889 pistas de audio libre de derechos para "Bar"

Created solely from freesound. Org instruments and sequenced in jeskola buzz. This is recorded at 90 bpm for the continuum 4 project. You can visit the thread here:. Http://www. Freesound. Org/forum/dare-the-community/32704/. Here are the sounds used in the break:. Snare: http://www. Freesound. Org/people/ltibbits/sounds/16306/kick boom: http://www. Freesound. Org/people/jobro/sounds/33523/short kick: http://www. Freesound. Org/people/crescendo/sounds/16709/closed hat: http://www. Freesound. Org/people/atomwrath/sounds/11394/rim: http://www. Freesound. Org/people/opm/sounds/2095/open hat: http://www. Freesound. Org/people/tictacshutup/sounds/423/static: http://www. Freesound. Org/people/hello_flowers/sounds/30974/rev crash: http://www. Freesound. Org/people/halleck/sounds/30938/.

Soundscape_humfaksound description: einwerfen von geld und ausgabe eines schokoriegels - inserting money and getting a chokolade bar. Wave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät, gebäude 213, gang erdgeschoss. Lat: 6°55'14"lon: 50°56'1"date recorded: 18. 11. 2014recorded by: oliver prochazka and edited by vitalina reisenhauerthis recording was created during the seminar "gestaltung auditiver medien" (ws2014/2015) intermedia, bachelor of arts, university of cologne.

Walking around the night market on sunday april 2nd 2023, in chiang mai, thailand. Starting outside a bar where a band is doing an improv music set, then walking down the road passing stalls and people from all around the world. Feel free to use it however you wish, but if you do, leave a comment here and tell me where it's used, i'm curious to hear :).

Whistle. . . This sound can for example be used in films, games - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Circle of 5ths loop compiled on a 2015 macbook pro using field recordings. Tempo / time sig:24 bars of 3/4 timing with each bar lasting 2. 5s. Or 12 sets of 6/8 at 5s per bar with a total length of 60s. Filters:hipass pumped at 60hz, -5db. Lopass pumped at 1200hz at -6db. Delay set to 0. 05s at 600hz with a 60% wet mix. Arranged with the tonic 5th as a constant with the last (fifth) 5th in the circle, starting and ending with the tonic. Second 5th enters in 5s, third in 15s and the fourth in 25s as the fifth stops. The fifth 5th begins to fade back in after 10s of silence, which begins the process of the second, third and fourth fading out in that order. The fifth 5th is at full volume as the loop turns, as is the tonic. The mood changes noticeably as each consecutive 5th begins, and changes again as the following 5th joins the loop.

Shaking different water bottles, one has lots of soap and water in it, another has alcohol, another has a bit of water and a little soap. . . Http://upload. Wikimedia. Org/wikipedia/commons/thumb/c/c2/water_bottles. Jpg/512px-water_bottles. Jpg. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Por una cabeza, meaning "By a Head [of a horse]" in Spanish, is a famous and popular tango song performed by Carlos Gardel."Por una cabeza" (spanisch für "um den Kopf [eines Pferdes]"), Tangolied aus dem Musicalfilm "Tango Bar" (1935), komponiert und gesungen von Carlos Gardel, Text: Alfredo Le Pera.

Cut the 8-bar loop to 1/8 pieces and you have patterns (kb , kbb , k_b_ , kbbb) to loop!. Psy trance kick bass drum loop 138bpm g#1from the demo here:. Https://functionalsoftware. Net/syndrome-sounds-volume-1-trance-music-sound-library-sample-pack-kick-bass-loops-for-psy-goa/?ref=freesound210521loop.

Since i have recently found and love this site, i figure it's about time i upload something. I have been making some meditation and relaxing music and made this thing! this was made on ableton with an instrument rack. It's a basic chord progression with a drone note. Kinda makes me feel floaty. It's a 64 bar loop with 8 bars of drone after. Key: f#tempo: 120 bpm. Let me know if it's good, or if you all want more. Should be cool to see what you all do with it. If you would like to support and buy me a coffee: https://www. Buymeacoffee. Com/soundintentions.

This is a basic dubstep beat. It was done in reason 7. It is useful in that it shows you a good way to construct a beat. It consists of four 4-bar measures, each progressing from the previous. In this way, you can see how to write a good beat, by starting off simple and building from there. Traditional dubstep drums are very spare and sporadic with the use of symbols. I never liked drum beats until i heard dubstep !.

This is a full acoustic drumkit sampled at multiple velocities with drum sticks and brushes, it was recorded in a small jazz bar at a local music school, i recorded this a long time ago with a zoom h1 portable recorder. It would still need some sorting and tweaking to build a soundfont or hydrogen drumkit which i want to do in the future but it will probably not be anytime soon.

For this jazzyloop i used. Drumbot. Compiano chordsrandom progressionminor, 4 chords, 80 bpm, oo_odm, cm, c#6, f#9had to record straight to audacity. No export function. Drumbotcountry & folksmothness made a 4 bar drum sequence and exported as wav. This site (drumbot. Com) had no "bass function". . . Quick search led me to onlinesequencer. Nethere i made a bass line to the chords in 80bpm. Here you can only export to mid. . . Once again i had to record straight to audacity. Result this loop. No processing in audacity.

This is a percussion beats made at tempo 124. It spans 8 bars and is ready to be looped in your daw. This is a sound i've found in my old foxdot projects, it has a really cool "ocean" or "wave" noise-like sound that repeats at the right then left of stereo, in the end of each 4-bar segement. It layers multiple kicks and snares, with one of the sounds being stretched, that produce this "wave" sound. It can be evaluated in foxdot with the following code to replicate this result. D1 >> play(p[" [--]o h: -"]. Layer("mirror"),dur=pdur(5,8), rate=expvar([0. 09,2],8),sample=2, pan=sinvar([-1,1],16),amplify=0. 5).

A field recording made as i walked on the north side of bloor st w, near shaw street in toronto on the evening of 29 may 2011. This is a commercial strip with many ethiopian bar-restaurants, outside of which men gather to smoke and have conversation. You can hear some of these as we pass along bloor, as well as the conversations of other passers-by. These sounds are pretty typical of this section of bloor on a fine spring evening. Recorded with a roland r05 and accessory stereo directional microphone.

This track is perfect for a film trailer which hits several "reveals" within it. It was originally recorded on a zoom h2 of a glass bottle being hit while suspended in the air. After some modifications, you have this track, ready for your next film trailer. Like all my sounds, you don't need to mention me as the creator, but if you make a million from it, an open bar at any parties you hold would be nice. (-=.

Recorded a short drum and bass loops at 120-bpm using ableton live 9. 4 notes per bar played on bass in this order: a1 f1 c2 g1. This recording is designed for a mid-range frequency instrument, like a guitar, over the loop. Mid range frequencies are reduced to allow space for a guitar, vocals, etc. Additional notes:-15. 2 lufs integrated-1. 0 db true peak max. Want something more customized? send me a note or visit my youtube. Com/bainmackhope this helps and is useful for your next project. Cheers,bainmack.

Recorded a short drum and bass loops at 100-bpm using ableton live 9. 4 notes per bar played on bass in this order: g1 e1 g1 e1. This recording is designed for a mid-range frequency instrument, like a guitar, over the loop. Mid range frequencies are reduced to allow space for a guitar, vocals, etc. Additional notes:-15. 9 lufs integrated-1. 1 db true peak max. Want something more customized? send me a note or visit my youtube. Com/bainmackhope this helps and is useful for your next project. Cheers,bainmack.

Recorded a short drum and bass loops at 120-bpm using ableton live 9. 4 notes per bar played on bass in this order: e1 g1 e1 d1. This recording is designed for a mid-range frequency instrument, like a guitar, over the loop. Mid range frequencies are reduced to allow space for a guitar, vocals, etc. Additional notes:-14. 9 lufs integrated-1. 1 db true peak max. Want something more customized? send me a note or visit my youtube. Com/bainmackhope this helps and is useful for your next project. Cheers,bainmack.

Recorded a basic drum and muted guitar loop at 105-bpm using ableton live 9. 4 notes per bar played on guitar in this order: d a c a. Drums are kontakt player "urban beats" default setting. Guitar is a single coil telecaster playing thru a reverb pedal (shift line's astronaut a+) and mic'd up w/ a ldc. Additional notes:-14. 8 lufs integrated-1. 8 db true peak max. Want something more customized? send me a note or visit myyoutube. Com/bainmack. Hope this helps and is useful for your next project. Cheers,bainmack.

This is an 8 bar drop loop. It works well in edm and house or any melodic driven music in general. Be sure to visit my spotify profile to hear what kind of tunes i make using these power and well made loops you can find here right on freesound. Org. Spotify link---> is on my profile under description. All my sounds that i give away are all copy right free. So feel free to use them in a commercial capacity if you so desire or just them for fun. It’s totally up too you!. Have a blast. Peace system shock. =).

It's me saying some words. I've recorded my speech and then used ardour's (http://ardour. Org) looping funtionality (which have proven to be rock-solid) to perform theese glitches. I used my mouse to select random ranges in the session, then used the "]" key to set tre selected region as a loop range. And also used "l" key to start looping if i accidentaly clicked on the playhead (which makes it stop playing). I also used space bar to break the loop into normal playback. There was a limiter in ardour. Recorded the performace using jack_capture cli program. I cut out some silence using audacity and converted the recording to flac.

Production step :this sound is from a sound recording of a key hiting an iron bar. I take just one sound from my reccording and copy/paste in a new track. I amplify the sound and do a low pass filter. I copy paste my track and create another one just above. I move this new track for create a gap between the two tracks. On the second track i supress some of the beat for create a rythm. On the second track i change the pitch, for making a sound more high-pitched. Description :this sound looks like the ring of a bell tower. The rythm change every two bars who makes him unique and not settled. This sound is, for me, a reference of the track begining of dark techno music. Typologie de schaeffer :. Masse: nodaltimbre harmonique: eclatantgrain: résonnanceallure: mécaniquedynamique: rondeprofil mélodique: ascendant puis descendantprofil de masse: dilatation.

Bird singing recorded at around 3:40 am with yinger bm 800 ldc-microphone in front of my open window, i had to add some noise reduction because of my computer fan with reafir (there isn't really much of that noise left, atleast if compared to original). You can also maybe hear ocassional space bar-click sound maybe twice, but it's still pretty useable clip in my opinion, i recorded this just to test my new microphone, and because i couldn't sleep because of the loud birds singing, and in revenge i recorded that with my shiny new yinger bm800. You are free to use this soundclip for both commercial and non-commercial audio and video work. File format: 16 bit/44. 1khz mono. Wav-file.

9-note ending riff. 1 of 8 samples under 5 seconds from my acoustic guitar recording of a civil war fife and drum song named frog in the well, which i learned from an 1862 instructional manual. The instrument was a 1928 gibson l3. There are no effects. Key is (in order of best fit) d major, f# minor, e minor, g major, a blues. Time signature is 3/4, but these samples are mainly under a bar so can be used in a 4/4 song. You also use either of these licenses for your remix: creative commons attribution-sharealike, creative commons attribution-noncommercial. The home of this song on the web is soupgreens. Com/froginthewell. That has the full source song in mp3 format and short clips (40 seconds, 30 seconds, and 20 seconds) for use in video cues. There is also sheet music and guitar tab there.

Metal bars being rattled. Recorded with a tascam dr-44wl.

Brushes at 107 beats per minute over 4 bars.

First 8 bars of musical notation

La Cathedrale engloutie bars 1-2

La serenade interrompu, bars 76-86

Vivaldi Summer, 1st movement, bars 26-30

Wagner Meistersinger Vorspiel bars 158-161

Mussorgsky Gnomus original bars 19-24

Handel, Hallelujah Chorus closing bars

Brahms Symphony No. 3, opening bars

Wagner, Tristan Prelude, closing bars

Chopin Minute Waltz bars 1-10

Mozart, opening bars of Symphony No. 1

Bach Fugue in C WTC1 opening bars

Italian soda water bottle beatboxing (2 bars in 4/4).

Symphony 8, finale, bars 1-17

Symphony 8, finale bars 370-381

Scarlatti Keyboard Sonata K119 bars 143-168

Debussy Quartet 2nd movement, bars 140-7

Bach Fugue in C WTC1 bars 14-16

Prelude a l'apres midi bars 35-40

Schumann Piano Concerto Finale bars 120-127

Tchaikowsky Symphony 6, finale bars 1-6

Amen break f (180 bpm) (16 bars).

I tried out some new gear and methods! more mountainside rain! a complete storm from beginning to end with swelling and then waning rainfall, occasional thunder. Ms stereo bar on mic stand projected through open second-floor window, just under the roof eaves. Recorded july 20th during one of the mid-afternoon brief intense storms we can seem to get frequently in the rocky mountain foothills beginning around june. If you were listening and wondering, the direct sound of the thunder is somewhat occluded as i believe the storm was behind the overhanging roof and house from the perspective of the microphone array. The mountainous terrain and other objects in the field reflected some of that thunderclap, as well as the exterior wall of the home, and so this is all a little bit funky. Mid-side stereo recording:large diaphragm condensers mounted on octavia stereo mic mounting bar:akg perception 220 mid (cardiod) (on top, upside-down)akg perception 400 side (in bidirectional mode) (on bottom, facing left)sound devices mixpre-6 preamp+mixer+recorder (ch1+2 paired to ms stereo, gain @ +21db, fader @ unity, balance at mid/side center) w/48vdc phantom power applied, on-board mid-side encoding and monitoring in l+r, 24/96khz stereo recording. Postprocessing:cooledit 2000: edited to excerpt from longer recording. Normalized recording to 0db. Downsampled to 16bit 48khz. Flac: encoded.

Mozart Fantasia on D minor K397 closing bars