I made this gabber-esque kick in my free time, spent a lot of time adjusting it to make it the heaviest as possible. Download wav file for higher quality.
Back in 2015 i have rendered this loop to show my mates how effective ableton's vocal eq presets actually are. I encourage you to try them yourself as well. (not sure about sample key, 150 bpm).
The sound of a metal gauntlet hitting an enemy. This is a sound i made for a doom mod called "trenchfoot" https://www. Moddb. Com/mods/trench-foot-wipsupport the creator!.
This sound was created off my black'n'white unfamusic waveform logo. A big (5300x1200) png image was saved as 32-bit uncompressed bmp, and then imported into audacity as raw data in stereo mode, 24-bit unsigned @ 192khz.
Friend of mine trying out microphone , speaking phrases and finishing with hard pronunciation of "headrush". Text : "it's time to fry the brain, only you can fry the brain. . . Headrush".
This is probably one of the best snares i have made yet. Hard transient, tape saturated, and squashed to bits, when played with very bright sounds and heavy bass, this really can handle it, and cut through.
There are three of these files. I used the microtrack to record them. I put the mic on an extension and stuffed it inside of an already noisy drive and ran a defrag. These files are samples of the different types of noise that i got. Basically it's a close perspective on a working/struggling hard drive.
There are three of these files. I used the microtrack to record them. I put the mic on an extension and stuffed it inside of an already noisy drive and ran a defrag. These files are samples of the different types of noise that i got. Basically it's a close perspective on a working/struggling hard drive.
There are three of these files. I used the microtrack to record them. I put the mic on an extension and stuffed it inside of an already noisy drive and ran a defrag. These files are samples of the different types of noise that i got. Basically it's a close perspective on a working/struggling hard drive.