3612 pistas de audio libre de derechos para "3"

Pinafore airs, Pt. 1 of 4. This four-part cylinder collection covers most of H.M.S. Pinafore's songs, although, sadly, part 3 is missing from the collections I've so far been able to check. This cylinder includes "We sail the ocean blue" "Hail, men of warsmen", "I'm called Little Buttercup", and "A maiden fair to see" Performers include Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley.

George Frideric Handel's Water Music: 17. & 18. Rigaudon (Suite No. 3 in G, HWV 350: II. Rigaudon) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.

George Frideric Handel's Water Music: 19. & 20. Menuet (Suite No. 3 in G, HWV 350: III. Menuet) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.

The bass drum was generated using absynth 3, as well as the other instruments that follow it. Within the software, i simply just generated a quick drum patch (for myself), which i manipulated over and over till i got several varations. I just happened to choose this one for this loop. General techno-trance and suitable for almost any genre in electronica. The loop is set at standard 120bpm for easy manipulation.

Middle school (ages 12-14) band of about 50 students preparing to make an audition recording in their school auditorium. Two akg c 414 b-uls multi-pattern large diaphragm condenser mics were placed about 10 feet (about 3 meters) above the ensemble on the far right and far left, with a røde nt4 stereo condenser mic at the same height located in the middle of the group. Recorded january 2019.

First Suite in E-flat for Military Band, Op. 28, No. 1: I. Chaconne performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

A small, older elevator moves up 3 floors. Including the sound of the elevator door closing and opening. Recorded from the inside of the cabine. Recorded with a tascam dr-40. Note: feel free to use this sound in one of your own projects. If you want to, you also can send me a link. I would love to hear some of my field recording into someone’s work.

This sound is 50 ms, 2000 hz pure tone with double linear fadeout through it's whole length. Sampling rate of 8 khz is already an overkill (nyquist frequency is at 4 khz, while all energy of this sound is present in narrow 2 khz frequency range). Created with audacity for use with ardour 3, a free and opensource daw for linux and mac (http://ardour. Org).

Posnetki zvoka motorja aaz 1. 9 td v t3snemalo se je direktno pod motorjem oz. Ob motorju v kombiju z odprtim pokrovom. V vsakem primeru torej manj kot 50 cm stran. 0 - 16s vžig v prvo, po tednu mirovanja in zelo nizkih temperaturah (-15). Ob vžigu je bilo - 5. 16 - 1:04 štantgas in ročno dodajanje plina. Kombi miruje. 1:04 - 2:00 vožnja po cesti od 0 - 60 km/h. 2:00 - 3:26 počasnejša vožnja in klanec. .

Chromatic handbells 12 tones. C# tone. File 48khz, 24bit, stereo, no processing. Normalized to -3db. Recorded using a-b stereo technique witch 30 cm spacing between and 50 cm from bell. Microphones: a pair of dpa 4006 microphones with ua0777 nose conesinterface: focusrite saffire liquid 56. Studio room: w:2,5m x d:2. 0m x h:2,8m. Each file contains 3 techniques: single tone, double and ringing bell.

An old guitar recording that served as a sample to my music track dreaming of places that don't exist ( https://soundcloud. Com/headshock-1/dreaming-of-places-that-dont-exist). Direct recording of my jackson sl-3 soloist electric guitar through a line 6 pod x3, using its internal reverb effects. (large hall reverb with decay at 99%, or maybe even 100% for that endless washed out effect).

I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 17 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor. For this record, i've deleted the major part of the notes. Some new settings of the echo filter, are applied.

A semi-automatic rifle, pitched down 3 semi-tones. Made in bitwig, i used 10 different recorded gunshot layers that have been eq'ed and multiband compressed to form a new gun sound. Subbass was synthesized for the super low end. The process i use is to select frequencies using high pass and lowpass filters from a recording for the lows, mids and highs. This forms a "layered sound".

Creation date: 08 - 06 - 2017author: alayan. Details of this sound:. Subject of recording:- object : mechanical keyboard of computer- material : plastic- feature : none. Place of capture:- type : inside- size of the room : 8m^3- coating of room : wood et plaster- content of the room : home furnishings. Recorder:- recorder used : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : stereo- input level : 27. Software used:- fl studio 11. Fx added:- edison : for amplifying the signal.

This is a recording of michigan avenue in chicago from an interior perspective made from the 24th floor facing west. The microphones were spaced apart and placed very close to the window. Interior ventilation/air conditioning rumble is audible. This could be a useful sound for a downtown city office background. Time of recording was 3:05pm. Recording details: 2 audio technica at4022 > sound devices 302 mixer > tascam dr-40 recorder.

So i have these insane neighbors that start trashing their roller blinds from 7:30 pm - 8:30 pm with all their might and power and it's like 30 neighbors doing this day by day. In order for me to therapize myself, i recorded these sounds to work it into a song someday. 3 sounds are that. The 4th sound is my field mic clanking hardly against my ur44 by accident.

Northwest wind gusts through a forest of oak and beech and pine trees. Recorded on saturday july 21st, 2018 at 3:30pm in a midwestern forest. Although there are a lot of birds in the forests at this time of year, they were quiet today. A nice, peaceful, soothing snapshot of summer----recorded just 4 weeks after the solstice here in the northern hemishpere. Temp: 84 degrees fhumidity: 51%. Recorder: sound devices 702microphone: sennheiser mkh-416.

Two dogs are barking in my front yard, with the longest-barking one being a 3-years-old fox terrier chihuahua mix with whom i have an attachment to but who isn't my dog. You can also hear crickets chirping in the background. I used my lenovo laptop's built-in microphone to record this (the same device i had used to record the alarm clock sound & the restaurant-cleanup field recording).

Recorded outside louisville city hall next to the courthouse at a time with lighter traffic. Recorded around 9am on 1/30/2018. Recorded with a sound devices mixpre-3 with two rode nt5's in a x-y setup at an angle to emphasize the sound of footsteps on the sidewalk.

Hey everyone!. Feel free to use these sounds in all your projects. Just credit arrowhead productions. Index:1. Rustling with metal hanging out. Perfect for a backpack sound. 2. Rustling, and then a nice zipper zipping. Perfect for, well zipping up clothing. 3. Brushing clothing against skin. Perfect for what i just said. Thanks!.

3 whelens sounding off in different modes. This is free to use! feel free to use this in your eas scenarios if you're an eas content creator like me!. Subscribe to my yt channel!:. Https://www. Youtube. Com/channel/ucqnbxvlv--3aanh-xsvtciw/. Follow me on reddit!:. Https://www. Reddit. Com/user/michigankid2020bruh. Join the subreddit!:. Https://www. Reddit. Com/r/michigankid2020new/. Thanks for listening! if you like it, why not download it or rate it? it's your choice!.

A sound i created for my decepticon oc "silverstreaker. " her dual pulse cannons are heard in the audio, however i published it here so others can use it as well! hope this can be of use for some people. You can freely use this wherever you want, but please if possible link me in it if you do. <3. [if the sound seems gritty and grainy, it sounds much better when downloaded. ].

Snoring child 3 years old field recording. Recorded with zoom h2n and normalized with wavelab 9. 5. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.

A woman screaming in terror. Original recording of a cast member for a community theater production of clue. This was used for an off-stage scream by the actor playing the maid, yvette. The actor granted permission to upload this file for creative commons use. In fact, it was her idea. Date recorded: october 2020. Equipment used:. Shure sm-58 microphone ->focusrite scarlet solo (gen 3) usb audio interface ->lenovo ideapad s540 laptop. Recording software:. Audacity.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Ringmodulated inversion of my speech from the file https://freesound. Org/people/kb7clx/sounds/648443/ invertedspeechcq. Wav. I took the raw recording and used goldwave's mechanize effect to translate my voice to a center frequency of 14khz. I then demodulated it first at 10. 6 and then 10. 2khz meaning that what comes out is essentially the opposite sideband, offset by 3. 4 and 3. 8khz respectively. 3khz just didn't sound as good. The first i filtered with a low pass of 2. 9khz, the second was filtered to below 3. 4khz to emulate a communications receiver passband. I am speaking upside down as described in this video. Https://www. Youtube. Com/watch?v=q_ykxzcbh-g beginning at 00:03:16. Being blind i can't see their diagram, but i've got my own by ear intuitive method, keeping in mind that oo and ee are farthest from each other, all other vowells get closer the closer they are to the middle of the human voice frequency range. I say: huhlay sue quee, sue quee, sue quee do ux. Cahlloong sue quee sue quee sue quee do ux. The ay in huhllay is like when a spanish speaker says béisbol (baseball). The a in cahlloong is like the a in cat if you're opening wide for the doctor. The oo is like the oo in book. Listen to the other file and you'll hear: hello cq cq cq dx. Calling cq cq cq dx.

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 4th Movement (Part 1) Finale (Allegro molto) 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 2) Marcia funebre (Adagio assai) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 2nd Movement (Part 1) Marcia funebre (Adagio assai) 1st release date: 1935 1st recording date: 7 September 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Symphony No. 3 in E-flat major, Op. 55 (Beethoven) - 1st Movement (Part 2) - Allegro con brio 1st release date: 1935 1st recording date: 7 Septemper 1934 Place of recording: London (United Kingdom) Author(s)/Composer(s): .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

A nice wet-themed ambiance of early spring in a small midwestern town in the us. The spring peepers dominate, always in the background. The american toads trill off and on (:38----1:04, 2:09-----2:31, 5:50----6:07, 6:25----6:40)there is also a distant dog bark, with echo at 3:31. Distant car horn at 3:57. Since this was recorded on a busy weeknight at 7pm, a lot of distant car doors and people picking up and dropping off kiddos for basketball practice, choir practice and other ancient extracurricular activities. There is a particularly good door open and slam and muted conversations at 6:43 to 6:56 and again at 7:17stereo recording made on thursday night march 29th, 2018 using a sound devices 702 and an audiotechnica bp4025 stereo microphone. The original was recorded at the very high sample rate of 196hz. Enjoy a town winding down and internalizing on a cold, drippy wet night in either very late winter, or very early spring.

As our planet becomes increasingly crowded, finding a quiet, natural, tranquil place to listen to pure nature becomes harder. Even in the rural area of deep southern illinois you have to really try hard to find a place where the man-made sounds aren’t everywhere. However, i found just such a place on september 9th, 2012 at the cache river state natural area. This very peaceful recording was made at around 3:00pm in a grassy field bordering a small pond. The pure, droning sound of the insects of late summer make this soundscape almost hypnotic. If you listen closely towards the middle and end of this recording, you can hear the pleasant chipping of sparrows and the not so pleasant call of a crow off in the distance. Recording made with the handy/zoom h4n recorder, using the internal built-in stereo microphones. I mounted my recorder on a small tripod literally 3 inches from the ground so my recorder was actually hidden in the grasses and goldenrods of late summer.

Recorded at silverstone circuit from becketts grandstand for the fia formula 3 (race 1) for the 2022 season. Recording captures the entire lap, from the exhaust sound from them coming through the loop, aintree and the wellington straight with them coming past the microphone at maggots, becketts and chapel corners. No copyright, but please do share any projects where you use this sound!.

The Way Things Ought to Be performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 9 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeant Scott Vinassi, trumpet Airman Farid Barron, piano

St. Louis Blues March performed by the Shades of Blue jazz ensemble of the United States Air Force Band of Mid-America. Track 5 from Heroes Lost And Fallen (1997). Recorded January 28-31, 1997 at the Scottish Rite Cathedral, St. Louis, Missouri. Major Sam Pohl, conducting.[1][2][3][4][5]

User name fmagrao's sound 80761__fmagrao__siren was stretched, put in a sampler and played as described but of varying duration and it would appear that there is an optimum frequency range for these sirens. I will create a lower frequency version in due course and a foghorn/siren hybrid. The sound features on the following track along with other uncredited sounds downloaded from this site and i am genuinely grateful for all those contributions. Https://soundcloud. Com/klaxonite/klaxonite-3-190415.

Recording of an hvac standing ac unit with loud compressor noise and rattling impeller. Unit turning on and off, accompanied by an electronic beep. Feel free to use this sound; no attribution required. Feel free to write me in the comments what you used this sound for. Equipment:røde ntg2sound devices mixpre-3 ii. File:wavmono48 khz24-bit.

Night storm in evosmo-thessaloniki (part 1) with more than 30 lightning strikes and thunders in a period of 20 minutes. The recording was made by me with the zoom handy recorder h2 (open window of my apartment). Sounds like even the street traffic, car alarm, a horn ship (the port is 6 km far away), human voices, dogs, and inside noise. Making use the adobe audition 3. 0 to edit the file. Enjoy.

Create thằn lằn khổng lộ sound from amhola's’s «crashing-waves-into-rocks-3" sound. I need splash for big animal in ocean but can't find whale splash (maybe see if find us navy have submarine video with should of submarine fly and splash on ocean surface). Audacity:. • cut 24. 443s to 29. 286s. • file→new. • paste. - effect→change speed. . . Speed multiplier: 0. 450. • select from 7. 790s to 10. 763s- effect→fade out. • select from 0. 000s to 1. 637s- effect→fade in.

Robinson's Grand Entry March performed by the Concert Band of the United States Air Force Band. Track 3 from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook

Twitter https://twitter. Com/samples_simple@samples_simple. More music on my youtube channelhttps://www. Youtube. Com/watch?v=saawiun1heg&list=pl9bdtoyt75av5krkq_-_z6hrwsqqjpzcf&index=3. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Twitter https://twitter. Com/samples_simple@samples_simple. More music on my youtube channelhttps://www. Youtube. Com/watch?v=saawiun1heg&list=pl9bdtoyt75av5krkq_-_z6hrwsqqjpzcf&index=3. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

I created this using fl studio and serum. **note: if you plan to make money with my creations, do email me at djdomenian@gmail. Com**. If this is going to be used in a non-profit fashion, please drop a link below of your project below! i'd love to hear it!!. Please credit both of my names, jay prowaves a. K. A. Domenian as a "contributing sound designer & artist". Thank you all! i hope that you enjoy my sounds! <3!.

Twitter https://twitter. Com/samples_simple@samples_simple. More music on my youtube channelhttps://www. Youtube. Com/watch?v=saawiun1heg&list=pl9bdtoyt75av5krkq_-_z6hrwsqqjpzcf&index=3. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Twitter https://twitter. Com/samples_simple@samples_simple. More music on my youtube channelhttps://www. Youtube. Com/watch?v=saawiun1heg&list=pl9bdtoyt75av5krkq_-_z6hrwsqqjpzcf&index=3. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Twitter https://twitter. Com/samples_simple@samples_simple. More music on my youtube channelhttps://www. Youtube. Com/watch?v=saawiun1heg&list=pl9bdtoyt75av5krkq_-_z6hrwsqqjpzcf&index=3. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Twitter https://twitter. Com/samples_simple@samples_simple. More music on my youtube channelhttps://www. Youtube. Com/watch?v=saawiun1heg&list=pl9bdtoyt75av5krkq_-_z6hrwsqqjpzcf&index=3. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Twitter https://twitter. Com/samples_simple@samples_simple. More music on my youtube channelhttps://www. Youtube. Com/watch?v=saawiun1heg&list=pl9bdtoyt75av5krkq_-_z6hrwsqqjpzcf&index=3. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Sea waves on a windy beach rolling around from left to right and right to left, with sounds of spume and sand moved by the water. Recorded september 2012 at the northern beach of fehmarn island, germany, near niobe memorial. Recorded using a pair of rode nt5 mics in x/y positioning with nikolai windshields. Eqed with eq10q: low cut at 41hz, +4. 5db q0. 43 at 142hz, -3. 7db q0. 70 at 1980hz. Normalized in audacity.

A recording made on easter sunday, april 9, 2023 in the woods of the shawnee forest in illinois. This is a recording in the mid-afternoon of the early spring when a few of the summer birds are in the woods staking claims on their territories. Equipment used: sound devices mixpre-3 series ii. Left channel microphone: sennheiser mkh 8020right channel microphone: sennheiser mkh 8070. Enjoy the peaceful illinois woods as the season of growth begins.