275 pistas de audio libre de derechos para "Base"

Alien planet wind base wave dark horror thriller atmo atmosphere cinematic surround.

Needs to be faded in, but otherwise it should properly loop. Created using cubase and retrologue 2. A simple patch exploring the vsti's multi oscillators. Two oscillators plus a bit of semi-random filter modulation.

Alien base space station sci-fi fantasy sfx sound-design reverb mixdownkitchens sound recorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.

I downloaded roper1911's heavy beam weapon and loved it except for the fact that it had some clicks. I modified the waveform to removed the clicks. Now its smooth as silk. Enjoy ropper1911's heavy beam weapon digitally remastered.

This started out as a good idea for one of my projects but began to have a life of it's own as i rolled up my sleeves and fussed over every detail. As you will hear, this sound file/track embraces panning like their is no tomorrow. You should be able to fold your sounds into it. Either snaking through it with your own panning sounds, or laying your sounds straight down the middle. - you should find several looping points within the 2:28 runtime. Most of the sounds i upload are from songs where i have lost my direction. In sharing them here, i hope someone can pick them up and make them part of something beautiful. I would love to hear what you make of them as it will be a source of inspiration to me. To see the possibilities beyond my own horizon. Everything starts off as a soundbridge project. I occasionally use aria maestosa for midi composition as the sounds are basic and pure. Audacity can't be beat when it comes to clipping. Engine dj is my library manager.

Alien base space station sci-fi fantasy sfx sound-design mixdowkitchens sound recorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.

Ambience recording at the first base camp on chimborazo volcano. The mountain was relatively quiet and there wasn't much wind. This was taken on a cold overcast day on the mountain side.

Sheet music based on spooky and dark tones. From these came the ambient sound installation vision. Sfx conversion edited: adobe + fxs + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

Psy trance bass d1from the demo here. Https://functionalsoftware. Net/syndrome-sounds-volume-1-trance-music-sound-library-sample-pack-kick-bass-loops-for-psy-goa/?ref=freesound210518.

Another punchy deep bass from:. Https://functionalsoftware. Net/syndrome-sounds-volume-1-trance-music-sound-library-sample-pack-kick-bass-loops-for-psy-goa/?ref=freesound210520.

I've fiddled with this sound for a while, its 22 layers of base tones, atmosphere and static blended together to create a heavy, powerful sounding beam weapon. The finish is a slowed, lowered and reverberated tone from a french horn.

Bass and base loopedited: yellofier, adobe + fxs + mastered.

A synth bell with added reverb and a slight pitch slide.

Aethernet-cc0 code ascii unicode datagramme langage universel pulsation base bande plan volume echo localisation communication identification echange protocole flux trafic siphon table routage nuage réseau phare sémaphore maille.

Aethernet-cc0 code ascii unicode datagramme langage universel pulsation base bande plan volume echo localisation communication identification echange protocole flux trafic siphon table routage nuage réseau phare sémaphore maille.

Aethernet-cc0 code ascii unicode datagramme langage universel pulsation base bande plan volume echo localisation communication identification echange protocole flux trafic siphon table routage nuage réseau phare sémaphore maille.

Cut the 8-bar loop to 1/8 pieces and you have patterns (kb , kbb , k_b_ , kbbb) to loop!. Psy trance kick bass drum loop 138bpm g#1from the demo here:. Https://functionalsoftware. Net/syndrome-sounds-volume-1-trance-music-sound-library-sample-pack-kick-bass-loops-for-psy-goa/?ref=freesound210521loop.

Bells from the church at 12:00 on sunday, recorded from the street. Light wind sometimes. Church kostel sc. Vojtecha, prague 1recorded by an ortf setup schoeps ccm4 x 2 on a cinela suspension + windscreensound devices mixpre6 recorderoriginal recording in wave 96khz 24bitgps: 50. 078476 / 14. 415440sound ref: cz-190303-002. Same sound of soundcloudhttps://soundcloud. Com/felixblume/church-bells-praguerecorded during a residency at agosto foundation in march 2019.

I've recorded the first chapter of a story created in a manner called one-word-at-a-time in freesound forums. Read the original here:http://www. Freesound. Org/forum/off-topic/34658/. Captured using a zoom h2, edited with audacity. Compressed with sc4 and eqd with audacity's built in rich eq. The compiled text without commentary:. 1 - once. . . 2 - upon3 - a time4 - in a small town called pandora5 - there was a database. 6 - containing vital information7 - collected and controlled by the government. 8 - nobody knew what the database, called pandorabox, contained, yet the popularfolklore went thus:9 - that every word, written, spoken or thought was in the database. 10 - though the question still remains,. . . 11 - how does one12 - hack the database? more importantly, why does one, or who intends to, hackthe database?13 - the question puzzled many but one young outcast searched for the answer forhis special organization called the. . . . . 14 - chaos code. 15 - within this organisation one thing was certain. . . 16 - , they were all looking for the same thing. For all they knew pandoraboxcould hold vital information for there cause that they could use against thecapital or it could hold deep dark secrets about them and the capital that wouldneed to be destroyed and taken advantaged. 17 - but,18 - nothing is ever easy19 - for20 - the chaos code. 21 - now time is running short as few are left to face the enemy22 - , although without even knowing who the enemy really was, the "crusaders" -the hackers - knew they were against something big. . . And that something wasagainst them as well. The first step, then, was to know whom or what they wereup against. 23 - they set to prepare some reconnaissance - to better equip their knowledge. 24 - when they got there they secretly spied the territory and discovered thatit was worse then they predicted and it would be hard getting in and out withoutbeing noticed, they will probably have to fight there way in and out or sneak inand then fight there way out. 25 - since they knew that either outcome meant the destruction of their plansbefore even starting, they decided they'd have to retreat and find an insiderfirst.

Purpose is space-ship idle background engine drone. Created in flstudio10.

Purpose is space-ship idle background engine drone. Created in flstudio10 with vst-mysterion (free).

Ambience from 5th floor balcony, sao paulo capital city (consolacao neighborhood) with foundation pile driver machine on background at augusta street building site, downtown, traffic, urban, cars and buses passing, construction, horns, pedestrians, walla. Recorded in november 2012 with zoom h1 stereo internal mics and edited with audacity.

Frank Nora - Trance D Base Dance

w:Turkey in the Straw by the United States Air Force Strings. From the 2000 album Collage, recorded at The United States Air Force Band Recording Facility, Bolling Air Force Base, Washington D.C. 18-26 May, 2000. Catalogue Number BOL-0006, First Lieutenant Keith H. Bland, Conductor. Turkey in the Straw par les États-Unis Air Force Strings. De l'album 2000 Collage , enregistré à l'installation United States Air Force Band Enregistrement , Bolling Air Force Base, Washington D.C. 18 au 26 mai , 2000. Numéro de catalogue BOL -0006 , le premier lieutenant Keith H. Bland , chef d'orchestre .

Taps performed by the Concert Band of the United States Air Force Heritage of America Band. Track 15 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

National Emblem (2001) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 9 from America (2017). Recorded between January 2015 and March 2017 at Rachel M. Schlesinger Concert Hall, Joint Base Anacostia-Boiling, and Bias Studios. Featuring soloist Master Sgt. Emily Wellington.[1]

The Star-Spangled Banner (2001) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 1 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

Festival Overture on the American National Air performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

The Stars and Stripes Forever (2001) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 18 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

Battle Hymn of the Republic (with poetic narration) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 16 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.

Midi file of BWV 610 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia. "Jesu, meine Freude" (Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, with a melody by Johann Crüger, first appearing in a hymnal by Crüger in 1653. The hymn is the base for Johann Sebastian Bach's funeral motet, BWV 227, and his chorale prelude, BWV 610.

First Suite in E-flat for Military Band, Op. 28, No. 1: III. March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 5 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 9 from America (2017). Recorded between January 2015 and March 2017 at Rachel M. Schlesinger Concert Hall, Joint Base Anacostia-Boiling, and Bias Studios. Featuring soloist Master Sgt. Emily Wellington.[1]

First Suite in E-flat for Military Band, Op. 28, No. 1: I. Chaconne performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

First Suite in E-flat for Military Band, Op. 28, No. 1: II. Intermezzo performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Robinson's Grand Entry March performed by the Concert Band of the United States Air Force Band. Track 3 from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook

Second Suite in F for Military Band, Op. 28, No. 2: III. "Song of the Blacksmith" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 8 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Second Suite in F for Military Band, Op. 28, No. 2: IV. "Fantasia on the Dargason" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 9 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Second Suite in F for Military Band, Op. 28, No. 2: "Song Without Words, I'll Love My Love" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 7 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Squadron Song performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 11 (B5) from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook

Second Suite in F for Military Band, Op. 28, No. 2: I. "March: Morris dance, Swansea Town, Claudy Banks" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 6 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Band. Track 6 from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook

Listed by the w:United States Air Force Band at The Air Force Strings Music page as "Air", which might be confused with Air", but actually Air on the G String. From the 2000 album Collage, recorded at The United States Air Force Band Recording Facility, Bolling Air Force Base, Washington, D.C. 18-26 May, 2000. Catalogue Number BOL-0006, First Lieutenant Keith H. Bland, Conductor. Performed with 7 first violins, 5 second violins, 4 violas, 3 cellos, 1 bass and 1 accordion, according to the liner notes

Electric (base sound).

Electric (base sound).

Drum techno loop.

Elecronic techno synth loop.

Techno percusion loop.

Triphop electro loop.