659 pistas de audio libre de derechos para "Abstracción"

An experimental sound i did. It kinda sound like some space jet or something, i don't know. But yeah, it's experimental. To make the sound, first, i recorded the wind coming from my electric fan, then i edited it in adobe auditions cs6, then audacity for the final touches.

Made in fl studio.

Some sort of poor mans quantussy x 3. Am-modulation delivers some nice sounds. Deep blurp. Beeps and nonsense. This is generative modular synth music. Machine composition. The machine is a small analog modular synth. Beep!.

Something made in waveform, originally me saying "hello" edited so heavily that i found it sorta catchy, (all traces of "hello" have been lost) so there you go.

Sound for a spaceship or prison.

Sound for a spaceship or prison.

Sound for a spaceship or prison.

I hope it sounds like weird signal. Alarm-like, it should represent stressful encounter of the unknown. Made with fl-studio 11 (3xosc and a bunch of effects).

Spaceship zoom sound effect.

Another noisy transmission received from space that appears to be a jumbled up mess of noise only to settle down near the end.

Organic sfx for releasing tension, delayed. Cool for trailer, better than a whoosh. Made with handsaw heavily processed.

Random thing made in renoise for my upcoming production, works well in tandem with the other sample i also made called digitalflute.

Daw: ableton live 10. Used: izotope iris 2, post processing.

Sci-fi communications 2recorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Daw: ableton live 10. Used: grain scanner, post processing.

Created to be used for some type of menu or interface button.

Noisy digital phone.

Created to be used for some type of menu or interface button.

Sci-fi communications 1recorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

It's just a strange, weird sound i created based on a percussion hit and processed with a lot of effects in ableton.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

Synth effect.

Dragging some stuff on a thin grid. Using som e effect-plugins type reverb and phaser.

Fx sound released with vcv rack modular synth.

A random sound i created for one of my animation. I really don't know what kind of sound do you call it but it is usually used when having a "dramatic" label. Well, whatever that is. Nevermind. Feel free to use it. This sound was achieved by recording myself pounding my table once and slowed it down in audacity while adding a bit reverb to it.

A repetitive beat created by scratching into the lock groove of a vinyl record and recorded. Sounds further filtered and modified in ableton. Made for a demonstration at loyola high school for a music appreciation course.

Sound for a spaceship or prison.

Sound for a spaceship or prison.

So, i was messing around with audacity and made this little sound. I used a sound of me screaming (trimmed) and i messed up with the effects then kapow! it's here! xd. I really had no idea what is this but let's say it was some sort of laser though. Created with audacity.

Crystal wineglass filled a bit with water. Moving the finger around the top for making the special noice. Use a zoom h1 for recording. Recorded in 24/96khz.

Technical generated glitch sound.

A mellow and uneasy feeling background ambiance made from a simple keyboard arrangement.

A nice loop i made that has delay, phase distorion and tremolo to it.

I've forgotten how i came up with this noise.

And you, what is your opinion ??.

Submachine gun sound transformation with effects.

The results of an attempt at using a generative adversarial network to generate minimal techno, one measure at a time. The number in the sample's filename roughly corresponds to the training epoch where the sample was taken from.

Decided to do an exercise from "the book of bad ideas c 2. 0". This is exercise 1. 3 just intonation. Nice. Then i start to turn knobs and get modular mayhem. . .

Abstract loop.

Small pieces of styrofoam, i sort them out and scatter them. There is shure pg 81 microphone.

This sound was created using the "syleth1" synthesizerbpm 132check it out: https://presetshare. Com/preset/view?id=1240.

Sci-fi deep atmosrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi communicationsrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

An experimental sound i did while messing with audacity. Just like i did in that end sound, i just used my table to do the sound, but instead of pounding, i tapped it (man, my table is kinda useful for sfx. Xd). And after that, i added the vocoder, some reverb, and the echo effect then viola! this effect was born!.

No it didn't. Well cool patch anyway? it's what i like. Small variations on a simple theme. Sloth lfos and a jerk off (both from nlc) are the engine. Yes and a comparator. Using an or/gate-combiner to create a trigger-ish for quadra to react on. Analog delay and spring reverb. Why did i do this patch from the very beginning? when the voltage on x from sloth reaches a specific value a trigger is generated and i sample the value on y and uses to select pitch on an oscillator. The one playing the long tones. Chaos creates my variations. Sh1t, now when i've stopped recording cool thing are happening. Promise. . .