4289 pistas de audio libre de derechos para "Midi"

Ave Maria zart (Gotteslob (1975) 583; Gotteslob (2013) 527)

Auf, Christen, singt festliche Lieder, Melodiefassung Gotteslob Eigenteil Freiburg/Rottenburg-Stuttgart

Kommt und lobet ohne End, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 886

Trebor: Se Alixandre et Hector fussent en vie.

Eins ist not! Ach Herr, dies Eine lehre mich erkennen doch (Evang. Gesangbuch 386)

French sixth chord in Schubert's D.795, No. 5, "Am Feierabend" ("The Hour of Rest").

The opening of Vth of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces Alberti bass patterns.

Schlesisches Volkslied Wenn mer suuntichs ei de Kerche giehn (Vorlage für Wir sind alle kleine Sünderlein)

First eight bars of the 3rd movement of Ludwig van Beethoven's Piano Sonata No. 21 in C major, Op. 53, the Waldstein.

Singt dem König Freudenpsalmen, Eichsfelder Melodie, Gotteslob (1975) Hildesheim 825

Auf dich allein ich baue; Gotteslob (1975) 293; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 838

Danket dem Herrn, denn er ist gut; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 814

All Morgen ist ganz frisch und neu (Evang. Gesangbuch 440; Gotteslob (1975) 666)

Freygish scale on D. Created by Hyacinth (talk) 03:16, 26 November 2011 (UTC) using Sibelius 5.

The second piece in the surviving fragments of Mozart's first compositions; from the Nannerl Notenbuch.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

Die güldene Sonne bringt Leben und Wonne, Ev. Gesangbuch 444

Merck toch, hoe sterck (What if a day, or a month, or a year)

Ave Maria, gratia plena, so grüßte der Engel die Jungfrau Maria, Gotteslob (2013) 537

Gegrüßet seist du, Königin (Gotteslob (1975) 573; Gotteslob (2013) 536)

MIDI Transcript of listening to the song "Down by the Riverside". Additionally copied correct rhythm from an outdated schoolbook. Transkription des Lieds "Down by the Riverside". Korrekte Rhythmen aus einem extrem alten Schulbuch kopiert.

Here i implement a basic guitar and a kick combined with a hi-hat to make this small loop, if you would like just the guitar or just the kick midi, dm me.

Native instruments battery3 was triggered by explosion of fireworks. I recorded fireworks and change it into midi notes with logic 7. Smaller signals are played by edirol sd-80 triggered by ambient noises around me.

Minor seventh chord on d (ii7) in C. Created by Hyacinth (talk) 07:23, 14 August 2011 (UTC) using Sibelius 5.

Jesus Christus, unser Heiland, der den Tod überwand (Evang. Gesangbuch 102)

Erhalt uns, Herr, bei deinem Wort (Ev. Gsb. 193), Kirchenlied von Martin Luther (T+M); Satz: Peter Gerloff

Descending enigmatic scale on C is distinguished by F♮, a lowered fourth degree.

A-flat harmonic minor scale ascending and descending. No pitch bend.

Dominant seventh on F in third inversion. Created by Hyacinth (talk) using Sibelius 5. See: File:Dominant seventh on F in third inversion.png

A-flat melodic minor scale ascending and descending. No pitch bend.

Jesus, meine Zuversicht (Evang. Gesangbuch 526); Jesus lebt, mit ihm auch ich (Evang. Gesangbuch 115)

Jesus, meine Zuversicht (Evang. Gesangbuch 526); Jesus lebt, mit ihm auch ich (Evang. Gesangbuch 115)

*(Lesser) undecimal neutral second on C = D↓ (Ben Johnston's notation). 12/11 = 150.64 cents.

Singen wir mit Fröhlichkeit, Gotteslob (1975) 135; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 736

Bridge chord, named after en:Frank Bridge. Minor chord with a major chord a whole tone above. Chord pictured followed by arpeggio with D major at the octave.

Suite for Microtonal Piano microtonal tuning arranged in a chromatic scale. Created by Hyacinth (talk) 14:26, 17 January 2012 (UTC) using Sibelius 5.

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

Simple duple drum pattern: divides two beats into two. Created by Hyacinth (talk) 02:19, 20 July 2009 using Sibelius 5.

Michael, row the boat ashore Hört, wen Jesus glücklich preist, Evangelisches Gesangbuch (Regionalanhänge)

German Church Hymn "Mein schönste Zier" (Gotteslob (1975) 559; Gotteslob (2013) 361; Ev. Gsb. 473)

Die Wollust dieser Welt ist Zucker unter Gallen (Krieger 1657 / Fritsch 1679) nach dem Darmstädter Gesangbuch von 1698

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

Der hat hingeben das ewig Leben, der nit die Musik liebt

Minor major seventh chord on IV in C. Created by Hyacinth (talk) 11:19, 1 July 2011 (UTC) using Sibelius 5.

Das ist der Tag, den Gott gemacht; Gotteslob (1975) 220; Gotteslob (2013) 329

O Sonn des Heiles, Jesus Christ, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 764

*Quarter tone on C = C/D. Equal-tempered: 21/24:1 = 50 cents. Preceded by:'

Seht, die gute Zeit ist nah, Evangelisches Gesangbuch 18; Gotteslob (2013) München-Freising 748

Combinatorial tone rows from Moses und Aron by Arnold Schoenberg pairing complementary hexachords from P-0/I-3.

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.