3612 pistas de audio libre de derechos para "3"

Sound recording of a two tier mini waterfall into my small fish pond. Recorded with a tascam dr-07 mk ii. 24 bit, 44. 1 khz, stereo. First 10 seconds is the raw recording. Note the 60 hz hum due to the water pump being just under the water fall splash area. The last 20 seconds is the processed audio using ableton live 8 affects rack and the following affects. 1. Notch filter – 60 hz applied two times. 2. Lp filter –knee at 1 khz3. Hp filter-knee at about 3. 2 khz4. Granular delay – bubbling sound5. Chorus audio effect-snap, crackly sound. 6. Reverb-cave echo affect-high wet/dry7. Utility- for stereo width.

Recently we purchased a scale from ikea, when we finally got around to using it we realized that it must be off, as i do not weigh 240 lbs. As we did not have a receipt, or the desire to drive 2 hours to return a $10 scale the only course of action left to me was to take the damn thing apart and record its insides. (what else?). I recorded and edited together around 7 and a half minutes of various configurations and performances of me making some sort of repetitive, engine-like sound. I can foresee myself using these sounds for an old-timey engine or car. Recorded with a rode ntg-3 at 96/24.

Ungdoms synden (translates to: the sin of adolescence) is a traditional swedish melody (style: polska) from boda in dalarna sweden. The melody is compsed by röjås jonas, aledgely played to him in his old age, by a fellow fiddler. "who has made that song?" jonas asked. "you did - many years ago" the player replied "that must have been my sin of adolescense" the composer replied. This is just the first phrase of the melody recorded by me. The boda polska rythm is based in 3/4, but somewhat unevenly spaced. Every village in the neighboorhood have their distinct muiscal dialect, in the way of how to play a polska. The boda musical dialect is reputaded throughout scandinavia. Recorded with zoom h4 in my living room copenhagen.

Im sorry i haven’t been uploading lately… i really can’t give a reason as to why i haven’t been uploading any of the teaser kicks lately, nor have i given any download links for the actual xkicks volumes 1 or 2…. Ive actually finished xkicks volumes 1 - 6, each containing at least 250 unique distorted, hardstyle, gabber, obscure, noisy, nasty kicks, and i’m about to finish xkicks 7 real soon here. Ill be putting up the download links for xkicks 1 - 6 on my profile page on free sound:. Http://www. Freesound. Org/people/electroshocknetwork/. Here are various teasers from xkicks 1 - 6. Do you enjoy hearing incredible hard dance kicks? introducing the latest instalment of the xkicks series! xkicks edition 2 brings you 250 new, unique hard dance kicks that will keep you wanting more. Tweak them out with eqs, add effects to them, trim them to your liking, share your tweaked xkicks sounds. Only through the electroshocknetwork can you get sounds like this for free. Xkicks is back with an all-new package featuring 250 brand new, unique hard dance kicks. Xkicks edition 3 features kicks suitable for gabber, hardstyle, jumpstyle and any other harsh, raw sound. Add eq, trim them, add effects, change their pitch. Nothing is impossible to make now that xkicks has arrived. Native instruments meets electroshocknetwork in the latest instalment of the xkicks series! using the incredible “battery” to unleash the full potential of xkicks, electroshocknetwork has never made better raw, xtreme kicks. Featuring 250 unique hard dance kicks, xkicks edition 3 will leave you mesmerized and the crowd cheering as wave upon wave of awesomeness crashes over you.

Microsystèmescours 525/10/2012. Chapter 4 – process integrationpage 106 – 0 minpage 111 – 2min20page 112 – 5min20page 121 – 13min30page 118 – 14min50page 484 – 17min03page 488 - 21min 23page 489 - 23min08page 123 - 23min43page 120 – 33min58page 124 – 35min03page 126 - 41min02. Pause. Chapter 5 – lumped modeling with circuit elementsslijd mitpage 1-2-3 – 44min58page 4 – 48min14page 5- 50min14page 6 -51min59page 7 – 54min54page 9 – 56min39page 10 – 59min26page 11 - 62min13page 12 – 63min48page 13 – 65min48page 14 – 67min13page 15 – 69min03page 16 – 69min43page 17 – 70min13page 18 – 71min18page 19 – 73min03page 20 – 74min48page 21 – 78min02page 22 – 78min22page 23 – 78min42effort e(t) <-> flot f(t)intégré par rapport au temps =>moment généralisé p(t) <-> déplacement généralisé q(t). Page 24 – 82min32page 25 – 86min02page 26 – 86min52page 27 – 88min29page 28 – 89min19page 29 – 90min02page 30 – 92min22page 31 – 93min02page 32 – 94min07page 33 – 95min34page 34 – 100min22page 35 – 101min49page 36,37,… – finmemristor -.

Wir pflügen und wir streuen (Am Anfang war's auf Erden), Melodie des Erstdrucks 1782;Originaltext (Strophen 1-3): Im Anfang war's auf Erden Nur finster, wüst und leer; Und sollt' was seyn und werden, Mußt' es wo anders her. Alle gute Gabe Kam oben her, von Gott, Vom schönen blauen Himmel herab! So ist es hergegangen Im Anfang, als Gott sprach; Und wie sichs angefangen, So geht's noch diesen Tag. Alle gute Gabe Kömmt oben her, von Gott, Vom schönen blauen Himmel herab! Wir pflügen, und wir streuen Den Samen auf das Land, Doch Wachsthum und Gedeyen Steht nicht in unsrer Hand. Alle gute Gabe Kömmt oben her, von Gott, Vom schönen blauen Himmel herab!

Tournament Galop performed by the Rampart Winds of the United States Air Force Academy Band. Track 1 from Golden Door (2003). Recorded November 5-8, 2001 at Sunrise United Methodist Church, Colorado Springs.[1] Credits: Administrator [Rampart Winds NCOIC], Clarinet [Rampart Winds] – Scott Richardson (9) Bassoon [Rampart Winds] – Alex Vieira (3) Coordinator [Production Assistant] – Sandra Tiemens Design Concept – Chris Hureau Engineer [Assistant], Coordinator [Production] – Douglas M. Huggins* Engineer, Mixed By, Edited By – Bruce Leek Executive-Producer, Administrator [Commander] – Philip C. Chevallard Flute [Rampart Winds] – Cheryl White (2) Horn [Rampart Winds] – Mark Firks Liner Notes – Scott Richardson (9) Oboe [Rampart Winds] – Sarah Balian Producer, Administrator [Deputy Commander] – Matthew S. Henry

Sveriges Radios folkmusikinspelningar. Författarträff i Brottby Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 56/10198:3:2 Text: I gamla döende jätteekar, Vad sågen I? Hur många blodiga vapenlekar upplevden I? Fast fred och lycka i nejden rår, Så sorgset näcken på harpan slår. När markens gräs sina stjälkar böja i midnatten för sommarfläktar, som tveksamt dröja vid Hjälmaren, då suckar jorden, ur dvalan väckt, då viskar vinden om Engelbrekt. Hans stora bragder, hans ädla sinne, hans mannamod än leva kvar uti troget minne och hågkomst god, fast vemod blandar däri en tår vid tanken på, hur han bragts på bår.

Watt a sounds and wildgooses. Here i share with you another nature sound collected in may 2014 on the northsea-island of speakers eye (spiekeroog). Sounds of the tidelands 1 and 2 and flying wildgooses were recorded in may 2014 too. The wadden sea is famous for its rich flora and fauna, especially birds. Hundreds of thousands of waders (shorebirds), ducks, and geese use the area as a migration stopover or wintering site, and it is also rich habitat for gulls and terns. [3]you may hear some birds od the tidelands in the background disturbed by the windsounds. Sounds are not so clear because recorded with my iphone. Enjoythanks for listeningthe very real horst from town duisburg in germany.

In-cabin recording of a qatar airways boeing 787 dreamliner landing at doha international airport (qatar), followed by announcements in arabic and english. The aircraft touches down at 0:47, the english in-flight arrival announcement is broadcast at 3:44, and there is a bounty of ambient noise including seatbelts clicking, bags zipping, and chatter from passengers. This was recorded in-person from my seat with a tascam dr-40. I was located mid-section (just behind the wings) in an aisle seat. Public domain: i have released this audio file into the public domain. It is free for anyone to download, modify, or use without my consent and without attribution - like all freesound audio files should be. Enjoy!.

A group of 5 people - 4 guards and 1 nun (woman), walking fast from the distance until near the mic, stop, and then one man moves forward. Walking with boots on stone floor, sound of metal, swords, armours mixed with the steps. Two men and the nun carried a wireless mic. Recorded with sound devices at 48k 24bit in 6 channels. Channel 1: boom mchannel 2: boom schannel 3: boomchannel 4: man wireless micchannel 5: man wireless micchannel 6: woman wireless mic. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

I wanted to prove you could make an 808 bass in tripleoscillator (lmms) without a vst. I've never made hip-hop before. This is not a complete song, so i'm thinking it should be used as a series of loops in something like mixxx:. 0:00-0:07: intro0:07-0:20: loop 1 (fewer hi-hats)0:20-0:34: loop 2 (sprinkly hi-hats)0:34-0:42: loop 3 (just pads mostly)0:42-1:03: loop 4 (basically the same as loop 2 but with arp)1:03-end: outro. I put like zero effort into it fyi so i'm not offended if you don't like it. Also, no need to credit me, in fact, it's so low effort i'd almost rather you didn't ;).

As already stated, he term, "pyew!" does not refer to a funky smell. Think of it as the sound bernadette (from big bang theory) makes when she's playing video games and trying to phonetically approximate the single shot of a ray gun or laser weapon. This file contains a whopping 17 different individual sounds each separated by 3 seconds of silence, and each with a different lengths and sonic qualities. Everything you need to go totally pyew-wild!. *all sounds by realtheremin are genuine theremin recordings; they are provided dry, without effects of any kind, allowing you to add reverb, echo, pitch shifts, phlanging, etc. , and edit them in any way you choose. Every effort has been made to eliminate/reduce hum and distortion (unless intentionally noted).

The pretty, soothing, trilling song of the pine warbler. These callings were recorded on sunday march 30th 2014 in a small pine grove, in the middle of a larger forest. On the day i recorded this, the weather was perfectly sunny, and mild -- temps about 60 degrees -- with very little wind. When i first heard this song, i was instantly reminded of a sewing machine. Enjoy. Recording made with my zoom h4-n field recorder, using a rode ntg-2 shotgun microphone placed on a tripod, about 3 feet above the forest floor. To make sure i got a decent level on this soft call, i did have to crank up the recording volume to about 85 on the scale of 100.

Bird singing recorded at around 3:40 am with yinger bm 800 ldc-microphone in front of my open window, i had to add some noise reduction because of my computer fan with reafir (there isn't really much of that noise left, atleast if compared to original). You can also maybe hear ocassional space bar-click sound maybe twice, but it's still pretty useable clip in my opinion, i recorded this just to test my new microphone, and because i couldn't sleep because of the loud birds singing, and in revenge i recorded that with my shiny new yinger bm800. You are free to use this soundclip for both commercial and non-commercial audio and video work. File format: 16 bit/44. 1khz mono. Wav-file.

This is a clip of various engine sounds recorded on my 2003 subaru impreza wrx with a 3" turbo-back exhaust system. The audio starts with the engine at idle and includes a few engine revs at different rpms. You can hear some turbo whistling and also some rattling of god-knows-what parts. It's a little muffled (kind of a muddy sound), but could be used as part of an action sequence or with a music track laid over. As always, i love knowing how people use my tracks! i'd appreciate a comment letting me know what kind of project you're doing and, if possible, a link to any finished work! thanks.

Layered synthesis of the sound of a big hit. 1 layer. Recorded sound of a blow to the pillow (take with a percussion tint)2 layer. Recorded sound of a blow to the pillow (double low kick)3 layer. Recorded sound of a blow to the pillow (variation of a low-kick double with a low pitch and a different attack phase)4 layer. The sound of a low-frequency sweep, like in a synthetic bass drum, obtained on a synthesizer. )an additional layer of metal impact (recorded by me) is not present in all variations of the sound presented. Each layer was subjected to quite extreme compression and equalization. A bit of overdrive is present. Well, convolutional reverb.

Pretty fast engraving process sound (for the game, i guess?). Dethrok recorded the sound of engraving tool on metal, i just shortened it to 3s.

Part 3 of a ridiculously huge parody of a nuclear explosion for comedic effect (played after part 1, simultaneously with part 2). Created using these sounds:http://www. Freesound. Org/people/iwiploppenisse/sounds/156031/http://www. Freesound. Org/people/juskiddink/sounds/108641/http://www. Freesound. Org/people/cgeffex/sounds/93835/http://www. Freesound. Org/people/noisecollector/sounds/6721/http://www. Freesound. Org/people/frolickingdp1/sounds/353928/http://www. Freesound. Org/people/sandyrb/sounds/95078/http://www. Freesound. Org/people/rock%20savage/sounds/81044/http://www. Freesound. Org/people/branrainey/sounds/142351/. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

The eerily quiet soundscape of a small midwestern town during the covid-19 shutdown. . . This was recorded in town, on a friday night (april 3rd, 2020) at a time when there is almost always more traffic, people and families walking and talking on the sidewalks. . This recording started at 11pm at night. . . What a strange, weird eerie feeling of this track. You will hear a lot of steady wind gusts, dry leaves being moved around by the strong southerly flow. . Equipment: sony pcm-m10 recorder sitting on a small tripod about 3 inches from the ground. . . I had to really crank up the gain on this one because everything was so quiet---almost as if the neighborhood was holding its breath. . . . Hope you enjoy this unique ambiance.

Here is a simple yet usefull reel for your morphagene. I sampled various noise source from various modules to be used into my shared system, as this instrument does not contain any classic one. This reel is arranged like this:splice 1 : left = white noise / right = pink noisesplice 2: left = metallic noise / right = digital noisesplice 3 : left = tuned noise 1 / right = tuned noise 2splice 4 : left = tuned noise 2 / right = tuned noise 3splice 5 : left = tuned noise 4 / right = tuned noise 5splice 6 : left = tuned noise 6 / right = tuned noise 7splice 7 : left = downsampling noise sweep / right = fluctuating random noise sweep. Most sound comes from the verbos electronics random sampling module. The tuned noises are made of white noise fming the verbos harmonic oscillator, each are one of the eights harmonics being recorded. Enjoy !.

The beginning of a thunderstorm, from normality to first drops of rain, with approaching thunder, and eventually a full downpour. 1. There are birds picking at seeds on a nearby rooftop, which can be heard before the rain. 2. The birds flutter away just before the rain. 3. The rain starts around the 10 minute mark. 4. Full downpour starts around the 12:11 mark. Recorded on june 08, 2021 from the second floor window of an nyc apartment building, facing the inner-bay. Edited on june 12, 2021 to combine a string of takes, remove construction noise, and noise from within the apartment. This recording was made with the on-board x-y microphone of a zoom h4n pro recording device.

Here's some more of that young couple next door. For this one, they probably went 15+ minutes. Their libido must be really high for this day/night. From my listening, it seems like they were not doing it in bed the entire time. They must have used other furniture and played around in different positions. From 3:30 or even before that is when they start. Passed 5:00 is when the woman starts to moan loud. 14:55 is when they finish. 16:07 guy says i'm tired. Note that the original audio had more bed and furniture creak noises, almost 30 mins long, and some of their chats cut out. Also note that some of the noises left in on the good parts may not be sex noises. This was edit and shorten with audacity.

After searching the vastness of the interweb for some 6 inch zilbel samples with no luck, i finally decided to record my own bell. Theres 3 versions of 4 single samples each, 4 chokes, 4 medium and 4 hard hits. I know a lot of you out there have been searching for some samples of one of these bells for a long time so here ya go guys, totally free, full to use for whatever you want, no credit needed to be given to me. These sound amazing in a mix and really add a lot of life to your drum tracks, they dont sound over compressed (theyre dry recordings) and they dont over power everything else, nice crisp and clear. Ding away my friends!.

Hi. This is a loop of aurora colorado'sold whelen wps-3016 system test. The city had 3016's, and wps-2810's. They did the wail tone for 3 minutes, and the whoop tone for 30 seconds. This is a one sycle loop of the wail tone. You can hear the other sirens in the system in the background, as well as some very excited dogs that where barking during the whole test. I don't know the exact location of this siren. Also, the system has been removed and replaced with new whelens a couple of years ago. They had a yellow wps-3016 in the sistem hope you like it. I'll get a loop of the whoop tone soon. If you download this, or any of my other sounds for that matter, and use it in your production or any other thing, then please give me good credit. Thanks, and good bye.

My fmc002 submission!. For this, i generated several sounds from audiopaint (free software) and spectrobits (free vsti), two image->sound synthesis softwares. These sounded interesting but i wasn't sure how to use them. Then i made a drum beat, synth bassline, and some other stuff, rendered the song, used paulstretch to stretch the song out 4x, put it back in the project, added even more stuff to other tracks (mostly timestretched versions of my own samples), rendered the result, brought that render back into the daw, and then reversed it. A lot of effects and automation were also used during all 3 stages of the track's creation. Further, each time i rendered, i used the same mastering chain, so eq and other stuff is being applied multiple times. This brings out some surprising timbres and overtones. Really, the final recording sounds nothing like the sounds i began with.

Music i made in garageband for something called victors crypt!. Made this drumbeat in 3's with a lot of percussions. Came up with a bass-line short after and added some clav, piano, strings and synth. Wanted to keep it basic and clean to get the melodies thru. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Could be useful in anything cool, intro, outro, game, dark, eerie, spooky, creepy, scary, horrific,mysterious, crime-ish, thrilling or whatever comes to mind. Feel free to use it!. Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

We went to strasbourg to follow an invitation by an photographer to his vernissage! to bad that we got stucked into the traffic jam and arrived while the gallery was already closed! that was really a bummer because the drive took us four hours!lucky that i had my zoom h6 because strasbourg is by far an amazing city with so many street life. It is insane how many little streets with these tiny cafes and all the people around! it is like a magnet and you got sucked in. The french people know how to live life and i recorded in 3 parts of the city to give you a nice ambience feeling. This is part 1.

A recording on an un-expected but very welcome warm day in january in the northern hemisphere. A recording of the activity going on at a small park in a small town, in a small region. The beginning of this mid-january 2023 recording features some sounds from several people playing pickleball. Towards the end of this audio, the laughter of the kids really takes center stage. By now covid is getting smaller and smaller in the rear view mirror, mother nature has decided to give us an extra 15 degrees of warmth and the adults, and youngsters are having fun just being outside and smiling and laughing. Equipment used: sounddevices mixpre 3, series ii. Microphone: audio technica bp4025 stereo microphone. Enjoy this recording and may you return to it from time to time, for some tranquil peace and past, peaceful thoughts.

This is an example of a low-frequency sound often recorded through the hydrophone on the mars cabled observatory - an earthquake. Mars is located on smooth ridge (36. 7125n, 122. 1869w), west of monterey bay at approximately 900 m depth (http://www. Mbari. Org/at-sea/cabled-observatory/). This magnitude 3. 8 earthquake occurred on july 18, 2016 at 05:53:31 utc (usgs data). It was part of a small earthquake swarm along the san andreas fault, approximately 50 miles east of the hydrophone. All quakes in this swarm, with magnitudes as low as 1. 9, were detected by the hydrophone. We have recorded as many as 40 earthquakes within a single day. The original recording was normalized, and speed was increased 5x to make the low frequency sound more audible. Still, subwoofer or headphones are recommended.

Privatedareno2 - 3patches - 3min. A challenge kindly started by alienxxx \(^_^)/. Patch 1: the patch that was… a patch i did yesterday. Got that one for free, so to speak. Patch 2: inspired by distant airplanes. Had this in mind. Now i patched up my idea. The wind (or what you decide to call it) is controlled by alm pip slope. New module – for me. Used an external effect, the zoom ms-70cdr. Patch 3: read about feedback. I decided to do a feedback patch. First i made one using oscillators, but i did not manage to do something nice. So i used filters. The first filters feedback is generating triggers. Oh, yes, and i used my sampler (soundmachines ul1uloop). So three patches. I merged/mixed them together in audacity. All sound unedited. Just normalized and i have applied fade in/out – and mixed them together - as written.

Zip twisting mechanism sound, then a drop glug sound. Also sound like a bottle glug. Use examples: you can use this in a number of ways if you edit it. 1. Parking meter. 2. Edit/cut the sound so that it sounds like you are using a drink vending machine. 3. Use the end glug sound as bottle being put down. Or copy and past the glug multiple times in a row to simulate someone heavily drinking from a bottle. 4. Glug sound can be used as something dropping in water. -[ recording info ]-. I created this accidentally while making bead strand zip sounds and hitting the microphone. Studio mic: at4033recorded in: adobe audition 3mastered: using eq, compressed, noise gated, and normalized to -. 1. *no credit is ever needed to use my samples!*read my profile for further info.

I created this sound to add to the freesound. Org library of sound, because, to obtain use on a sound here, one of the stipulations was that i had to add a sound here at freesound. Org. I love sounds. My senses have always naturally been fine tuned to appreciate the subtle cues in sounds, although, as an artist, i am more drawn to create music or visual art, rather than sounds, but i gave it my best try here. This is a sound i have been doing for years, since a very young child actually. Basically the sound is achieved by making three sounds with my mouth. . . 1. Sucking my lips together, and then opening my mouth, 2. Bringing lips back together and forcing air out 3. And then the sound of my tongue pressed just under my front teeth, and flicking my tongue down. I do this very fast. Enjoy!.

9-note ending riff. 1 of 8 samples under 5 seconds from my acoustic guitar recording of a civil war fife and drum song named frog in the well, which i learned from an 1862 instructional manual. The instrument was a 1928 gibson l3. There are no effects. Key is (in order of best fit) d major, f# minor, e minor, g major, a blues. Time signature is 3/4, but these samples are mainly under a bar so can be used in a 4/4 song. You also use either of these licenses for your remix: creative commons attribution-sharealike, creative commons attribution-noncommercial. The home of this song on the web is soupgreens. Com/froginthewell. That has the full source song in mp3 format and short clips (40 seconds, 30 seconds, and 20 seconds) for use in video cues. There is also sheet music and guitar tab there.

Footsteps. . . Note:. These are no field recordings but handmade walking sounds in different speeds and manners intended for game creation. Most of them you can loop. They are recorded as dry as possible so you should add the ambience you like. How to make these:. 1. First empty two bottles of the famous spanish brandy lepanto. 2. Keep the korks - they have a very special sound different from the korks of wine bottles. 3. Then, if you're still able to hit (maybe you shouldn't drink the brandy alone and at once), fill things in a flat bowl or a plate - f. E. Pepper grains or salt. 4. Step the korks in the bowl and record it. You may also - as i did - step the korks on other things like a ventilator. 5. Compress the sounds hard but limit them to -4 db (as they sound not naturally if they are to loud).

//////// made using audacity (only):. Generate 3 wave forms. Saw - 110hzsquare - 220hzsine - 440hz. Pull down the track's volume using the sliderthen mix them all together on one track. Apply a wahwah plugin :freq= 1,5 / phase=0 / dept=70 / resonnance= 5,2 / cutoff freq= 5. Progresively increase the tempo :source tempo to -75% / final tempo to +150% (with dynamic transcient sharpening)source hight to -50% / final hight to +150%. Normalise to -0,5apply short fade in and long fade out. //////// typologie:continu varié (v)(pourrait presque être aussi décrit en tant que série d'impulsions tonique / n' ). ////// morphologie:- masse: son seul- timbre harmonique: riche, puissant et assez agressif (mais adouci par le filtrage)- grain: grain assez "gros" et rugueux- allure: stable, pas de vibrato rapproché, pas de "chevrotement"- attaque: l'attaque est graduelle- profil mélodique: variations à mi-chemin entre scalaires et serpentines- profil de masse / calibre : présence d'un filtrage évolutif intermitent qui adoucit le grain et donne une impression plus "organique".

I was awakened at about 3 am by a local thunderstorm. It was raining softly and lightning came regularly. I recorded over 4 minutes of it from my front porch using an iphone and added recording app, and nothing else. This file is unmodified. A young backpacker is walking along a country road but is kidnapped and bound. When caged, he comes to the realization that his mountain-dwelling captors are practicing cannibals. After escaping his bonds and getting out of the makeshift cage, he silently slips from the campsite into the hills, and after picking his way around rocks and waterfalls and through miles of forest, he is hopelessly lost. He sits and rests, then, alone in darkness and a summer thunderstorm. All he has other than the clothes on his back is a folding pocket knife. When you make it and it wins at cannes, let me know.

A rather lengthy sound byte that i heavily edited to the point of being unrecognizable. It sustains a flat note with varying bass levels causing an unnerving effect or the listener or player. I had designed this track for a roleplay plot involving a cursed train station, the plot came out kinda rough and it fell through midway. . . But, the audio track i made came out good enough to post here like my first sound involving my transformers oc!. It's free to use as long as you credit me, and it can be used in a wide variety of fields that is deemed appropriate. From suspense to horror, or even background noise in a lighter field; it can be altered and edited as needed due to it's broad and simple design. I made the volume low to prevent any extreme bass causing ear bleeds. Hope you enjoy! <3.

A looping lo-fi excerpt of felineterror's song 'r-s 5'. There is alot going on under the hood here, everything from an analog bass exciter, feeding into a audio rectifier, creating that unique bass tone. A highpass filter, feeding into a delay. And then a tape emulator, featuring frequency loss, tape degradation and wow'n'flutter. Other versions of this remix:. . Since my ears can't hear any frequencies above 14khz (please remember to wear ear defenders around loud machinery! thank you. <3), i can't hear tape hiss very clearly, and are afraid i might overdo the volume. Therefore i think its best to leave any tape hiss up to you, if you want any, there's plenty of recordings here on freesound, for example this one (cc-0). 120 bpm | original by felineterroruse this however you like!. Have fun, see you on the other side!.

The story begins by a music that i found. A open door, heels, then silence, a chair, computer sounds with mouse, retake of music and close of the door. , who is the ending of music too. To produce that, i choose audacity; i take recorded moments of life. For the technique, i choose a fade in and fade out for the music and the recorded sounds fit well together. For the moments of silence, when the work begins, i only let the recorded sound talk without music. I choose to work with two mono audio tracks: on for the music and the other for the daily sounds. Descriptif selon la typologie de schaeffer. 1. Masse : son dit “cannelés”2. Timbre harmonique :3. Grain : rugueux4. Allure : non vibrato5. Dynamique : abrupte6. Profil mélodique : tentatives de variations glissantes7. Profil de masse : son cyclique avec des moments doux puis un peu plus fort.

Recorded at night with external microphones using a panasonic lumix gh-2 camera,out of the window from 2nd floor. In this sound file i mixed two sound recordings, the chronologically second record i put first, the first record i put second using a little fade out on the latter. Some night bird interacts. Generalcomplete name : foxy_foxes_ii_and_i. Mp3format : mpeg audiofile size : 10. 00 mibduration : 4mn 22soverall bit rate mode : constantoverall bit rate : 320 kbpswriting library : lame3. 98rsoftware : lavf56. 25. 101. Audioformat : mpeg audioformat version : version 1format profile : layer 3duration : 4mn 22sbit rate mode : constantbit rate : 320 kbpschannel(s) : 2 channelssampling rate : 48. 0 khzcompression mode : lossystream size : 9. 99 mib (100%)writing library : lame3. 98rencoding settings : -m s -v 4 -q 3 -lowpass 20. 5.

(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully don't turn my head to keep the sound clean and coming from the same direction. Let me set the scene for this audio because i am a nerd. . . Burbank, california. A large apartment/condominium complex with an open courtyard and a beautiful swimming pool and hot tub. I'm done in the hot tub and walking up 3 flights of stairs to my apartment. Squeak. . . Squeak. . . Squeak. . . Sure to sound either intimidating or goofy. Depends on your show!. I kept the peaks very low to maintain a natural sound. Recorded on 11/20/2018 in burbank, ca. Enjoy!. Christopher c. Courter.

Recorded this sound on my xaomi redmi prime 3s mobile phone in a natural setting inside the living room. This recording has been done in bangalore, karnataka, india at around 18 hrs ist on december 10, 2016.

Hi. This soundfile was recorded on 03. 06. 2017 in szczecin, nw poland (gumience district to be precise). The time of this recording is from around 3 a. M. (when the sun was allready rising) till around 7:30 a. M. What's funny about that, is that i turned my recorder on and layed it on the windowsill (display up) on altitude around 5 meters (first floor), (the recorder is facing ne direction) because the birds were allready going crazy!, and after some time i felt asleep, and the recorder was left on. There are many many kinds of birds around, cause there is a big cementery near by, with lots of trees, and some wild fruit orchard too. I had this one moment, when the birds were so active, that let's say they spinned it me around, and worked me up to a beautifull spiritual moment with their sounds, and then i felt asleep. Later through the recording you can hear me snoring, you can hear my alarm clock going on (and that haven't woken me up too;). The bass resonance of cars passing by makes this recording a bit heavy in some places, and the wind made it's mark too, but that shoudn't be a big of an issue here. As i listen to it now, so much things happened while i was asleep. . . [ 3:30 a. M. !: some people are singing and speaking, and you can clearly hear one of them saying: "kurwa, grubo", which means - "f**k, heavy". Later on, the neighbours weren't sloppy too;). Hearing such recordings doesn't give you the liminous feeling of the place where it was recorded. You only get audio here, not the vision, the light, the brightness, the movement, the actions, and the space, the physical elements, only the best can imagine (so if you don't have such an imagination, pm me and i can send you a photo of the place where all this took place). Anyway, i hope that the birds will keep rockin' their solos, and the bees will keep visiting all the flowers around forever! (who knows, i might become one of them sometime;). Thanks and have a good listening session. Szymon.

This was recorded by holding a small pcm recorder (zoom h1n) very close to an ipod 4th generation. The ipod was turned on and its hard drive tried to start up. You can hear the spin up of the motor and the hard drive head clicking back and forth. The hard drive fails to power up completely and eventually shuts down again. A 350 hz high pass filter was applied, in addition to audacity noise reduction, to get this clean motor noise from the original recording. The stereo file was then mixed to mono because the mic was slightly off center from the ipod, and the stereo provides no benefit. The hard drive in this ipod is a 1. 8" 40 gb toshiba hard drive, the ipod model is a1059. The microphone was held just 3 cm (1. 2 in) from the ipod. Recording settings were stereo 44. 1 khz at 16 bit (wav format). The file is the same except it's mono.

Sound effect - bass rumble tension rise (wind river movie). I've looked for this particular bass tension builder sound effect from the movie wind river since it came out!! if you've seen that film and you're familiar with the "standoff" scene, then you'll probably know what sound effect im referring to. . . In the background of that most intense ever scene of all time is this bass rumble or tension builder that gives me goosebumps every time i watch it! i've wanted the original pretty bad because its the best suspense builder(bass rumble) sound ive ever heard! although it doesn't seem to exist online even for purchase. So i tried to recreate it myself! im a movie scene editor all the way, but im less than amature at audio editing, so please excuse the flaws. There are 3 versions in this mp3. All with different tones, speed, and other details trying to recreate as best i could.

This is not a complete composition. This is a loop i created for people who play d&d or any rpg or game thats similar. It will loop perfectly. It is not diverse enough in composition to be considered a finished track, nor is it dynamic enough to be a finished song, it is a 3 min 30 seconds loop with the midi used on 2 different synths so it doesn't get more boring than it already is. This is not a complete composition. It's a loop. Meant to be looped. I used 2 sounds, the tiger roar and thunder from two other users. They described it is okay to do so in their description. Https://freesound. Org/people/noisenoir/sounds/238302/https://freesound. Org/people/videog/sounds/149190/. Here are the links to the other sounds used here. I created everything else. (note: it's not a complete song, just a loop, variations of the same loop, and it's meant to be looped).

The samples of these different types of hickory drumsticks was recorded with reaper and m-audio firewire 410 sound card. All these sounds was picked-upped by akg d5 microphone. There are these samples of. Wav 16 bit 44. 100 khz sound quality:. 1. Pro mark l. A. Special dc hickory march drum sticks2. Pro mark l. A. Special hickory drum sticks 5 a;3. Lutner woodtip hickory drum sticks 7 b;4. Pro mark l. A. Special hickory drum sticks 5 b;5. Lutner hickory drum sticks rock nylon;6. Lutner hickory drum sticks 2 bn;7. Pro mark l. A. Special hickory drum sticks 5 bn;8. Pro mark l. A. Special hickory drum sticks 2 bn;9. Pro mark l. A. Special hickory drum sticks 2 b;10. Lutner hickory drum sticks 5 a.

A recording of flushing the toilet’s water, followed by a groaning door closing sound. Production stages : this sound was originally recorded by a group of students at university lyon 3. Then it was imported to audacity where few modifications were made. First of all, the record was precisely cut so there are no human voices in the background. Then, the sound was normalized and slightly compressed before applying the noise reduction effect. Last, but not least a constant gain was added at the beginning and lightly fading effect took his place at the end. Son du type x (continu complexe)c’est un groupe nodal des sons saturés avec une hauteur variée, suivis d’un bruit d’une haute hauteur. Le son est cannelé et constant et finisse par le son de la porte qui est métallique et aigul’attaque du son est rapide et forte, plutôt abrupte. Le grain est frémissement et rugueuxet l’allure est naturelle, désordonnée et aléatoire.

It's a recording of three emtec cd-rs being broken with bare hands. I had 3 audio cd-r that were burned useless. I decided to record their last sounds. You can hear the cds cracking and breaking, me bending them and trying to break them - they were pretty elastic - i had to learn how to crack them. So at first i had some trouble. Around 0:45 you can hear as i'm bending two cds together they squeak and crackle but don't break. The sound is not edited (hence the tag "raw") - no processing was done - i just truncated the beginning and the end leaving you everything you might need. Recorded with a zoom h2 placed on my bed. I was breaking the cds above it. There was a lot of splinters around, you can hear me fiddle with them from around 2:10 on. Originally wav 96khz/24-bit. Truncated and converted to flac with audacity.