4289 pistas de audio libre de derechos para "Midi"

Septimal minor triad on C (C,E7b,G or 6:7:9)

Just major seventh chord on C (8:10:12:15).

Ach lieber Herre Jesu Christ, Evang. Gesangbuch 203

Fantasiestücke, Op. 12, Nr. 6, "Fabel", by Robert Schumann (15 KB, 2:13 minutes)

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of half notes. =60.

Herr, gib du uns Augen, die den Nächsten sehn, Evang. Gesangbuch Bayern-Thüringen 649

Es, es, es und es, es ist ein harter Schluss

Öffnet euch, ihr Tore, weit; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 783

Mu chord on E, for guitar. Created by Hyacinth (talk) 22:45, 22 December 2011 (UTC) using Sibelius 5.

Two-hundred-forty-seventh subharmonic on C = C♯. 256/247 = 61.96 cents.

Hymn tune Lauda Anima (Praise, My Soul, the King of Heaven)

Verleih uns Frieden gnädiglich, Evang. Gesangbuch 421, andere Form

Ein Kind ist uns geboren heut, Gotteslob (1975) 136

Weserlied - Wo die Weser einen großen Bogen macht

In Gottes Namen fahren wir, Evang. Gesangbuch 498

Heilger Josef, hör uns flehen, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 909

Lasst uns heilig, heilig singen, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 888

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of quarter notes. =60.

Webern's Concerto Op. 24 tone row, composed of four trichords: P RI R I.

Yo scale on D. Created by Hyacinth (talk) 11:53, 21 March 2010 using Sibelius 5.

Jacob Hintze: Kanon In te, Domine, speravi: non confundar in aeternum (Schlussvers des Te Deum)

Fantasiestücke, Op. 12, Nr. 4, "Grillen", by Robert Schumann (18 KB, 3:47 minutes)

Bach, Sinfonia in F minor BWV 795, mm. 1-3, composite rhythm.

O großer König, Jesu Christ; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 805

Was alle Zeiten sich erhofften, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 848

Maria, breit den Mantel aus, Gotteslob (1975) 595

A MIDI recording of the first four bars of Prelude in C Major, BWV 848, by J.S. Bach.

OGG rendition of the MIDI file of Mozart's K. 520 (315 kB)

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 16th notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 8th notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 64th notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 32nd notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of whole notes. =60.

Sound generated with online synth and then tweaked a bit with audacity. Link to synth: https://lti-adx. Adelaide. Edu. Au/music. Technologies/midi-synth/.

Just some alien like weird stuff i made by processing my voice with some ableton fx nd some weird midi stuff.

A remix of a track i got off this site, funky!. 88. 5 bpm.

I made these loop parts set in ableton live using non sample based midi instruments and heaps of effects.

A short sample from an adaptation of a midi file called woodland theme by ethan harris. Arranged and adapted by myself. Original score by ethan harris.

4 measure, 80 bpm, 4/4 electric bass bassline. Key is e-minor. Midi track made on soundtrap.

Scarborough Fair arranged for 2 flutes and harp with 2 variations "Scarborough Fair" arrangiert für 2 Flöten und Harfe mit 2 Variationen

Durch Adams Fall ist ganz verderbt, Evangelisches Kirchengesangbuch (1950) 243

Das historische Soldatenlied How Stands the Glass Around. The historic soldier song How Stands the Glass Around.

Komm, sag es allen weiter, Evang. Gesangbuch 225

Bagatelles, Opus 33, no.4 by Ludwig van Beethoven, 2:51 minutes

Erde, singe; Gotteslob (1975) Diözesananhänge; Gotteslob (2013) 411

Bagatelles, Opus 33, no.1 by Ludwig van Beethoven, 2:47 minutes

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

This is a MIDI rendered Ludwig van Beethoven's Symphony No. 9, Movement 2. It was created from a public domain MIDI file (https://commons.wikimedia.org/wiki/File:Sym_9_Second_Movement.mid) with LMMS using a public domain RKHive Unison soundfont (http://rkhive.com/banks.html). I just made minor adjustments like adding effects for better sound. I release this under CC0.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: akai ax80patch name (pack): moogalikenote: c2midi note: 36midi velocity: 16.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: akai ax80patch name (pack): diplodocusnote: c2midi note: 36midi velocity: 7.