-a was the on-board preamp of the yamaha mg16/4 mixing console. Directly recorded to adobe audition 3. 0. :: if you like (or dislike) the sample, download, rate and comment!.

Look at my page https://skibka-music. Blogspot. Com/. Morse code ss hq. A b c d e f g h i j k l m n o p q r s t u v w x y z. 1 2 3 4 5 6 7 8 9 0. . , ' _ : ? – / ( ) = @. Ą ć ę é ch ł ń ó ś ż ź. [a • — ] [b — • • •] [c — • — •] [d — • • ]. [e • ] [f • • — •] [g — — • ] [h • • • •]. [i • • ] [j • — — —] [k — • — ] [l • — • •]. [m — — ] [n — • ] [o — — — ] [p • — — •]. [q — — • —] [r • — • ] [s • • • ] [t — ]. [u • • — ] [v • • • —] [w • — — ] [x — • • —]. [y — • — —] [z — — • •]. [1 • — — — —] [2 • • — — —] [3 • • • — —]. [4 • • • • —] [5 • • • • •] [6 — • • • •]. [7 — — • • •] [8 — — — • •] [9 — — — — •]. [0 — — — — —]. [. • — • — • — ] [, — — • • — — ]. [' • — — — — • ] [_ • • — — • — ]. [: — — — • • • ] [? • • — — • • ]. [– — • • • • — ] [/ — • • — • ]. [( — • — — • ] [) — • — — • — ]. [= — • • • — ] [@ • — — • — • ]. [ą • — • — ] [ć — • — • • ] [ę • • — • • ]. [é • • — • • ] [ch — — — — ] [ł • — • • — ]. [ń — — • — — ] [ó — — — • ] [ś • • • — • • •]. [ż — — • • — •] [ź — — • • — ].

I worked out these 3 variations of the same bass sample, all very deep low frequency. Should be suitable for minimal techno or ambient, and it is useless for small amps, because sound is of very low freq. (format wav, 148khz 16bit stereo).

I worked out these 3 variations of the same bass sample, all very deep low frequency. Should be suitable for minimal techno or ambient, and it is useless for small amps, because sound is of very low freq. (format wav, 148khz 16bit stereo).

Male yelling into megaphone "stand down or we'll shoot" 3 different ways. Originally used in asshole abigail and the zombie apocalypse audio experience at www. Ohheyvoid. Com. If you use this audio i'd love to see the finished product. No attribution needed. Use it however you see fit.

3 hours of uncut audio from the peaceful solidarity rally at maritime heritage park in bellingham, washington 6/6/20. The rally included a wide range of speakers, native songs, and personal stories of discrimination happening here in the community. Recorded without interruption on a zoom h4n.

Thunder strike for the master degree in video games of university of málaga (uma). There is a rainy ambience filtered with a hpf before the thunder sound. For the thunder there are 3 parts: a metallic whoosh, the impact and a shock wave.

Black lives matter rally in kennebunk, me on june 3, 2020 with about 150 participants lying face-down in a die-in with face coverings on, mid day. You can hear both close up and distant chanting in the crowd.

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:19:3

Sveriges Radios folkmusikinspelningar. Hälsinglands- och Härjedalsresan 1960 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/120:18:3

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:35:3

Sveriges Radios folkmusikinspelningar. Bergslagsresan 1955 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: B/47.231:3:4

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:20:3

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:3:2

Sveriges Radios folkmusikinspelningar. Jämtlandsresan 1951 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: B 51/19920:11:3

Sveriges Radios folkmusikinspelningar. Smålandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:35:3