354 pistas de audio libre de derechos para "Filtrar"

Violinn sample band filtered remix.

Violin band filtered at above 2000 hz pitch transformation remix.

Violin sample band filtered below 400 hz.

Violin sequence filtered at 2000 hz pitch transformation remix.

Violin band filtered sequence remix.

Violin sequence filtered at 2000 hz pitch transformation remix.

Violin sample filtered 1500-2000 hz.

Violin band filtered sequence remix.

Bansuri concert recording (hariprasad chaurasia,dehli 1976) filtered and some reverberation added.

Bansuri concert recording (hariprasad chaurasia,dehli 1976) filtered.

Bansuri concert recording (hariprasad chaurasia,dehli 1976) filtered.

Bansuri concert recording (hariprasad chaurasia,dehli 1976) filtered.

Bansuri concert recording (hariprasad chaurasia,dehli 1976) filtered.

Bansuri concert recording (hariprasad chaurasia,dehli 1976) filtered.

Bansuri concert recording (hariprasad chaurasia,dehli 1976) filtered.

Piano sample filtered 1000-1500 hz.

Piano processed sample filtered 2000-2500 hz.

Filtered kicks.

Bird band filtered.

Violin band filtered sample remix.

Violin band filtered sample.

Piano sample band filtered remix.

Whistle melody filtered.

Created using lmms and its triple-oscillator plugin, and lfo automation used on the formant filter (new in lmms 0. 4. 13).

Fish tank filter record with sennheiser mkh 416 & sound device 744tde-noise in izotope rx9hope you guys will like it.

The filter on the fish tank.

Testing/documenting my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. " using the fact that it's a dual. 2 sinus waves through both of the rectifiers, through a filter and a little spring reverb.

Blok modular set to bang on random keys/throw random parameters in various places. Sort of a kind of fm synthesis but i'm pretty sure blok can do a lot of extra things like place filters/waveshapers after the modulator but before the main oscillator. Don't want to give away much else but you can improv random textures by drawing in a waveshaper window/right-click to drag the drawing from one side to another. Also you can use the atan button to scale the notes on some sort of curve by distorting the note values. I could've added delay/reverb/eq/ ambience but i wanted it to be as dry as possible because that's personally what i look for, raw sounds that you can choose to change if you like. No edits aside from normalizing the. Wav file.

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330.

Sinus wave connected to the filter fm1 in sweeps sound from mfb osc-03some reverb from ladik d-330.

Filtered noise 50hz overtones and some other things going on.

Testing a synth and new filter.

A short section of arp action from my new ms2000r.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

Recording of classic water filter tune heard in most mumbai residential flats.

Filter delayed guitar sample.

Filter delayed guitar sample.

Moog voyager in hard sync does a dual lowpass filter sweep. One of those quintessential moog sounds.

Just a basic single wave form sample from a real roland jp-8080 saw wave in the key of g. Used in making an epic super saw and super arp for these youtube tutorials and project:. Part 1: https://www. Youtube. Com/watch?v=byd_yirefiipart 2: https://www. Youtube. Com/watch?v=wruzgwtmvuqfull ableton project here: http://blnd. Io/1aodggb. The sample is tuned to the key of g, you will have to make sure that the sample is set to the key of c or transpose up 5 semitones. I correct this in the new template update; so that all chords and arps are in sync w/ the correct key.

Seamless loop of gaspipe or gasleak hissing continuously. This sound is the actual background noise in the frequency range 1200 to 6800 hz from my randomly generated subhorrorambience1. Wav sample. All frequencies below 1 khz (lowend) and above 8 khz (highend) have been filtered out and the volume has been normalized. I release this sound as cc0. You can do whatever you want with it and don't need to mention my name. Tips & tricks for professional mastering of dark ambient loops:. ~ (range) 1200 - 8000 hz, the highmid area of all sounds. ~ (gate) filtering in and adding subtle noise in this frequency range can addatmosphere or "air" to dark ambience but sound noisy like a tape recording. ~ (filter) filtering out noise in this frequency range can make the bass andlower frequencies (20-1000 hz) in dark ambience sound clearer but more dull. ~ (highend) frequencies above 8 khz should always be filtered out completelyand muted to 0 db, since those are only necessary in music and higher sounds.

Violin through filter fx on line 6 pedal.

Dark bass sound made with the following modules as main actors dinsync modseq, doepfer a-124 special edition, uoki-toki polivoks vcf, intellijel μvcf and synthrotek dirt. I'm exploring my filters and try to use them in different ways.

Processed alto sax sound - approx. C5 w/filter stepping.

A bubble filtered build.

A metal filtered build.

White noise with a slow low pass filter.

Sounds that were created during a mixing session. I cut out my favorite samples.

I needed this synth part for this song i'm working on right now. . . So i decided to create one instead of getting one from here. Saw wave, with a gate, and a saw lfo low pass filter down, with full delay and slight reverb. Areppegiating on a c#6.

This is a remix for the freesound continuum project. I took the original file:. 150306__corsica-s__the-view-from-a-distant-giant. I played with it by vocoding it, and a bit of filtering and general mucking about in reason6.

The same bassline like the other one i made, just with a lowpass filter that is triggered everytime a key is played.