1326 pistas de audio libre de derechos para "Chords"

Metal guitar riff, 85 bpm, can be looped and used for a song.

A short guitar progression.

Exclusive for minimal ;).

Sounds for sound-design.

Sounds for sound-design.

Sounds for sound-design.

Sounds for sound-design.

Sounds for sound-design.

Open and close nightstand drawer.

A violin being played.

Vst: strum gs-2.

Twelve bar blues in B, block chords. Created by Hyacinth (talk) 09:25, 17 December 2010 using Sibelius 5.

The chord of A major played on an acoustic guitar. El acorde de A major toca en una guitarra acoustica.

A 24 bit, 96khz stereo recording of the cable being pulled out of a vacuum cleaner.

Leading-tone seventh chord in baroque composer Élisabeth Jacquet de La Guerre's 1707 Pièces de clavessin, book 2, "Sarabande", mm.21-8 (ending).

A 24 bit, 96khz stereo recording of a vacuum cleaner chord being pulled out of it's spring box very fast.

A 24 bit, 96khz stereo recording of a vacuum cleaner chord being pulled out of it's spring box very loosely.

I just played a simple chord ( i hope that is correct) on my guitar. It is the d chord. Please leave comments and please rate.

5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.

Electric guitar chords going through a "honeytone" miniamp with the gain and overdrive all the way up. Seek eeeeeeelectricityyyyyy.

The chord of C major played on an acoustic guitar. El acorde de C major toca en una guitarra acoustica.

The chord of G major played on an acoustic guitar. El acorde de G major toca en una guitarra acoustica.

The chord of F major played on an acoustic guitar. El acorde de F major toca en una guitarra acoustica.

The chord of D major played on an acoustic guitar. El acorde de D major toca en una guitarra acoustica.

Scrumming a guitar no chords.

C augmentedΕλληνικά: Η συγχορδία ΝΤΟ αυξημένη

Bells!!!.

Piano samples band filtered remix.

Created in reason 10.

Guitar playing asus9 and c7.

Short keyboard sound.

Guitar playing.

Mandolin + reversed piano chord progression loop. D69-e9sus4-bminor11-bminor11 played twice @120bpm detuned to 100bpm. 16bit 44. 1khz. This is the mastered file with phaser, chorus, surround reverb, & stereo widening fx baked in.

An old out of tune piano recorded with my phone to give it a raw unprocessed sound.

Recorded with my epiphone sg and fender squire mini-bass through a focusrite 2i2 interface to reaper. I'm a total newbie with mixing. All comments welcome. :-).

132 bpm in c minorjust simple chords in a quick patch i made in sylenth1. Cant imagine what anybody will do with this but might as well just leave it here for the good people of freesound. :d.

Recorded this with my epiphone sg through the focusrite interface into reaper. I changed the octave which gave it an 'organy' sound. I think bach would have had fun with something like this. :-) comments welcome.

A very classic housy bass loop ;). It's what you make out of it. This loop is in 122bpm.

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).

Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.

Stp created a clean strum inside of a fingered bass that wangs in a subwoofer. Great for all styles of music. Works in all daws.

I - ♭VII - ♭VI - ♭VII in C. Created by Hyacinth (talk) 00:31, 14 March 2010 using Sibelius 5.

C triad with doubling. Created by Hyacinth (talk) 23:44, 5 November 2011 (UTC) using Sibelius 5.

85bpm gated weirdness.

F majorΕλληνικά: Η συγχορδία ΦΑ μείζονα

An acoustic guitar being played.

Me playing some guitar.

Free use.