201 pistas de audio libre de derechos para "Cable"

Kinda self-explanatory, the 8-bit bleeps and bloops from playing a video game. Recorded like this, it was kinda ridiculous but very fun:my laptop when i was playing that little dinosaur game that loads when your page doesn't load -> 1/8" to rca cable -> used one of the rca outputs -> rca to 1/4" adapter -> scarlett 2i2 -> protools.

A recording of strong spring wind gusts through a stand of mature, tall white pines in a midwest forest. I used my handy zoom h4n recorder, and i used my rode nt2 shotgun microphone, cable-tied to a sapling. No kidding, i forgot my sturdy tripod, so i improvised using some bungee cords that i carry with me, tied the shotgun to a sapling and this is what i recorded.

* circular saw for cutting stone on a construction site* ambient noise: birds, voices, construction site* distance to source: ~8m* height above source: ~5m* post processing: none. * microphone: samson c01* interface: phonic firefly 808u* resolution: 24bit@96khz* preamp: +35db* cables: 2x 6m sommer sc-the stage 22, hicon connectors* software: ardour on debian.

Another of the recordings i did on my phone at work of a steel cable at tension between phone poles. Hitting it with a wrench and making laser sounds. Cleaned up in audacity as the other one was. One is better than the other but can't remember which one i liked the best. Use as you please. If you use it for something and have the time to tell me where it ended up, that's cool. Either way, enjoy.

String tightens then whips.

Sound from a wirebrush. Made as a loop. Edited with some effects. Recorded with zoom h1.

This is a small plastic click made by removing an ethernet wire from a socket. Recorded using zoom h2n. Sound processed using audacity (noise removal, fading).

A metallic wire is hitting a hollow metallic can in different ways to create different sound effects.

Foley recording of a goose-neck reading lamp lamp (you can bend it into any position and it will stay that way) mounted to a bed in a hotel room. Features a lot of groaning, clicking, bending, stretching, etc. Could be used for rope torsion sfx, pitched down for metal stress / strain / fatigue, clicking elements could be used for creature sounds.

Td-3-tg recorded with zoom h-1. Td was performing slide through octaves with "slide" button pressed in program, and subsequent cs were played, in octave -1 and 0, and higher c in octave 0 and +1, back and forth. Program takes 7 16th notes and the space between notes takes 9 rests. Tempo of the td-3 was set to maximum and the volume control was set to high amount, to let zoom h-1 with rec level setting to 37, be driven up to -6db. Sound recorded in 96khz and 24bits. Trimmed and saved in flstudio edison, what made sound 32bit. No amplify, no normalisation. "tune" knob of td-3 was set to maximum as well as "cut off", "envelope" and "accent". "resonance" and "decay" was set to one o'clock. "waveform" swicth was set to square. No distortion. Zoom h-1 was plugged by a cable, td-3 output to line in. Cable was named vitalco - 1/8 inch trs to 1/4 ts, male to male, 3m.

Lots of electrical noise. I got this sound using an aux cable from my laptop to a broken 3. 5mm to 5. 25mm adapter to my mixer. Noises were generated by my fingers scrubbing around the laptop's trackpad and clicking keys on the keyboard. Also my air conditioner is generating a constant noise. Every few minutes there is a neat glitchy sound, i'm guessing it's from some data being processed on the laptop. .

Time to give something back. Drilling right in front of my house. Because internet cable was broken. Used the opportunity to mic it up. Recording made from inside. Drilling is about 5m away with a wall in between. You can hear my son about halfway through way in the background. But thought i wouldn't cut up the sample. Recording using 2 x gefell m930 in ortf stereo. No processing. Use freely. Would appreciate attribution if you use it, but not mandatory.

Hello and welcome everyone from istanbul. This is emin. I'm really happy if you like my audio recordings and sound effects. I'm trying so hard to improve myself on this. I'd really appreciate it if you'd like to support me. Thanks. Litecoin (ltc) adresslftxm1w4p8w7yrh69ppwffb2bnsqczebbg. Paypalraramuli@gmail. Com. **i'm sending my personal archive to everyone who donated. ---------------------------------------------------------. Recorded at 24bit 96khz wav. Using the zoom h6 recorder. If you like my recording, please feel free to rate and comment.

While recording narration on my blue yeti microphone, the cable came loose in just such a way that it started glitching and converted everything i said into weird techno music. In the radio drama big data, it was used to represent the end of the internet. You are free to use it in any way you like, but it would be super funny if you credit it to "broke yeti" as though that is a real band and help me confuse people.

Metal wire shaking and bouncing. Recorded on a zoom h6 recorder.

Wire fence shut plastic metal gate.

Quindar sounds were used by nasa for controlling the ground station transmitters that allowed communication with spaceships through the space shuttle era. Fiber optic cable has made quindar sounds obsolete. This sound, at 2525 hz, was generated when the capsule communicator pressed the ptt button on his microphone, and the pitch told the ground station transmitters to start broadcasting. You can read more about quindar sounds at https://www. Hq. Nasa. Gov/alsj/quindar. Html. This sound was generated in audacity.

This is a berimbau, a brazilian gourd instrument made of a wire strung tightly on a piece of bowed staff. There is a wah kind of effect made as you move the gourd in to your belly. There is some ambiance added to the sample, but it's mostly the instrument that you hear.

Vacas comiendo al costado de un alambrado cown eating in front a wiring. Crunch chew.

Real electrical hum, lifted from the beginning of a public domain film before the action started. Like the kind of hum you get when there is a short circuit or ungrounded wire. With a little bit of authentic static thrown in.

A small square gate made out of metal and wire, being closed with a fairly strong force causing it to rattle. Recorded with a zoom h2n handy recorder.

Letting go of an open clothespin. Used as a snapping wire in my game the life and times of daniel vastberaden.

Sound of balinese chimes recorded with tascam dr-60 d mkii linear recorder and pair of akg p120 electret condenser microphones on a stagg smc3 3m xlr cable. Knobs of sensitivity were turned in position of highest sensitivity. Microphones were configured as stereo pair and placed face to face in front of each other in distance of 75cm. Microphones placed on stands. Chimes was held in the hand between mics along the way of sight of them, with smallest bell on the side of right microphone. Recorded afternoon in a bedroom with closed door and windows in a house next to high street. Recorded in 96khz and 24bit. Trimmed and normalized in flstudio edison. Normalization made sample 32bit.

Gravado em estúdio feito em uma garrafa plástica de álcool contendo alguns fios de macarrão. Recording in studio made with a bottle of alcohool containing pasta wires. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Recording for the discipline captation and edition of course radio, tv and internet from university anhembi morumbi. São paulo-sp/brazil.

Brush hit on metal.

Sound of a metal saw making a cartoonish musical twanging noise.

Ben burtt style retro laser gun blast made from hitting a long fence wire. I left more of the tail resonance on this one. This recording is unprocessed so you can shape it yourself.

Aethernet-cc0 pattern template hysteresis spectrum wire net volume oscillator ghost pilot.

Aethernet-cc0 pattern template hysteresis spectrum wire net volume oscillator ghost pilot.

Metal creaking.

A clean metallic running sound, like a stream of metal being collected.

your call has been forwarded to an automated voice messaging system. 0, 1, 2, 3, 4, 5, 6, 7, 8, 9 is not available. After the tone, please record your message. When you are finished recording, you may hang up, or press one for more options. Beeeep. I called a few of my friends to make sure i got all of the numbers so y'all can move them all around however you want <3 love u. Recorded like this, it was kinda ridiculous but very fun:iphone -> 1/8" to rca cable -> used one of the rca outputs -> rca to 1/4" adapter -> scarlett 2i2 -> protools.

Plane- it’s difficult to get good recordings of planes taking off these days. There’s always major streets or highways close by which results in a bunch of unwanted traffic noise. It’s difficult to find a good vantage point to set up because there’s hardly any public parking with unobstructed sight lines (or in my case hearing lines) to the planes. Plus, with all the extra security measures in place these days, how suspicious would i look setting up a laptop andsome cables and some other electronic equipment in the general area of the runway?but i managed to get this recording. It’s not spectacular, but it’s ok. There’s some worker truck at the end of it which gets in the way, but doesn’t ruin it. Nady stereo condenser microphonefocusrite saffire pro24 interfacelogic 8 on a macbook prosan diego airport.

Aethernet-cc0 pattern template hysteresis spectrum wire net volume oscillator ghost pilot.

The is a constant electronic drone generated by a program i made for the purpose of creating this tone. The tone is clipped and has random amplitude variations.

The quite nasty sound of a rotary wire brush head spinning in its plastic packaging and scratching it all up from the inside.

It's me jamming a bit using my epiphone's explorer (tuned to drop-d). Recorded with a zoom h2 via mic-in and a jack cable. Unprocessed an undedited recording. I tried out some licks and chords. I'm not a good guitarist. Nevetheless, this might be a nice recording if you're making an animation about learning musician, or a game with a band member rehearsing alone in a room, or if you want to just chill to my little jam session. This should be mono, but i calculated the difference between left and right channel and it is not zero. So i uploaded it as a stereo file. Could use some denoising. There is some silence at the beginning so you can do that if you need.

This sound was created as follows:. -zynaddsubfx free (and insanely amazing) software synthesizer generated simple g tone using a sine-wave adsynth engine- creative sbs 250 speakers played it back distorting the sound naturally and adding some interesting stereo phasing effects (is that caused by analog signal cable being longer for one speaker?)- i was manually changing the volume using the speaker's potentiometer (whitch is dirty and added some interesting noises on the right speaker, and also at peak loudness during the 54th second the right speaker is quiet)- the output was captured by zoom h2's rear mics- and recorded via usb into audacity free audio editing program- i exported the recording as 16-bit flac.

Roll of thick guage wire lifted and then dropped in dried grass, dried grass crunches, wire hits metal sheet.

The quite nasty sound of a rotary wire brush head spinning in its plastic packaging and scratching it all up from the inside.

This is a strong wind recorded in whalley range manchester with a calrec soundfield microphone using neve preamps into apogee converters. Encoded to stereo using the soundfield plugin.

Recorded with an iphone 8+ with the preinstalled app voice notes and mastered, chaged tone, eq and noise reducted with audacity,.

This is my first recording using my binaural mic. I took a walk to meet my wife for lunch and decided to record it. It was windy outside, and even with the standard foam wind protection, you can still hear some wind rumble. It might be fixed using some low cut filtering but i wanted to post it as is. This take started inside my recording studio and ended in a fairly large avenue with lots of traffic (cars and motorcycles). There is a pause on the recording by 01:59, when i had to change the mic cable position. Signal chain: roland cs-10em (with foam windscreen) > sony pcm-m10 (rec level: manual, at about 3,5; mic sensitivity: low; limiter: off; low cut filter: disabled).

Horror fence sounds.

Our neighbors fought a lot. Usually at around 2am and it would go on for about an hour or two. Besides being angry and annoyed, my girlfriend and i were always curious as to what they could possibly be fighting about. I had the idea to record them via a long mic cable stretching down the hallway, strategically hidden behind a few pieces of wood, to their apartment door. My plan was to one day play this from my stereo at a loud volume around 2am. As i later thought this through i realized that this would only disturb my other quiet neighbors and was a fairly selfish act. Anyway, i used a $100 audio-technica stereo mic and recorded it directly into my computer as an. Aiff. They seem to be arguing about a stereo and someone not loving the other. It's rather sad. We no longer live in that building so i have no idea what became of them. I hope they are happier now. Enjoy.

The title is pretty self explanatory. There's a little bit of wind noise. ---two primo em172 mic capsules > zoom h1. I made this recording with my newly acquired $10 primo em172 omni mic capsules, which i soldered to a cable diy loosely based on this tutorial:http://www. Wildmountainechoes. Com/equipment/diy-stereo-electret-mics-primo-em-172-capsules/this is a good example of what the capsules sound like when plugged directly into an inexpensive zoom h1 audio recorder. So far i've been pretty stunned by the performance of these capsules, which are significantly more sensitive than the built in microphones on the h1, and to my ears sound much less muddy. I'm particularly impressed by this because the capsules are running on the 2. 5v of plug-in power that the h1 delivers, which is below the minimum specs of the capsules. Even so there is remarkably little noise. I can only imagine how they would sound with a battery pack to deliver a full 5 volts!.

I recorded this in my living room with mics in an x-pattern on the couch very close together, using a tascam dr-70d and behringer dyynamic microphones with patch cables for optimal volume. I recorded this at maximum gain on the tascam as two stereo files, then conjoined them to a 6-channel audio file properly and mixed the front two channels to a monaural center channel for added effect. The final result is what can be downloaded here. Tghe music in the background is part of the star trek: generations expanded complete score, and is coming from my computer to the rear of the recording, which lasts just over a minute in length, and the music was just background noise for testing purposes only. No copyright infringement was intended. Credit for the music goes to the now late jerry goldsmith and also dennis mccarthy, who is still alive. I hope you like this audio demonstration, and find it useful when considering rigs like the holophone, or comparible 5. 1 surround sound microphones / rigs. I take no credit for this recording, as it was done for demonstration purposes only. Have fun!.

One friday night, me and my partner were eating dinner, and we both heard a click. She perks up, "what was that?" and i said "the dryer is running, probably something in it" and she goes "no it was inside" (our dryer is like a back door outside porch kinda deal). I noticed it came from inside as well, in the kitchen, but mentally shrugged it off because lasagna. But now i know she heard it inside too, so i walk in the kitchen where the sound came from and don't see anything moving or on. I took note of where my cats were in case anything was being chewed on: one in bed, one on the couch, they aren't chewing on anything or are even near the clicking sound, so back to dinner. About 45 minutes later, dinner is wrapped up, my partner is asleep and i start turning off all the lights. When i turn the kitchen lights off, there is a light that stays on in the corner. I have a car battery recharger there: it has usb ports in case ya lose power, charger cables, and a flashlight attached on the side. . . . Which is on. I turn it off: exact same click that i heard earlier. Do i have a ghost?.

Noises of a headphone mic being moved around and played with. Recorded from iphone 11.

A few cycles of my dad's home oxygen machine with a ticking battery operated clock in the background recorded in the early morning in the living room with lifecam hd3000 webcam at the end of about 16 feet of usb cable dragged out of my bedroom. He's about 6 feet away, i was with my back to the room with my camera pointed at my chest so he wouldn't think i was filming. It would seem this is the first and only oxygen machine on freesound. A full cycle seems to last from between 7 to 10 seconds. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.